Tough Enough (Tall, Dark, and Dangerous, #2)(4)



Ever.

Or at least not anymore.

I frown, confused by his attention. My confusion seems only to make him smile bigger, though. I want to look away. I really do, but I can’t. I feel like a fly trapped on flypaper, glued to this spot by his penetrating stare. Stuck until he decides to let me go.

Just a heartbeat before his disregard of Mona would be considered rude, Kiefer Rogan finally shifts his focus to my friend and takes her hand, grinning up at her. “So, Mona, are you the one who’s supposed to cover up all my imperfections?”

“No, that’s Katie. And don’t get me wrong, I love her and she’s one of the best artists in the biz, but I don’t think God Himself could improve anything on you,” she gushes with her most winsome, wholesome smile. I can tell she’s about ten seconds from stripping and throwing herself in his lap, but I doubt he can see it. She’s all calm confidence and cool beauty.

God, she’s good!

I envy my friend’s ability to be flirty and natural and unflustered in situations like these, whether she feels it or not. I used to be that way—poised and outgoing—but that girl, that version of Kathryn Rydale, got burned up in a fire a long time ago.

“I appreciate that, Mona,” he replies in a surprisingly genuine manner, “but I think the hi-def cameras might disagree. Apparently, scars are a bad thing.”

I cringe a little on the inside, even though I know it doesn’t show on the outside. If I’ve learned anything over the years, it’s how to hide. Emotions, insecurity, myself—hiding is the one defense mechanism that I’ve mastered.

“Why? Scars make a man . . . a man,” Mona assures him with a cute wink. That’s something else I could never pull off—cute. It would look clumsy and ridiculous on me. I don’t know what I can pull off, but I have a feeling it would be more in the neighborhood of awkward or weird.

“Oh, I’m a man, all right. All man,” he teases, shifting his eyes back to me. The instant they connect with mine, I’m unable to move or speak.

Again with the flypaper thing, I think in exasperation.

I want to avert my eyes, to hide from scrutiny like I’ve done for so long, but I can’t. It’s like I literally can’t look away. Even though it makes me distinctly uncomfortable in my own skin, I can’t look away. Maybe that’s because it also makes me feel breathless and warm and nervous and . . . fluttery.

In some way, the bizarre apprehension I’ve carried all morning makes perfect sense now. My gut told me he would be trouble. I just never expected him to be this kind of trouble. No one affects me this way anymore. No one. It’s been safer for me that no one has. And I liked it that way. Because this isn’t safe.

I work to hide my unhappiness with this situation. After all this time, why am I reacting to Kiefer Rogan? Of all people, why him? Is it his looks? His attention? The position of the moon or a random twist of fate? And why did I know, deep down, that he was going to be a problem? I don’t know the answers. What I do know is that my life is much less complicated when men aren’t a part of it. And Rogan is not just any man. He’s danger on two legs. And danger is something I don’t need. I’ve had enough of that to last a lifetime.

“I don’t doubt that one bit,” Mona murmurs, drawing me back to reality and the conversation going on around me.

“So does that mean you’re Katie?” he asks me, blatantly ignoring Mona, who is still clutching his hand, practically drooling all over it. “Are you the beautiful artist I’ll be spending my mornings with?”

There’s a silk thread in the gravel of his voice now. It soothes and it entices. It invites and it promises.

No wonder the world fell in love with him. He’s flat-out hazardous! That smile, that friendly nature, that wickedly handsome face . . . It’s a potent combination. It’s even working on me! And, as damaged as I am, I didn’t think any masculine wiles would be able to penetrate the thick scars I’ve developed. But, then again, I never expected to meet someone like Kiefer Rogan either.

“Yes, I’m Katie,” I mumble when I finally find my voice.

Rogan unfolds his big body from the makeup chair. I catch and hold my breath, stunned into immobility for the second (or is it the third?) time in a few short minutes.

He’s got to be over six feet; six feet of solid muscle and graceful lines. Wide shoulders, narrow waist, thick arms and legs, and it’s all encased in denim and cotton that hugs him like a lover.

In a slow walk that practically screams SEX, he makes his way across the room to me, not stopping until I have to look up at him from my diminutive five feet, three inches. “It’s a pleasure to meet you, Katie. I look forward to changing your mind about me.”

I’m spellbound. As much as I don’t want to be, I am. Not only is he gorgeous, which is bad enough, it’s clear that he’s charming, too. Good God, what a combination.

Up close, he’s even more heart-stopping. I can see that, unlike his hair, his lashes are nearly black and sinfully long, framing his eyes and turning plain green into dazzling emerald. I can also see that there’s a tiny scar marring the smooth line of his upper lip. I wonder what it would feel like to run my fingertip over it. I find myself inordinately fascinated by it.

I drink him in, albeit reluctantly. Kiefer Rogan is like champagne—undeniably delicious, deceptively light, and too easy to get drunk on. To lose your mind with. To make a mistake with.

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