Wild Sign (Alpha & Omega #6)(5)

She needed to interrupt it, so she said, “What is that song, Leah? Rachel’s right. It’s familiar but I can’t place it.” It made her want to go do . . . something.

Leah stopped humming but she looked lost in her own thoughts.

“Anna was a music major in college,” Sage told Rachel. “Before the bad wolves got her.”

Pulled away from the musical puzzle by Sage’s words, Anna tried not to scowl. Anna hadn’t wanted to go into graphic detail about her time in hell, for sure, so why did Sage reducing her abduction to the level of a Grimms’ fairy tale make the hair on her neck stand up? Anna frowned at her mostly full cocktail, sure she was overreacting. Maybe she shouldn’t drink things that tasted like paint thinner?

Leah touched Anna’s hand and gave her a soft smile that made her look more beautiful than Sage for a moment. And no one was more beautiful than Sage. It wasn’t a smile Anna had ever seen on Leah’s face before—something, she thought, the music had brought out.

“I don’t know the name of the song,” Leah said, her voice a little rough, as if her throat were dry. She looked at the far wall, but Anna was pretty sure it wasn’t what she was seeing. “I never did—or at least I don’t think I did. It’s been troubling me lately. I wonder what it means.”

The waiter came back with their drinks then, and the topic of conversation moved on to something lighter. But the song Leah had hummed lingered in Anna’s ears, along with a nagging sense of unease because of the unfinished story. It felt important. There had been five years between the day someone had happened upon Leah’s starving family and when Bran and someone else had rescued her.

Rescued her from what?





CHAPTER





1





AUTUMN: ASPEN CREEK, MONTANA

Anna let her hands press the ivory keys of the old upright piano in a few preparatory chords, enjoying the rich sound. Music, for her, was not just an auditory experience—she loved the feel of the vibrations running through her fingers. The bass notes resonated in her core, leaving her energized and ready to play.

In all senses of the word.

She glanced over her shoulder and up at her husband’s face. She wasn’t sure anyone else had ever played with him. No one in their pack, for certain, including Bran. Oh, they played music with him, but they didn’t play games.

The piano wasn’t her instrument, but like most people who had ever attended college with the aim of majoring in music, she was reasonably competent. For this game, the piano was more flexible than her preferred cello, which was limited to two notes at a time, a few more with harmonics.

“Ready?” she asked him, then launched into the song without waiting for his response.

She hummed where the melody came in—it was his job to figure out the words. It didn’t take him long this time. Charles, his warmth against her back, though he didn’t touch her, began singing the lyrics to “Walk on the Ocean” with her two beats after she’d started humming.

The game had originated when Anna found out Charles hadn’t heard of P. D. Q. Bach, who had been a favorite of one of her music teachers. A lack she had remedied with the help of the Internet. In return, Charles had shared a few singers he liked. Some of them left her cold. Some of them had been unexpectedly awesome. Of course, she had heard Johnny Cash before she’d met Charles. But Charles had turned her into an unabashed Johnny Cash fan—though she liked Cash’s songs even better if Charles sang them. They suited his voice.

She would have loved Charles if he hadn’t been able to carry a tune in a bucket, but Charles’s facility for and love of music had been one of many unexpected gifts her mate had brought to their union. She had been so lucky to find him.

Gradually they had begun challenging each other, finding singers, groups, or songs that the other didn’t know. It was the best kind of game: one with no losers. Either they figured out the song the other pulled out of their store of obscure or favorite songs (or obscure and favorite songs) or they didn’t.

Sometimes they kept score—the loser to do dishes or cook or something more fun. But mostly they just enjoyed making music together—the game giving the activity more variety than it might otherwise have had.

Toad the Wet Sprocket, evidently, had not been a challenge at all.

Anna laughed in surrender, then sang the rest of “Walk on the Ocean” with Charles, letting him anchor the melody while she worked out a descant an octave above him—pushing her alto into a register mostly reserved for sopranos. Sometimes crafting harmonies on the fly could go terribly wrong, but this time it sounded good. Their voices complemented each other, which, even with good singers, wasn’t always true.

“That’s one of Samuel’s favorites,” Charles told her when they were finished.

Anna hadn’t spent much time with Charles’s brother; he’d left his father’s pack by the time she’d joined, but she knew he was a musician, too. Listening to Charles, Samuel, and their father perform the old Shaker song “Simple Gifts” at a funeral had been the first indication Anna’d had that she’d married into a very musical family.

She’d thought her music lost the night she’d been attacked and turned into a werewolf. Charles had given it back. In return, she hoped, she had given him playfulness.