The Nix(215)

15. Many of the characters in the book engage in some type of art. What role or purpose does art seem to fulfill in their lives? Why does Samuel decide to become a novelist? What does he hope that his book The Nix will achieve?

16. Evaluate the theme and motif of protest. In addition to the protests that Faye takes part in as a young woman, Samuel attends a protest with Bethany and serves as a witness to other protests. What are some of the causes that the characters protest? What happens at the protests? Are they successful? What do you think Walter Cronkite meant when he observes that maybe the story isn’t the people protesting but the people who are not? Does the book ultimately portray protest as a valuable pursuit or a futile one? What seems to be the purpose of protest? Discuss.

17. Why does Judge Charlie Brown take on the case against Faye? How do the two know each other? Does Judge Brown get the outcome he desires? Why or why not? What does Brown’s character suggest about fairness and justice in the world?

18. Who is Sebastian? How does Faye meet Sebastian, and why is she initially drawn to him? What is her reaction to the revelation of his true identity? What does Faye recognize as their common bond?

19. Consider the collective view of America that the novel offers. What does this America look like? Would you say that is an accurate portrayal? Why or why not? How does the author use comedy and the absurd to pose truths about the cultural and political landscape? Alternatively, how does he employ elements of tragedy to accomplish this? Does one method seem to be more successful in accomplishing this than the other? Explain.

20. In addition to the story of the Nix, another recurring tale in the novel is the parable of the elephant. What is the lesson in this parable, and what does it reveal about the true self? How might this message or way of looking at things shape your own understanding of and response to the characters in the book?

21. At the end of the book, Faye thinks: “Something does not have to happen for it to feel real” (581). What do you think she means by this? What might her statement suggest about the past, memory, imagination, and regret?