Stranger in the Lake(2)
His gaze flicks around, searching the street behind me. “Where’s Paul.” A statement, not a question.
Slowly, so not to spook him, I point to the sleek double doors on the next building, golden light spilling out the windows of Keller Architecture. “Did you check inside?”
Jax shakes his head. “I need to talk to him. It’s important.”
Like every time he emerges from out of the woods, curiosity bubbles in my chest. Once upon a time, Jax had everything going for him. High school prom king and star quarterback, the golden boy with a golden future, and one of Paul’s two best friends. Their picture still sits atop his desk in the study, Paul and Jax and Micah, all tanned chests and straightened smiles, three teenage boys with the world at their feet.
Now he’s Batty Jax, the raggedy, bearded boogeyman parents use as a warning. Do your homework, stay out of trouble, and don’t end up like Jax.
He clings to the murky back of the terrace, sticking to the shaded spots where it’s too dark for me to make out much more than a halo of matted hair, the jutting edges of an oversized jacket, long, lean thighs. His face is dark, too, the combination of a life outdoors and dirt.
“Do you want me to give Paul a message? Or if you stay right there, I can send him out. I know he’ll want to see you.”
Actually, I don’t know; I only assume. Jax is the source of a slew of rumors and petty gossip, but for Paul, he’s a painful subject, one he doesn’t like to talk about. As far as I know, the two haven’t spoken since high school graduation—not an easy thing to do in a town where everybody knows everybody.
Jax glances up the street, in the direction of far-off voices floating on the icy wind. I don’t follow his gaze, but I can tell from the way his body turns skittish that someone is coming this way, moving closer.
“Do you need anything? Some money, maybe?”
Good thing those people aren’t within earshot, because they would laugh at the absurdity of the trailer-park girl turned married-up wifey offering the son of an insurance tycoon some cash. Not that Jax’s father didn’t disown him ages ago or that I have more than a couple of bucks in my pocket, but still.
Jax shakes his head again. “Tell Paul I need to talk to him. Tell him to hurry.”
Before I can ask what for, he’s off, planting a palm on the railing and springing over in one easy leap, his body light as a pole vaulter. He hits the cement and takes off up the alley. I dash forward until I’m flush with the railing, peering down the long passage between Paul’s building and the cocktail lounge, but it’s empty. Jax is already gone.
I push through the doors of Keller Architecture, an open space with cleared desks and darkened computer screens. The whiteboard on the back wall has already been wiped clean, too, one of the many tasks Paul requires his staff to do daily. It’s nearing five, and other than his lead designer, Gwen, hunched over a drawing at her drafting table, the office is empty.
She nods at my desk. “Perfect timing. I just finished the Curtis Cottage drawings.”
Calling a seven-thousand-square-foot house a “cottage” is ridiculous, as are whatever reasons Tom Curtis and his wife, a couple well into their seventies, gave Paul for wanting six bedrooms and two kitchens in what is essentially a weekend home. But the Curtises are typical Keller Architecture clients—privileged, demanding and more than a little entitled. They like Paul because he’s one of them. Having a desk is probably ridiculous, too, since I only work twenty hours a week, and for most of them I’m anywhere but here. My role is client relations, which consists mainly of hauling my ass to wherever the clients are so I can put out fires and talk them off the latest ledge. The job and the desk are one of the many perks of being married to a Keller.
“Thanks.” I tuck the Curtis designs under an arm and move toward the hallway to my left, a sleek tunnel of wood and steel that ends in Paul’s glass-walled office. “I’m here to pick up Paul. There’s something wrong with his car.”
When he called earlier to tell me his car was dead in the lot, I thought he was joking. Engine trouble is what happens to my ancient Civic, not Paul’s fancy Range Rover, a brand-new supercharged machine with a dashboard that belongs in a cockpit. More money than sense, my mother would say about Paul if she were here, and now, I guess, about me.
Gwen leans back in her chair, wagging a mechanical pencil between two slim fingers. “Yeah, the dealer is sending a tow truck and a replacement car, but they just called to say they’re delayed. He said he had a couple of errands to run.”
I frown. “Who, the tow truck driver?”
“No, Paul.” She swivels in her chair, reaching across the desk behind her for a straightedge. “He should be back any sec.”
I thank her and head for the door.
On the sidewalk, I fire off a quick text to Paul. I’m here, where are you?
I wait for a reply that doesn’t come. The screen goes dark, then black. I slip the phone into my jacket pocket and start walking.
In a town like Lake Crosby, there are only so many places Paul could be. The market, the pharmacy, the shop where he buys his ties and socks. I pop into all of them, but no one’s seen him since this morning. Back on the sidewalk, I pull out my phone and give him a call. It rings once, then shoots me to voice mail. I hit End and look up and down the mostly deserted street.
“Hey, Charlie,” somebody calls from across the road, two single lanes separated by a parking strip, and I whirl around, spotting Wade’s familiar face over the cars and SUVs. One of my brother’s former classmates, a known troublemaker who dropped out sophomore year because he was too busy cooking meth and raising hell. He leans against the ivory siding of the bed-and-breakfast, holding what I sincerely hope is a hand-rolled cigarette.