Turtles All the Way Down(66)

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But it turns out not to be terrible, because I know the secret that the me lying beneath that sky could not imagine: I know that girl would go on, that she would grow up, have children and love them, that despite loving them she would get too sick to care for them, be hospitalized, get better, and then get sick again. I know a shrink would say, Write it down, how you got here.

So you would, and in writing it down you realize, love is not a tragedy or a failure, but a gift.

You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person, and why.

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But underneath those skies, your hand—no, my hand—no, our hand—in his, you don’t know yet. You don’t know that the spiral painting is in that box on your dining room table, with a Post-it note stuck to the back of the frame: Stole this from a lizard for you.—D. You can’t know yet how that painting will follow you from one apartment to another and then eventually to a house, or how decades later, you’ll be so proud that Daisy continues to be your best friend, that growing into different lives only makes you more fiercely loyal to each other. You don’t know that you’d go to college, find a job, make a life, see it unbuilt and rebuilt.

I, a singular proper noun, would go on, if always in a conditional tense.

But you don’t know any of that yet. We squeeze his hand. He squeezes back. You stare up at the same sky together, and after a while he says, I have to go, and you say, Good-bye, and he says, Good-bye, Aza, and no one ever says good-bye unless they want to see you again.