What Is Not Yours Is Not Yours(30)
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MYRNA HAD ASSUMED command over two boys who lived in the flat above her own: Jindrich and Kirill, the Topol brothers. Myrna was both boys’ grand passion . . . they called her “London” and longed for a chance to rescue her from some danger or other. Sometimes one brother would menace her so that the other could defend her, even though she’d emphasized from the beginning that all she required of them was that they both die for her if and when such endeavor became necessary. The Topols were in the process of teaching Myrna some Czech, so her instructions were mostly mimed, but the brothers understood her at once. Death frequently crossed their minds, and why shouldn’t it, when Myrna had become a participant in their Sunday afternoon wrestling matches in Ol?any cemetery? Kirill was ferocious and Jindrich was fleet of foot, but Myrna was nimbler still, and her brutality was fed by her desire not to cheat. Instead of laying hands on her opponent she wove figures of eight until he was exhausted and some obliging tree branch gave her the height to safely grab Jindrich or Kirill with both feet and slam him to the ground, with the additional offense of forcing him to break her own fall.
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WITH ITS TENS OF THOUSANDS of graves, Prague’s Ol?any cemetery is a large village, a small town, in itself. I, Gepetta, have been there, and I know that something travels in that place, something passes among the trees. I cannot say what this traveler is, since we’ve never crossed paths, but what I’ve been able to see for myself is that in some of Ol?any clearings leaves lock together and form shadowy bridges from branch to branch, and the barks of these bridged trees peel back to show a color that glistens with rawness and decay, sap and old bone. The Topols and Myrna followed this trail, switching wrestling arenas for about a month, scrambling through swathes of undergrowth, administering the occasional surprise fly-kick (no matter how many times it’s happened before, it’s always startling to be assaulted by a bush) before they discovered the little wooden devil. The wooden devil had been aware of them for weeks. She was carved of rowan wood, and she retained the opinions of trees: one of them being that it was best not to have anything to do with human folk. “Firstly, they cut us down,” Rowan said. “Secondly they’re all insane, though I suppose they can’t help that, being rooted in water instead of earth.”
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THE WOODEN devil got a good laugh out of the ones who passed by, though. They were so funny she couldn’t even feel sorry for them. They tried so hard to keep track of time. Whenever they were together they couldn’t let sixty of their minutes pass without asking each other what time it was; as if time was a volatile currency that they either possessed or did not possess, when in fact time was more of a fog that rose inexorably over all their words and deeds so that they were either forgotten or misremembered. The wooden devil’s official duty was to guard the grave of an alchemist named Rowan Wayland. The grave was empty; in fact it was one of seven scattered across the continent, and the other six were empty too. As an alchemist, Wayland had liked the idea of implying that he’d excelled at his profession—this could only work if he left absolutely no evidence of having died. His plan had worked. Six centuries had passed and the residents of the streets surrounding the cemetery still didn’t feel they could rule out the possibility of his being around somewhere. Every fourteenth of July without fail the town council received a bag of antique gold from an anonymous benefactor; symbolic payment for Wayland’s burial plot. It was actually somewhat unlikely that this payment came from Wayland himself, since the main reason King Rudolf had ordered the alchemist’s execution was his failure to produce gold from base metal as promised. Wayland had good friends. They arranged for a wooden puppet to be buried in place of his body. The man himself had fled the Czech lands and lived to advance his career in other royal courts.
The wooden devil had been through a lot since she’d been discovered to be the grave’s sole inhabitant—she’d been waxed and lacquered and pegged to the earth, frozen, drenched, and dried out again. She’d even seen the traveler in the trees: “Spinning, as a wheel does.” The life in the wooden devil was slight and vague, only a little more than that possessed by inanimate puppets, but it was maintained by the fact that the first impression she gave was one of humanity. Graveyard visitors approaching the wooden devil from behind tended to mistake her for someone about the same age as Myrna Semyonova was at that time, and would confidently strike up conversation, though they were either sheepish or oddly repulsed when they discovered their mistake. At any rate this persistence of address cultivated a silent response. The wooden devil had a good vantage point, and served as secret audience to a few Topol-Semyonova wrestling matches. The devil was slightly worried that Myrna and the boys would make a nuisance of themselves once they found her. But there was one tree that the wooden devil thought of as her mother, because this tree had murmured soothingly to her when she’d still been coming up as sapling. That tree watched over her still, and murmured what the elder trees at Ol?any always murmured:
“To pominulo; stejnÄ› m??e i tohle.” That went by; so can this.
The tree was right. This situation wasn’t unique. The children were most likely to run for their lives as soon as they saw her.
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MYRNA SAW THE DEVIL before the Topol brothers did, and she approached without calling out. She read the name on the headstone and brushed a little lichen out of the devil’s hair. Her gentleness left the devil nonplussed. It was highly irregular for anyone to be curious enough about the feel of her to voluntarily touch her. And nobody had ever seemed quite so pleased by their findings.