The House Swap(49)



When I read these messages I can’t help but be angry. She’s expressing all this doubt and confusion, but it’s founded on beliefs and judgements she’s made without even stopping to consider. She’s so sure of how it is, so used to seeing the world through her own particular prism, that it doesn’t even enter her head that things may not be as they appear.

I nurse this anger for a while until it threatens to explode, and then I take the long, sharp kitchen scissors again and go to the rows of photographs in the hallway. One by one, I take them down and prise the backs away, lifting out the sheets of glass. My hands are trembling, but this job needs precision, so I sit and wait until I’m steely and focused, my concentration narrowing to the small pocket of carpet before me with the photos laid out in rows. I take each one in turn and I cut carefully into them, digging the points of the scissors into the centre of her face and then snipping outwards until I’ve removed her from the picture.

At the end of it, I lay the glass gently back on each one and replace them in their positions on the wall. Standing back, I see how it looks, and I like it. A series of small black ovals popping out from the frames, conspicuous only by their absence. She’s gone. All that’s left of her is the small, mangled pile of photo print at my feet. I think about throwing it away. But then I remember what she’s said, about how if someone cares about you at all, then it’s their duty to engage with you in some way, and in the end I just leave it there.



Away


Caroline, May 2015


I’M SITTING ON a bench at the edge of the playground, watching children scramble like ants over the blue metallic climbing frame. It’s cold for the time of year and the sound of their shrieking and whooping is jarring, but I don’t know this area and the only other place I could think of was the coffee shop I went to with Amber, where she might easily have appeared. No one without children comes here. Every now and then, I notice the other mothers giving me funny sidelong looks, trying to pinpoint which child I’m attached to. A couple of them are clearly discussing me, sharp, beady eyes gleaming at the sight of a stranger in their midst. Usually, it would make me feel uncomfortable, but today I don’t care. My mind is still buzzing with shock, and everything else is just background noise.

I read over the text Amber sent me a few hours ago. Caroline, I’m sorry I asked you to leave yesterday. It was a shock for me as well as you. It just all seems too much of a coincidence. I still can’t believe it, to be honest. Look, please call me back. I picture her face as we stood in her kitchen – taut, disbelieving, coldly dismissive of my tears. She didn’t ask me to leave; she told me to get out.

She’s been ringing on and off ever since she sent the text. The sporadic bursts of noise coming from my phone are getting more frequent and shorter, lasting only a couple of rings before she realizes I’m still not going to answer and gives up.

I know I should call her back, that I’ll have to talk to her eventually, but I can’t do it yet. There’s too much jumbled up in my head. I look again at that text, the word coincidence jumping out from the screen. She understands that it’s not possible for this to be some bizarre quirk of fate, but she doesn’t understand that I’m not the one who has brought it about. You’ve planned and engineered this, and you must have known there was a chance that this would happen – that my path would cross with hers. I have no idea if you viewed it as a risk you decided to take, or if it was what you wanted all along.

At the thought, I breathe in sharply, feeling pain sear through me. I don’t know why you would want me to see her. Now that I have, there’s no way I’ll ever be able to unsee the images that are cycling through my head like reels of film. The way you might have lingered at your window, watching her move in across the street, sizing her up and liking what you saw. The carefully engineered meeting, the quick, flirtatious glances of appraisal. Just moved in? Let me know if you need anything … The excitement of those first dates, the electricity of your first kiss. Fast-forwarding to the two of you draped comfortably over each other on your sofa, watching TV or chatting about your day. Sat together at her kitchen table, sharing a meal over a glass of wine. Doing the chores on a Sunday morning, hanging up the washing or scrubbing the bathroom. All those cosy domestic things that we never did. And that’s before I even get to the part that hurts most – your hands encircling her slim waist, your lips kissing the hollow of her neck, her legs wrapped around yours and the sound of your voice whispering the things to her that you used to say to me. If I’ve let myself imagine you, in the past two years, it’s always been alone. I’ve been unable to cope with the idea of putting someone else in that picture beside you.

I think of the letter I sent you a few days after I last saw you – the one I scrawled on yellow lined paper I had torn from an office notebook, a ridiculous attempt to spark some nostalgia in you. I scribbled down all the memories and everything they had meant to me, and at the end I told you that I hoped you would be happy, and that I knew you wanted me to be happy, too. Now I’m not so sure, about either part. The thought of you being happy with her tightens my chest with almost unbearable sorrow, and it’s increasingly clear that you don’t want me to be happy at all. This feels more like torture, as if you want me to be punished.

The idea sets something off inside me, a violent reverberation of unease. I can’t help remembering the last time I saw you; the way I turned and left you standing there, the sight of you standing motionless by the side of the road when I looked back. I’ve never been able to widen out that picture, to let myself wholly remember. I walked away and didn’t look back again. I pushed down the guilt and the pain, smothered it into submission out of sheer desperation. I know you couldn’t have done the same. You’ve had to live it, and I have no idea how it might have changed you.

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