Texas Outlaw (Rory Yates #2)(4)

My shift in tone has caught everyone by surprise. Let’s see if I can surprise them again.

What happens next takes only a couple of seconds.

Three at the most.

I drop into a crouch, reaching for my gun as I do. My cowboy hat flies off my head as if yanked by a string, and only in that split second am I aware that Mr. Beretta has pulled the trigger and filled the silence with the roar of a gunshot.

I land on one knee, in a shooting stance, and raise my pistol. Mr. Beretta is closer, but Mr. AR-15 is more dangerous. I draw a bead on the center of his black mask as he’s bringing the assault rifle around. I squeeze the trigger and his head snaps back. Blood splatters the ceiling. His body leans and he starts to fall backward off the counter, but I’m already shifting, swinging my gun onto Mr. Beretta. It’s only been an instant since he fired his pistol. He’s moving fast, and in a fraction of a second, he’ll have his gun aimed between my eyes. But I don’t give him a fraction of a second. My sight is already locked on the black mask.

I squeeze the trigger.

His body hits the floor an instant after I hear the thump of Mr. AR-15 landing behind the counter.

The air is full of the acrid smell of gunpowder and screaming. I take a moment to verify both men are dead. Then I call out and ask if anyone is injured. People are crying, in shock—they’ll be traumatized for life—but no one is hurt.

My eyes drift to my cowboy hat, lying on the floor. There’s a dime-sized hole through the crown. An inch lower and the bullet would have punched a crater in the top of my skull. I’m in a trance for a few seconds, looking at the hat. Then I hear the door of the bank burst open. I whirl around with my SIG Sauer, but I pull up and point the barrel at the ceiling.

My lieutenant, Kyle, is at the door, out of breath and gun in hand. His face is a picture of absolute surprise. He takes in the scene and then adjusts his hat on his head.

“I’ll be damned,” he says. “What’d I miss?”





Chapter 4



THAT EVENING, AS the sun sits low on the horizon, I pull my F-150 into the driveway at my parents’ ranch. I live here, in a separate house that’s less than a year old. My place is on a small hill overlooking the spot where a bunkhouse for ranch hands used to be, back when hired cowboys lived on the property. I like the view from the little two-bedroom home that Willow and I briefly shared before she moved to Nashville.

I pass my parents’ house, the home I grew up in. Mom is out working in the garden, and Dad is on the porch, whittling a block of wood.

I pull to a stop but don’t get out.

“I’m okay,” I say as they approach the truck, their expressions revealing they’ve been sick with worry. They’ve already heard what happened.

We talk for a few minutes as I try to set their minds at ease. I’m still numb from the deadly events at the bank, and I just want to be alone. But it can’t be easy having a son who wears a tin star to work every day, so I try to reassure them.

One of the reasons I moved back to the property was that I wanted to be close so I could help out. Dad had a bout with cancer last year. He’s in remission now and doing great. Most of the time it feels like Mom and Dad are helping me out and not the other way around. Tonight is no different. Mom says she made extra for supper and brings me a plate wrapped in cellophane, a venison sirloin with fried okra and mashed potatoes on the side. When I get to my place, I set the plate on the table but don’t unwrap it.

I have no appetite.

I take a long, hot shower, then grab a Shiner Bock from the refrigerator and go sit on the porch. The pine boards feel good on my bare feet. It’s dusk, and there’s a hell of a Texas sunset in front of me. The whole landscape has a sharp golden hue, and the clouds in the sky look like they’re on fire.

I take one sip of the beer and it hits my empty stomach like acid. I dump the rest over the porch railing into the grass and set the empty bottle at my feet.

This isn’t my first time shooting someone, but it never gets easier. One minute, I feel like I could throw up. The next, I feel like I could break down crying. Instead, I just sit there and think. These were bad guys—identified as ex-felons with long rap sheets. Still, I took their lives to get the people in the bank out of harm’s way. But I can’t imagine a scenario in which I would have been okay watching those men take that teenage girl hostage.

I could not have let that happen.

I’ve had a complicated relationship with God—the violence I’ve seen can make me question God’s existence—but today I say a little prayer of thanks for the safety of the innocent folks in that bank. And I say thanks for the bullet that passed through my Stetson, that its path wasn’t any lower.

A faint orange glow remains on the horizon. Stars have begun to populate the darkening sky. I go inside to get my guitar, figuring if anything will clear my mind, playing will. Concentrating on the notes, focusing on the lyrics, doing something I love—that’s the medicine I need right now.

But when I get inside, I see my phone is full of missed calls and text messages. Family and friends are wanting to check on me, but I’m not in the mood to talk. There’s nothing from Willow. She’s on tour with Dierks Bentley, and she has a show in Sacramento tonight.

There is one message that catches my eye. My old lieutenant, Ted Creasy, sent me a text that says, Call me, partner.