Winter Solstice (Winter #4)(39)
He has missed the last three or four paragraphs of Masha’s ongoing monologue. Now she’s talking about a recipe for s’mores you can make under the broiler, which makes you feel like you’re beside a campfire even when you’re sitting in an apartment in East Boston.
Eddie’s phone pings. He’s distracted and nearly misses the turn for Medouie Creek Road. They are now out in Wauwinet, not far from the house where Eddie and Grace used to live. He wonders if Grace decided to bike out here to look upon their house and maybe even wander through their old gardens. The people who bought the house, the Pattons, live in Dubai and are on Nantucket only in August, so there would be no danger of interrupting anyone at home.
Somehow the thought of Grace pedaling out to set her eyes on their old life makes Eddie even more depressed than thinking of her rendezvousing with Benton Coe. Eddie failed her, failed her badly. He lost everything they had—and still she has stayed with him.
He will make it up to her. He will sell the Christys a house, this house on Medouie Creek Road, listed at thirteen and a half million, and he will invest every cent into Grace’s future happiness.
But first he has to get his head back in the game!
The nice thing about Masha is she doesn’t require anyone else’s participation in the conversation; she just prattles along happily by herself.
Eddie pulls into the driveway. “Here we are,” he says. It takes a second to recall that this is Rachel McMann’s listing; her turquoise Mini Cooper is parked in front of the garage.
“Now that’s what I’m talking about!” Masha says, interrupting herself when she sees the house, the pool, the pool house, the trimmed boxwood hedges and manicured lawn, the hydrangea bushes neatly bundled in burlap for the winter, and the view of the harbor spread out before them like a painting.
Rachel is standing in the doorway, wearing a dress that would look right at home on Marion Cunningham from Happy Days. She has an apron on over the dress, and she’s holding out a plate of freshly baked chocolate chip cookies; Eddie can smell them from the front walk.
So this is how she does it, he thinks.
He might as well be invisible. From the second the Christys walk through the door, Rachel takes over. She has made cookies, and she has classical music playing and a fire burning in each of the six fireplaces. She has staged every single room. There are fresh flowers in the common areas, including an arrangement of fresh lilies in the vestibule that towers over Eddie’s head. There are French milled soaps in the bathrooms and stacks of novels on each of the nightstands. The house has every amenity known to man: six bedrooms, each with its own bath, and a deep Jacuzzi tub in the master; a cathedral-ceilinged gourmet kitchen; a library; and in the basement, a home theater, a billiards room, and a wine cellar.
Masha is speechless.
Raja eats four cookies in rapid succession, then takes a fifth, which he carries around with him as they head outside to look at the pool and the pool house, which also features a steam sauna and a fully equipped gym, the answer to the Christys’ lack of exercise. Then they all meander out to the end of the deep-water dock.
“Do you two have a boat?” Rachel asks.
“Not yet,” Masha says. “But we might soon, right, Raj?”
Rachel leads them back to the house to warm up by the fire. Masha says she needs to use the little girls’ room.
“Powder room down the hall on the left,” Rachel says. “I’m just going to box up these cookies for you to take home. Feel free to wander. Jump on the beds if you want to, shoot a game of pool. I want you to feel at home.”
Masha disappears into the powder room, and Raja stands up, seemingly at a loss without her.
“Want to go back upstairs?” Eddie asks.
“There’s a built-in cigar humidor in one of the master closets,” Rachel says. “I may have forgotten to point that out.”
“A built-in cigar humidor?” Raja says. He seems nervous, almost intimidated. It is a lot of house, Eddie agrees. Maybe it’s too much house for the Christys; they’re both acting sheepish, like this house is a museum where they’re not allowed to touch anything.
“Let’s go take a look,” Eddie says.
“Let Roger go by himself,” Rachel says. “He’s going to be the man of the house, after all. You stay here, Eddie, and keep me company.”
Keeping Rachel company is the last thing Eddie wants to do, but he complies. Rachel McMann has proven to be a master at the art of selling a house.
“So what do you think?” Rachel says. She abandons the dishes in the kitchen sink, links her arm through Eddie’s, and leads him to the front room, which has an enormous picture window that looks out over the garden and the harbor. “Are they for real?”
“Yes,” Eddie says. “I mean, I think so. Hulbert and Lincoln Circle were a bust. They don’t understand the old-money thing.”
“No, I wouldn’t think so,” Rachel says.
“To be honest, I don’t understand the old-money thing,” Eddie says. “That heap on Hulbert is listed at eleven mil.”
“It’ll go for ten,” Rachel says. “The lot alone.” She points out the window at a bench in the garden. “Do you know where that bench originally came from? The Tuileries in Paris.”
“What?” Eddie says. At his former house down the way a bit, they had a bench that originally came from the Tuileries in Paris. It was one of Benton Coe’s big coups, finding Grace that bench. It was one of a hundred ways he seduced her. “Are these Benton Coe–designed gardens?”