The Unwilling(117)
She took three steps in his direction, and Reece flinched away, so quick and clumsy he struck a wall stud, and made enough noise to freeze the girl where she stood. That was the tableau. Two seconds. Then she came straight for the place he hid. Reece wanted to run. He couldn’t stop watching. She smoothed a palm along the wall, then pressed her ear against it. He could see a bit of hair, the curve of her forehead. A foot to the left and she might find the hole he’d drilled into the base of a wall sconce.
So close!
If he held still …
If he was patient …
“Hey!”
Her palm struck the wall, and a sound escaped Reece’s mouth, something like, Yeep. She fell backward, said in the walls, then picked up a chair, and flung it. It hit like a bomb; crashed to the floor. Reece wanted to calm her down, wanted her to breathe, so they might one day dance.
It’s not too late.
It doesn’t have to be.
He watched in horror as she picked up the chair, and beat it to pieces on the wall that stood between them.
* * *
In the basement cage, Gibby tilted his head.
“Chance, do you hear that?”
A distant pounding. Hollow. Rhythmic.
“I hear it.”
Chance tried to sit up straight. He was stiff and hurting, though the bleeding had stopped.
“That way, I think.”
Gibby gestured toward the corner of the room, and both boys stared through the mesh, up at the floor joists. Not directly above them, but, Yeah, that way, and like the screaming, inside the house.
Gibby said, “Whatever that is, I don’t like it.”
Chance agreed. “Come on, man. Get us out of here.”
“Damn right.”
Gibby went back to work. It wasn’t easy. The clamp was small, and tended to slip. Half the bolts were rusted in place. He had five out, and needed to strip out three more along the bottom. He figured four more up the side and he could beat the corner into an opening.
“Let’s go. Let’s go. Let’s make this happen.”
Gibby needed no convincing. He broke a bolt loose; twisted it out, and went back for the next. “Six more.”
That’s when the pounding stopped, and the screaming started.
* * *
For French, the night was a tribulation of body and soul. He was exhausted, desperate, and half-blind from the glare of a million headlights. He’d crossed the city a dozen times, lied to his wife on six occasions, and humiliated himself in front of Captain Martin’s entire family: midnight on the porch, and begging for information. But he was prepared to lie, steal, or cheat, to beat an informant half to death if he thought the guy was holding back.
Would he kill someone?
He was too tired to answer the question, and wouldn’t trust an answer if it fell out of his mouth. He was down to random streets and places: a park they’d gone to when Gibby was a kid, the dead man’s neighborhood, his neighbors, the crash pad of a dealer who’d grown up on Chance’s side of town, just on the chance he might have heard something.
Nobody knew a thing. That was the problem. They had an ID on the dead man in Chance’s house, and that gave them an address and a rap sheet, but that was it. The captain had sworn it: even the cops were dry.
How long until dawn?
Two hours?
“David 218.”
The radio squawked, and French keyed the mic. “David 218, go ahead, Dispatch.”
“Detective Burklow requests you call a private line. Stand by for the number.”
“Go ahead, Dispatch.” He found a pencil; jotted down the number.
“David 218, be advised the matter is urgent.”
French was on a four-lane, west side of town, and the last pay phone he’d seen was two clicks back. No traffic this late, so he cut the wheel hard, and left an arc of smoking rubber. When the Food Town appeared, it was across the street, so he left another black arc, and hit the parking lot entrance so fast he grounded out the shocks.
Burklow picked up a half second into the first ring. “This is complicated, so I need you calm. Are you calm?”
French squeezed the phone until he thought his hand would break. “Yes, I’m calm. Where are you?”
“Pay phone eight blocks from your house. Before you ask, your wife tracked me down an hour back, saying things like you were lying to her and she knew it, and it had to be about Gibby, and why would you lie about her last good son. She was on the ledge. I went over to talk her down. That’s when we got the call from Jason. He’s out. He’s looking for you.”
“How is that possible?”
“I don’t have the answers. He had little time and a lot of things to say, and that wasn’t part of it.”
French ground his teeth, trying hard to fight off the confusion and disappointment. “You said this was urgent. I thought it was about Gibby.”
“That’s the thing. Jason claims to know where he is.”
“Say that again.”
“Where he is, who has him, and how to get him out. He said the kid’s in serious danger, that the guy who took him is a killer, the worst kind.”
“Give me the address.”
“Bill, he says it’s the guy who killed Tyra Norris.”
* * *