To Kill a Kingdom(2)



“Did you bring your shell?” I ask.

Kahlia scoops her hair out of the way to show the orange seashell looped around her neck. A similar one just a few shades bloodier dangles from my own throat. It doesn’t look like much, but it’s the easiest way for us to communicate. If we hold them to our ears, we can hear the sound of the ocean and the song of the Keto underwater palace we call home. For Kahlia, it can act as a map to the sea of Diávolos if we’re separated. We’re a long way from our kingdom, and it took nearly a week to swim here. Since Kahlia is fourteen, she tends to stay close to the palace, but I was the one to decide that should change, and as the princess, my whims are as good as law.

“We won’t get separated,” Kahlia says.

Normally, I wouldn’t mind if one of my cousins were stranded in a foreign ocean. As a whole, they’re a tedious and predictable bunch, with little ambition or imagination. Ever since my aunt died, they’ve become nothing more than adoring lackeys for my mother. Which is ridiculous, because the Sea Queen is not there to be adored. She’s there to be feared.

“Remember to pick just one,” I instruct. “Don’t lose your focus.”

Kahlia nods. “Which one?” she asks. “Or will it sing to me when I’m there?”

“We’ll be the only ones singing,” I say. “It’ll enchant them all, but if you lay your focus on one, they’ll fall in love with you so resolutely that even as they drown, they’ll scream of nothing but your beauty.”

“Normally the enchantment is broken when they start to die,” Kahlia says.

“Because you focus on them all, and so, deep down, they know that none of them are your heart’s desire. The trick is to want them as much as they want you.”

“But they’re disgusting,” says Kahlia, though it doesn’t sound like she believes it so much as she wants me to think that she does. “How can we be expected to desire them?”

“Because you’re not just dealing with sailors now. You’re dealing with royalty, and with royalty comes power. Power is always desirable.”

“Royalty?” Kahlia gapes. “I thought . . .”

She trails off. What she thought was that princes were mine and I didn’t share. That’s not untrue, but where there are princes, there are kings and queens, and I’ve never had much use for either of those. Rulers are easily deposed. It’s the princes who hold the allure. In their youth. In the allegiance of their people. In the promise of the leader they could one day become. They are the next generation of rulers, and by killing them, I kill the future. Just as my mother taught me.

I take Kahlia’s hand. “You can have the queen. I’ve no interest in the past.”

Kahlia’s eyes are alight. The right holds the same sapphire of the Diávolos Sea I know well, but the left, a creamy yellow that barely stands out from the white, sparkles with a rare glee. If she steals a royal heart for her fifteenth, it’ll be sure to earn her clemency from my mother’s perpetual rage.

“And you’ll take the prince,” says Kahlia. “The one with the pretty face.”

“His face makes no difference.” I drop her hand. “It’s his heart I’m after.”

“So many hearts.” Her voice is angelic. “You’ll soon run out of room to bury them all.”

I lick my lips. “Maybe,” I say. “But a princess must have her prince.”





2


Lira


THE SHIP FEELS ROUGH under the spines of my fingers. The wood is splintered, paint cracking and peeling over the body. It cuts the water in a way that is too jagged. Like a blunt knife, pressing and tearing until it slices through. There is rot in places and the stench makes my nose wrinkle.

It is a poor prince’s ship.

Not all royals are alike. Some are furnished in fine clothes, unbearably heavy jewels so large that they drown twice as fast. Others are sparsely dressed, with only one or two rings and bronze crowns painted gold. Not that it matters to me. A prince is a prince, after all.

Kahlia keeps to my side, and we swim with the ship while it tears through the sea. It’s a steady speed and one we easily match. This is the agonizing wait, as humans become prey. Some time passes before the prince finally steps onto the deck and casts his eye at the ocean. He can’t see us. We’re far too close and swim far too fast. Through the ship’s wake, Kahlia looks to me and her eyes beg the question. With a smile as good as any nod, I return my cousin’s stare.

We emerge from the froth and part our lips.

We sing in perfect unison in the language of Midas, the most common human tongue and one each siren knows well. Not that the words matter. It’s the music that seduces them. Our voices echo into the sky and roll back through the wind. We sing as though there is an entire chorus of us, and as the haunting melody ricochets and climbs, it swirls into the hearts of the crew until finally the ship slows to a stop.

“Do you hear it, Mother?” asks the prince. His voice is high and dreamlike.

The queen stands next to him on the deck. “I don’t think . . .”

Her voice falters as the melody strokes her into submission. It’s a command, and every human has come to a stop, bodies frozen as their eyes search the seas. I set my focus on the prince and sing more softly. Within moments his eyes fall to mine.

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