Beg (Songs of Submission #1)(16)
I nodded. I got it. I felt comforted, in a way, that I could meet him later, have mattress-bending sex, then go home without worrying. I knew I wasn’t getting involved, and if he had the same idea, I was safe.
Debbie gathered her things and started to stand, but I wasn’t done.
“Why did she leave?” I asked.
“Another man,” she said, “and everyone knew it.”
“Ouch.”
Debbie nodded. “Ouch is right. It should never happen to any of us.”
CHAPTER 7.
I hated gigs like Frontage. I had to sing songs someone else wrote to people who weren’t there to see me. I had to sing through waiters taking orders and customers being seated. I couldn’t sing too loud or I’d disturb everyone, and I couldn’t improvise at all. Ever. I was background.
But it was money, if not a lot, and it was practice. It wasn’t as if Vinny had shown up and booked anything fabulous. It wasn’t as if he’d shown up at all in the past two weeks. I simply had nFothing else going on.
We had a dressing room with a smudged mirror and filth on everything. Some time in the eighties, a tube of lipstick had been jammed into the seam between the two pieces of plywood that made up the counter, and the red goo that was out of reach of a folded paper towel had turned brown and crusty. The carpet stank of beer vomit, and the bathroom had been casually wiped down a few days previous. I felt like a superstar.
Gabby was already out there, tinkling the piano. She had a jazzy way of rolling her fingers across the keys, creating a melody from nothing, building on it, and landing into something else without a hitch. Her bag was open on the counter, and I did what Darren and I always did. I took out her meds and made sure she had one less Marplan than she had last night. Ten milligrams, twice a day. Eleven pills in the bottle. Darren had texted me this morning with the number twelve. Good.
I called him. He was headed out for another date with this girl whose name he wouldn’t reveal.
“Hey, Mon,” he said.
“Eleven,” I said.
“Thanks.”
“What are you doing tonight?” I asked.
“Date.”
“Are you going to tell me her name?” I sat on the torn pleather chair, letting my short skirt ride up since I was alone. My hair was up, and red lipstick coated my lips like lacquer. I looked like a 1950s pinup.
“Not yet,” he said.
“Is it an early date or a late date?” I swallowed hard. I was about to ask a lot.
“Maybe both. Why?”
“I wanted to…” I drifted off, because I wanted to meet Jonathan and relieve the ache he created, but I didn’t want to get into too much detail with Darren.
“Ask. I’m shaving and it’s messing up the phone.”
“I wanted to see Jonathan Drazen tonight. After the gig. Right after. I can be home to watch Gabby by eleven.”
“Can’t. Her boss got her tickets to Madame Bovary.”
Great. A date including a musical would go from dinner at seven p.m. to curtains at eleven thirty. He must like this girl.
“Sorry,” he said. I heard the water running.
“No problem.” I hung up.
Eight months before I ever worked at K, I found Gabby sitting at the kitchen sink, on the high stool I’d used to get cereal as a kid. Her head was on the counter and one wrist had flopped over, spilling blood onto the floor.
I’m so sorry I messed up the floor, Monica, she’d said the next day, in her hospital bed. That was what she was worried about: That I would be mad I had to clean up the floor. I’d just ripped up the whole thing and put in new press-on vinyl tiles. I couldn’t find another way to think about something besides how dead and cold she looked when I pulled her off the stool, or the blood trapped in the drain catch, or the way I’d screamed at her the day before for eating graham crackers in the living room, or the way she’d wept when Darren and I broke up, eons ago. I cried over cracking linoleum flooring because the ambulance had arrived a full nine and a half minutes after I called, and I spent them slapping her because it made her groan and I didn’t know what else to do to prove she was alive.
So though I wanted Jonathan to treat me like his own personal toy for a few hours, I had to get Gabby home and stay there until the next morning, when Darren would show up.
The lights kept me from seeing any of the diners. I smiled at a bunch of silhouettes because even though I couldn’t see them, they could see me.
Gabrielle hit the first song, Someone To Watch Over Me, then went to Stormy Weather. I had my groove on then. I sang with the feeling she and I had practiced, but as I got to the middle of Cheek to Cheek, I caught a whiff of cologne I recognized: Jonathan’s. Someone was wearing his cologne, and the weight between my legs came back from the memory of the afternoon. I sang about his cheek on mine, about the scent and feel of him. Under My Skin came out like a seduction. I sang the words, but all I could feel was sex, the need for it. I begged for it with the lyrics, the snappy little Sinatra tune gone, replaced by a moan for gratification.
When my voice fell off the last note, I was ready for that hotel room.
They applauded, quiet but earnest. You weren’t supposed to clap at all at these types of gigs, and I said, “thank you” with an embarrassed smile. I was convinced they could see my arousal like a dark patch soaking through my dress. I looked back at Gabby, and she gave me a thumbs up. I think I must have been a hundred shades of blush. I put the mike down and the spotlights went out. The diners started up their conversations again, and I headed back to the shitty dressing room.
C.D. Reiss's Books
- Rough Edge (The Edge #1)
- Bombshell (Hollywood A-List #1)
- Breathe (Songs of Submission #10)
- Coda (Songs of Submission #9)
- Monica (Songs of Submission #7.5)
- Sing (Songs of Submission #7)
- Resist (Songs of Submission #6)
- Rachel (Songs of Submission #5.5)
- Burn (Songs of Submission #5)
- Control (Songs of Submission #4)