The Guest Room(3)



“Russia? The Ukraine? I don’t know,” he answered Brandon finally. “I mean, the guys who brought them here have Russian accents.”

One of the girls was blond, her hair cut into a bob. The other’s hair was creosote black and cascaded in waterfalls down her neck and onto her shoulders. She was still in her thong, but the blonde—whose hands were cupping the other girl’s ass, her fingers splayed, with such apparent force that the breath had caught in his throat—was absolutely naked but for the glitter that sparkled in the light from the wrought-iron floor lamp.

“Maybe the Middle East,” Brandon suggested.

“Not the blonde.”

“Hair’s dyed,” he said.

“I’m thinking Eastern Europe. Maybe Germany? Or, I don’t know, Estonia.”

Abruptly his younger brother, Philip, cuffed him good-naturedly on the shoulder, causing him to spill some of his beer on his lap. “Dude!” Philip told him, his voice happily, boyishly, boisterously hammered. “Seriously? You have two chicks about to go down on each other six feet away from you, and you’re trying to figure out where the f*ck they’re from?” He laughed, tousled Richard’s hair, and then added, “You have been married way too f*cking long, my older brother! Way too f*cking long!”



Philip was thirty-five and a month that autumn night, and he was going to marry a woman five years younger than he was, which meant that she was a full decade younger than Richard and Kristin. A decade is a long time. Think history. It’s the difference between—for example—1953 and 1963. Or 1992 and 2002. Philip’s fiancée, a lovely young woman named Nicole, was a graphic artist who owned a studio with a skylight in Fort Greene, though she spent most nights at Philip’s larger apartment near the promenade in Brooklyn Heights. Philip had a Master of Management in Hospitality from Cornell and ran the reception desk at a trendy boutique hotel in Chelsea. You had to look like a runway model from Prague—tall and blond, with cheekbones only a god could sculpt—to stand behind the black marble podiums and check someone in. He said he was an (and he always said the word with an irony that actually bespoke considerable pride) hotelier.



Kristin stood in a navy blue sleep shirt in the window of the guest bedroom in her mother’s apartment on Eighty-ninth Street and gazed south at the lights of midtown Manhattan. The cotton felt damp against her shoulders and the small of her back; only moments ago she had emerged from the shower. The apartment was on the fourteenth floor.

She hoped the party was going well and Richard was having fun. She and Richard had decided, in the end, that there was probably going to be a stripper—they knew Philip would want one and they knew his friends would want to oblige—but she figured any woman who took off her clothes in a Bronxville living room was pretty harmless. Good Lord, when she thought back on the way that she and Richard had partied when they’d been in their twenties—when they’d been dating—a bunch of guys nearing middle age drinking beer and watching a stripper in a living room seemed downright innocuous. It might not be politically correct, but it was benign. And Richard worked so hard and had so few friends. There were the guys he played golf with every so often. There were the women and men at the bank. But the reality was that her husband was one of those men who spent hours at the office or traveling, and played almost exclusively with her and with their daughter. She worried sometimes that he was, beneath that clumsy, lovable facade, a little lonely. A little wistful. A little sad. She wondered if he might make a new friend at the party. She rather hoped so.

She decided to text him to see how the party was going, unsure whether he would text back in five minutes, or ten, or not until morning. She had no idea if the stripper was there yet—for all she knew, the woman had already come and gone—and for the first time her mind wandered to what sorts of things a stripper did in a living room in Westchester for a bunch of guys, some married, some not, in their thirties and forties. She guessed lap dances, though she wasn’t honestly sure what a lap dance really was. She’d never been to a strip club. She had asked Richard—an intellectual question, not one tinged in the slightest with judgment—whether he thought the woman would be fully naked in their house or still clad in some sort of stripper thong.

“Is there such a thing as a stripper thong?” he had asked in return, kidding, but also curious himself in a puerile sort of way. “I kind of think a thong is a thong.”

“Is a thong,” she added, recalling the Gertrude Stein remark about a rose. But then she had thought more about it, the idea of exotic dancewear, and reflexively raised an eyebrow. “You know what I mean,” she added.

“Thong,” he answered, but she could tell he didn’t believe that. Or maybe he was just hoping he was mistaken. She couldn’t decide from his tone. Heaven knows he liked the look of a woman in a thong; he’d certainly bought her plenty of them over the years. But, of course, she viewed them largely as sex toys. Foreplay. Date-wear. Sure, the girls in the high school insisted on wearing them all day long, but they didn’t know any better. They were still willing to sacrifice comfort for fashion. Because, of course, there was no more disagreeable panty in the world than a thong. As Richard himself had once joked, “Victoria’s real secret is that she’s into some seriously uncomfortable underwear.”

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