The Wicked King (The Folk of the Air #2)(30)
“Cease playing!” I shout as loudly as I can, panic giving my voice the edge of a scream. “As your Queen of Mirth, as the seneschal of the High King, you will allow me to choose the dance!”
The musicians pause. The footfalls of the dancers slow. It is only perhaps a moment’s reprieve, but I wasn’t sure I could get even that. I am shaking all over with fury and fear and the strain of fighting my own body.
I draw myself up, pretending with the rest of them that I am decked out in finery instead of rags. “Let’s have a reel,” I say, trying to imagine the way my stepmother, Oriana, would have spoken the words. For once, my voice comes out just the way I want, full of cool command. “And I will dance it with my king, who has showered me with so many compliments and gifts tonight.”
The Court watches me with their glistening, wet eyes. These are words they might expect the Queen of Mirth to say, the ones I am sure countless mortals have spoken before under different circumstances.
I hope it unnerves them to know I am lying.
After all, if the insult to me is pointing out that I am mortal, then this is my riposte: I live here, too, and I know the rules. Perhaps I even know them better than you since you were born into them, but I had to learn. Perhaps I know them better than you because you have greater leeway to break them.
“Will you dance with me?” I ask Cardan, sinking into a curtsy, acid in my voice. “For I find you every bit as beautiful as you find me.”
A hiss goes through the crowd. I have scored a point on Cardan, and the Court is not sure how to feel about it. They like unfamiliar things, like surprises, but perhaps they are wondering if they will like this one.
Still, they seem riveted by my little performance.
Cardan’s smile is unreadable.
“I’d be delighted,” he says as the musicians begin to play again. He sweeps me into his arms.
We danced once before, at the coronation of Prince Dain. Before the murdering began. Before I took Cardan prisoner at knifepoint. I wonder if he is thinking of it when he spins me around the Milkwood.
He might not be particularly practiced with a blade, but as he promised the hag’s daughter, he’s a skilled dancer. I let him steer me through steps I doubtlessly would have fumbled on my own. My heart is racing, and my skin is slicked with sweat.
Papery moths fly above our heads, circling up as though tragically drawn to the light of the stars.
“Whatever you do to me,” I say, too angry to stay quiet, “I can do worse to you.”
“Oh,” he says, fingers tight on mine. “Do not think I forget that for a moment.”
“Then why?” I demand.
“You believe I planned your humiliation?” He laughs. “Me? That sounds like work.”
“I don’t care if you did or not,” I tell him, too angry to make sense of my feelings. “I just care that you enjoyed it.”
“And why shouldn’t I delight to see you squirm? You tricked me,” Cardan says. “You played me for a fool, and now I am the King of Fools.”
“The High King of Fools,” I say, a sneer in my voice. Our gazes meet, and there’s a shock of mutual understanding that our bodies are pressed too closely. I am conscious of my skin, of the sweat beading on my lip, of the slide of my thighs against each other. I am aware of the warmth of his neck beneath my twined fingers, of the prickly brush of his hair and how I want to sink my hands into it. I inhale the scent of him—moss and oak wood and leather. I stare at his treacherous mouth and imagine it on me.
Everything about this is wrong. Around us, the revel is resuming. Some of the Court glance our way, because some of the Court always look to the High King, but Locke’s game is at an end.
Go back to the palace, Cardan said, and I ignored the warning.
I think of Locke’s expression while Cardan spoke, the eagerness in his face. It wasn’t me he was watching. I wonder for the first time if my humiliation was incidental, the bait to his hook.
Tell us what you think of our lady.
To my immense relief, at the end of the reel, the musicians pause again, looking to the High King for instructions.
I pull away from him. “I am overcome, Your Majesty. I would like your permission to withdraw.”
For a moment, I wonder what I will do if Cardan denies me permission. I have issued many commands, but none about sparing my feelings.
“You are free to depart or stay, as you like,” Cardan says magnanimously. “The Queen of Mirth is welcome wheresoever she goes.”
I turn away from him and stumble out of the revel to lean against a tree, sucking in breaths of cool sea air. My cheeks are hot, my face is burning.
At the edge of the Milkwood, I watch waves beating against the black rocks. After a moment, I notice shapes on the sand, as though shadows were moving on their own. I blink again. Not shadows. Selkies, rising from the sea. A score, at least. They cast off their sleek sealskins and raise silver blades.
The Undersea has come to the Hunter’s Moon revel.
I rush back, tearing the long gown on thorns and briars in my haste. I go immediately to the nearest member of the guard. He looks startled when I run up, out of breath, still clad in the rags of the Queen of Mirth.
“The Undersea,” I manage. “Selkies. They’re coming. Protect the king.”
He doesn’t hesitate, doesn’t doubt me. He calls together his knights and moves to flank the throne. Cardan looks at their movement in confusion, and then with a brief, bright spark of panic. No doubt he is recalling how Madoc ordered the circling of the guards around the dais at Prince Dain’s coronation ceremony, just before Balekin started murdering people.