The Girl in the Tower (Winternight Trilogy #2)(30)



“Am I not still the winter-king?” Morozko asked. “That is what I meant to do: beguile her with gold and with wonders and then send her home. That is what I should still do.”

If only you could send her away, said the mare drily. And become a fond memory. But instead you are here, interfering. If you try to send Vasya home, she will not go. You are not master in this.

“No matter,” he said sharply. “This—it is the last time.” He did not look at Vasya again. “She has made the road her home; that is her business now, not mine. She is alive; I will leave her to wear the jewel and remember, so long as her life lasts. When she dies, I will give it to another. It is enough.”

The mare made no answer, but she blew out a steaming breath, skeptically, into the darkness.





9.


Smoke




When Vasya awoke the next morning, Morozko and the mare were gone. He might never have been there; she might have thought it all a dream, but for two sets of hoofprints, and the glittering knife beside her restored saddle, her saddlebags newly bulging. The knife-blade did not look like ice now, but like some pale metal, sheathed in leather, bound in silver. Vasya sat up and glared at it all.

He says to practice with the knife, said Solovey, coming up to nose her hair. And that it will not stick in its sheath in the frost. And that those who carry weapons often die sooner, so please do not carry it openly.

Vasya thought of Morozko’s hands, correcting her grip on the dagger. She thought of his mouth. Her skin colored and suddenly she was furious, that he would kiss her, give her gifts, and leave her without a word.

Solovey had no sympathy for her anger; he was snorting and tossing his head, eager for the road. Scowling, Vasya found new bread and mead in her saddlebag and ate, threw snow on the fire (which went out quite meekly after lasting so long), fastened the saddlebags, and climbed into the saddle.

The versts passed untroubled, and Vasya had days of riding in which to regain her strength, to remember—and to try to forget. But one morning, when the sun was well over the treetops, Solovey threw up his head and shied.

Vasya, startled, said, “What!”—and then she saw the body.

He had been a big man, but now his beard bristled with frost, and his open eyes stared out, frozen and blank. He lay in a bloody stretch of trampled snow.

Vasya, reluctantly, slid to the ground. Swallowing back nausea, she saw what the man had died of: the stroke of a sword or an ax, in the notch where his neck met his shoulder, that had split him to the ribs. Her gorge rose; she forced it down.

Vasya touched his stiff hand. A single pair of bootprints had taken this man, running, to his end.

But where were the killers? Vasya bent to retrace the dead man’s steps. A dusting of new snow had left them blurry. Solovey followed her, blowing nervously.

Abruptly the trees ended, and they found themselves at the edge of cleared fields. In the middle of the fields lay a village, burned.

Vasya felt sick again. The burnt village was very like her own: izby and barns and bathhouses, a wooden palisade and stumpy wintertime fields. But these huts were smoldering ruins. The palisade lay on its side like a wounded deer. The smoke rolled out over the forest. Vasya bent her head to breathe through a fold of her cloak. She could hear the wailing.

They are gone, the ones who did this, said Solovey.

Not long gone, though, Vasya thought. Here and there little fires still dotted the landscape, that time or labor had not put out. Vasya vaulted to Solovey’s back. “Go closer,” she told the horse, and she hardly recognized her own voice.

They slipped out from between the trees beside the remains of the palisade. Solovey leaped it, nostrils showing red. The survivors in the village moved stiffly, as if ready to join the dead they were piling before the ruin of a little church. It was too cold for the bodies to smell. The blood had clotted on their wounds, and they stared open-mouthed at the brilliant sky.

The living did not raise their eyes.

In the shadow of one izba, a woman with two dark plaits knelt beside a dead man. Her hands curled into each other like dead leaves, and her body slumped, though she was not weeping.

Something about the line of the woman’s hair, black as gall against a slender back, caught at Vasya’s memory. She was off Solovey before she thought.

The woman stumbled upright, and of course she was not Vasya’s sister; she was no one Vasya knew. Only a peasant with too many cold days stamped on her face. The blood had been ground into her palms, where she must have tried to stanch a death-wound. A dirty knife appeared in her hand and she pressed her back to the wall of her house. Her voice came grating from her throat. “Your fellows came and went already,” she said to Vasya. “We have nothing else. One of us will die, boy, before you can touch me.”

“I—no,” said Vasya, stammering in her pity. “I am not one of the ones who did this; I am only a traveler.”

The woman did not lower her knife. “Who are you?”

“I—I am called Vasya,” said the girl cautiously, for Vasya could be a nickname for a boy, Vasilii, as well as a girl, Vasilisa. “Can you tell me what has happened here?”

The woman’s furious laughter shrilled in Vasya’s ears. “Where do you come from, that you do not know? The Tatars came.”

“You, there,” said a hard voice. “Who are you?”

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