Then She Was Gone(31)

She grips her half-glass of champagne between her hands and looks around the table from person to person, her focus not wavering. ‘I’ve only known Laurel for a couple of weeks,’ she begins, perfect diction, unerring poise. ‘But in that time I’ve got to know her well enough to consider her to be a true and beautiful friend. She’s so kind and so generous, and my father and I are so lucky to have her in our life. And now I can see that she is not the only lovely person in her family. I know I’ve only just met you all, but I can feel how much you all love each other and I feel honoured to be a part of all this. To Laurel’ – she raises her glass – ‘and to Hanna. And to happy families!’

There’s a brittle silence, just long enough to acknowledge the strangeness of Poppy’s pitch-perfect speech, the irony of her comment about happy families, before everyone else raises their glasses and says, ‘To Hanna, to Laurel, happy birthday.’

Paul catches Laurel’s eye from the other end of the table and throws her a conspiratorial whatthefuck look. She smiles tightly at him. She wants to join in with his wry judging but she feels strangely loyal to Poppy. She’s young. She has no mother. She doesn’t go to school. She doesn’t know.

Bonny turns to her as they all put down their glasses and says, ‘I hope you know I’ve been wanting this to happen for an awfully long time.’

Bonny has an unruly face: a wide mouth that moves in all directions at once, a dip and a curve in her nose, one eyebrow sits higher than the other and her chin has a scar running through it. But it all works together somehow and Laurel can see that she is beautiful.

‘Yes,’ says Laurel. ‘I know. I’m sorry I wasn’t ready before. It was never anything to do with you. I promise you.’

Bonny’s hand covers hers. Her nails are short and painted red. ‘Of course I know that. And Paul has never spoken about you in any way that wasn’t positive and generous. I’ve always understood. And I understand now, too. You’re moving on, because you can. You couldn’t before. There’s a right time for everything. Don’t you think?’

Laurel nods and smiles and thinks, Well, maybe not. Maybe, for example, there’s not a right time to lose your child. But she doesn’t say it because this nice woman is trying her hardest and this is an important conversation, one that will set the tone for a relationship that could last the rest of her life.

Paul reaches across and passes Laurel a wrapped gift. ‘Happy birthday,’ he says.

Laurel tuts. ‘Oh Paul,’ she says, ‘you didn’t have to. That’s just …’

‘It’s nothing, really.’

‘Shall I open it now?’

He shrugs. ‘Yes. Why not.’

She unpeels the paper and uncovers a book. The Goldfinch by Donna Tartt.

‘I hope you haven’t read it?’

‘No,’ she says, turning it over to read the back cover blurb. She hasn’t read a book for ten years.

‘Ooh, that book is brilliant,’ says Poppy.

‘Oh,’ says Paul, ‘you’ve read it?’

‘Yes,’ she replies. ‘I read two books a week. At least.’

‘Wow,’ says Paul. ‘And you enjoyed it?’

‘Loved it.’ She picks the book up and holds it between her hands, caressing the sides of it lovingly. ‘It’s about a boy who goes to a museum and his mum gets blown up by a bomb. He steals a small painting in the midst of the chaos and then spends the rest of his life trying to hide it from everyone. It’s set in New York.’

‘Sounds brilliant,’ says Laurel.

Poppy nods. ‘It really, really is.’ Her face lights up as she talks.

‘I must say,’ says Laurel, ‘that for a girl who thinks humanity is just a tedious mistake, you seem to have a lot of enthusiasm for novels. What is it about fiction that you enjoy?’

Poppy’s hands fall on to the book. ‘Stories’, she says, ‘are the only thing in this world that are real. Everything else is just a dream.’

Laurel and Paul smile and nod. Then they turn to each other and exchange a look. Not a wry look this time, but one of disquiet.

Ellie used to read two books a week and when they teased her about always having her nose in a book, Ellie used to say, ‘When I read a book it feels like real life and when I put the book down it’s like I go back into the dream.’

Laurel picks up her champagne and raises it to Poppy. ‘Cheers to that, Poppy,’ she says, ‘cheers to that.’

The evening is enjoyable. A success. Poppy does slightly attempt to hijack proceedings but as she is so obviously the youngest at the table and everyone is looking for some extra social glue to keep the whole precarious thing stuck together, she gets away with it.

‘What a delightful girl,’ Paul whispers in her ear as they’re filing out of the restaurant at eleven o’clock. ‘Doesn’t she remind you in a funny way of …’

Laurel knows what he’s going to say before the word is out of his mouth. ‘Yes,’ she says. ‘Yes, in some ways. She really does.’

‘That thing about the book. The reality and the dreams.’ He shakes his head wonderingly.

‘I know. I know. Weird.’

‘And looks like her, a bit, too?’