The Dutch House(94)

I looked at the girl in the portrait. They should have let her always be that girl. “Then you have to promise me you’ll take it back later.”

“I will,” she said.

“Let’s find a parking place and you can come in and give it to May.” We were double-parked.

Maeve shook her head. “There’s no such thing as a parking space. Please.”

“Oh, come on. Don’t be ridiculous. You’re right here.”

She shook her head. She almost looked like she was going to cry. “I’m tired.” And then she said please again.

So I let her go. I went around to the back and pulled out the painting and my duffel bag. It had started to rain and so I didn’t stand on the street and watch her drive off. I didn’t wave. I found my keys and hustled to get the painting inside.

We talked plenty after that, about our mother’s daily reports of Andrea and Norma and the house, and how it was turning Maeve into a complete wreck. She talked about Otterson’s. I told her about a building I wanted to buy that would require me to sell another building I didn’t want to sell. I told her May was ecstatic about the painting. “We put it in the living room, over the fireplace.”

“Me in your living room every day?”

“It’s gorgeous.”

“Celeste doesn’t mind?”

“It looks too much like May for Celeste to mind. Everybody thinks it’s May except May. When anybody asks her she says, ‘It’s a portrait of me and my aunt.’”



Two weeks after our trip to the Dutch House, my mother called me just before daylight to tell me that Maeve was dead.

“Is she there?” I asked. I didn’t believe her. I wanted Maeve to come to the phone and say it herself.

Celeste sat up in bed, looked at me. “What is it?”

“She’s here,” my mother said. “I’m with her.”

“Have you called an ambulance?”

“I will. I wanted to call you first.”

“Don’t waste time calling me! Call an ambulance.” My voice was splintering.

“Oh, Danny,” my mother said, and then she started to cry.





Chapter 19




I remember very little about the time just after Maeve died, except for Mr. Otterson, who sat with the family at her funeral

Mass and covered his face with his hands as he cried. His grief was a river as deep and as wide as my own. I knew that I should

have gone to him later, I should have tried to comfort him, but there was no comfort in me.





Chapter 20




The story of my sister was the only one I was ever meant to tell, but there are still a few things to say. Three years later, when Celeste and I were working through the details of our divorce in the lawyer’s office, she told me she didn’t want the house. “I never liked it,” she said.

“Our house?”

She shook her head. “It’s not my taste. It’s heavy and old. It’s too dark. You don’t have to think about that because you aren’t home all day.”

I’d wanted to surprise her. I took her through every room, letting her think it was something I was planning to buy as a rental. I told her I could cut it into two units. I could even make it four, though that, of course, would be real work. Celeste, infinitely game, went up and down the stairs with May strapped to her chest, looking at the bathrooms, checking the water pressure. I didn’t ask her if she liked it then. I could have but I didn’t. I handed her the deed instead. In my mind it had been one of the few truly romantic gestures I’d ever made. “It’s our house,” I said.

Everything in me wanted to excuse myself from the proceedings and go out to the hall and call my sister. That never stopped happening.

The irony, of course, was that I had been a better husband after Maeve died. In my grief I had turned to my family. For the first time I was fully with them, a citizen of New York, my wife and my children the anchors that held me to the world. But the joke I’d always half-believed turned out to be true: everything Celeste hated about me she blamed on my sister, and when my sister wasn’t there to take the blame, she was forced to consider who she was married to.

Our mother stayed on in the Dutch House to take care of Andrea, and for years I didn’t forgive her. Despite whatever residual bits of science still clung to me, I had come to believe the story our father told when we were children: Maeve got sick because our mother left, and if our mother ever came back, Maeve would die. Even the stupidest ideas have resonance once they’ve happened. I blamed myself for what I saw as my lack of vigilance. I thought of my sister every hour. I let our mother go.

But then one day, after we had been divorced long enough to be friendly again, Celeste asked me to drive a carload of things to her parents’ house, and I said yes. Even the Norcrosses had slowed down, the last of the unruly Labradors replaced by a small, friendly spaniel named Inky. After I unloaded the car and we had our visit, I drove over to the Dutch House for old times’ sake, thinking I would park across the street for just a minute. But whatever barrier had kept us from turning in the driveway all those years was gone now, and I went to the house and rang the bell.

Sandy answered.

We stood there in the foyer in the afternoon light. Again, I had expected deterioration to have come at last, and again I found the house to be exactly as I remembered. It irritated me to have to see the tenderness with which it had been maintained.