The Assassin and the Underworld (Throne of Glass 0.4)(9)

Arobynn came to her room after lunch and told her to have a dress pressed. Doneval, he’d heard, was going to be at the theater that night, and with four days until his exchange, it would be in her best interest to go.

She’d formulated a plan for stalking Doneval, but she wasn’t proud enough to refuse Arobynn’s offer to use his box at the theater for spying—to see who Doneval spoke to, who sat near him, who guarded him. And to see a classical dance performed with a full orchestra … well, she’d never turn that down. But Arobynn failed to say who would be joining them.

She found out the hard way when she climbed into Arobynn’s carriage and discovered Lysandra and Sam waiting inside. With four days until her Bidding, the young courtesan needed all the exposure she could get, Arobynn calmly explained. And Sam was there to provide additional security.

Celaena dared a glance at Sam as she slumped onto the bench beside him. He watched her, his eyes wary, shoulders tensed, as if he expected her to launch a verbal attack at him right there. Like she’d mock him for what he’d done for her sake. Did he really think she was that cruel? Feeling a bit sick, she dropped Sam’s stare. Lysandra just smiled at Celaena from across the carriage and linked her elbow through Arobynn’s.

Chapter Three

Two attendants greeted them at Arobynn’s private box, taking their sodden cloaks and exchanging them for glasses of sparkling wine. Immediately, one of Arobynn’s acquaintances popped in from the hall to say hello, and Arobynn, Sam, and Lysandra remained in the velvet-lined antechamber as they chatted. Celaena, who had no interest in seeing Lysandra test out her flirting with Arobynn’s friend, strode through the crimson curtain to take her usual seat closest to the stage.

Arobynn’s box was on the side of the cavernous hall, near enough to the center so that she had a mostly unobstructed view of the stage and the orchestra pit, but still angled enough to make her look longingly at the empty Royal Boxes. All of them occupied the coveted center position, and all of them were vacant. What a waste.

She cast her eyes around the floor seats and the other boxes, taking in the glittering jewels, the silk dresses, the golden glow of sparkling wine in fluted glasses, the rumbling murmur of the mingling crowd. If there was one place where she felt the most at home, a place where she felt happiest, it was here, in this theater, with the red velvet cushions and the glass chandeliers and the gilded domed ceiling high, high above them. Had it been coincidence or planning that had led to the theater being constructed in the very heart of the city, a mere twenty-minute walk from the Assassin’s Keep? She knew it would be hard for her to adjust to her new apartment, which was nearly double the distance from the theater. A sacrifice she was willing to make—if she ever found the right moment to tell Arobynn she was paying her debt and moving out. Which she would. Soon.

She felt Arobynn’s easy, self-assured gait strutting across the carpet, and straightened as he leaned over her shoulder. “Doneval is straight ahead,” Arobynn whispered, his breath hot on her skin. “Third box in from the stage, second row of seats.”

She immediately found the man she’d been assigned to kill. He was tall and middle-aged, with pale blond hair and tan skin. Not particularly handsome, but not an eyesore, either. Not heavy, but not toned. Aside from his periwinkle tunic—which, even from this distance, looked expensive—there was nothing remarkable about him.

There were a few others in the box. A tall, elegant woman in her late twenties stood near the partition curtain, a cluster of men around her. She held herself like a noble, though no diadem glittered in her lustrous, dark hair.

“Leighfer Bardingale,” Arobynn murmured, following her gaze. Doneval’s former wife—and the one who’d hired her. “It was an arranged marriage. She wanted his wealth, and he wanted her youth. But when they failed to have children and some of his less … desirable behavior was revealed, she managed to get out of the marriage, still young, but far richer.”

It was smart of Bardingale, really. If she planned to have him assassinated, then pretending to be his friend would help keep fingers from pointing her way. Though Bardingale might have looked the part of a polite, elegant lady, Celaena knew there had to be some ice-cold steel running through her veins. And an unyielding sense of dedication to her friends and allies—not to mention to the common rights of every human being. It was hard not to immediately admire her.

“And the people around them?” Celaena asked. Through a small gap in the curtains behind Doneval, she could glimpse three towering men, all clad in dark gray—all looking like bodyguards.

“Their friends and investors. Bardingale and Doneval still have some joint businesses together. The three men in the back are his guards.”

Celaena nodded, and might have asked him some other questions had Sam and Lysandra not filed into the box behind them, bidding farewell to Arobynn’s friend. There were three seats along the balcony rail, and three seats behind them. Lysandra, to Celaena’s dismay, sat next to her as Arobynn and Sam took the rear seats.

“Oh, look at how many people are here,” Lysandra said. Her low-cut ice-blue dress did little to hide her cle**age as she craned her neck over the rail. Celaena blocked out Lysandra’s prattling as the courtesan began tossing out important names.

Celaena could sense Sam behind her, feel his gaze focused solely on the gold velvet curtains concealing the stage. She should say something to him—apologize or thank him or just … say something kind. She felt him tensing, as if he, too, wanted to say something. Somewhere in the theater, a gong began signaling the audience to take their seats.