Queens of Fennbirn (Three Dark Crowns 0.5)(7)
“Don’t be afraid, Squirt,” says Matthew. “That and one lonely rain cloud probably exhausted half the Westwood clan.” But as he finishes speaking, a great bolt of lightning cracks through the sky and touches the rocky summit of the mountain.
Caragh scoops Jules up and plants her on her hip. They walk fast toward the Black Cottage and the high meadow without another word. Jules cannot help but cry, though she does so as softly as she can.
They reach the meadow and look down through the glen. Even from such a distance, the Black Cottage looms large beneath the shade of tall oaks. The yard, wild with growth—seeded grasses and flowers—is bordered on the east by a broad stream, which finds its source deep beneath the rock of Mount Horn. The cottage itself is not actually black but brown brick with white wood and dark brown timbering. In the warmth of the May day, no smoke rises from any of the chimneys atop its gabled roofs. Jules gazes at it in wonder. It is not what she imagined, but it is grand. And then Caragh stops short and puts her down in the grass.
Two small crowds stand in the meadow, all dressed in black. One is led by a tall, imposing woman with white blond hair pulled back into a tight bun. Their faces seem frozen into stern expressions, heads tilted slightly back. The other is led by a woman in a soft, flowing cloak, with bright blue gemstones sewn into the hem. Later, Jules will remember nothing else about her, aside from those gemstones and the nervous way she clasped her hands.
“Milones,” an older woman says to Caragh and Jules. She is thick around the middle and through the legs, her dark blond hair turned stiff with gray. “You are late.”
“We are late, but we are here, Midwife,” Caragh replies, and Jules tugs on her arm. Surely Caragh should not speak so to the woman presiding over the ceremony. “Though I’m sorry if we kept you.”
“We can’t be that late,” says Matthew. “Wasn’t that light show the Westwoods just arriving?”
The old woman looks at Matthew sternly, and Jules thinks he must be very stupid. Even she can see that the lightning must have come from the tall little girl with black hair and eyes, holding on to her sisters, a storm cloud and sweat across her brow.
They are the queens. Jules thinks she ought to bow, but she cannot stop staring. The three little girls are all alike in coloring, with black hair and eyes, but otherwise, they are each different, no two the same height or with similar features. They are nearly Jules’s very same age, though they seem older, even as the smaller two weep fiercely.
“That’s enough, Mirabella,” the Midwife says.
The girl in the center of the triangle shakes her head. Her black tresses blow across her cheeks and tiny shoulders.
“No,” she cries. “They are afraid, Willa!”
“That one is ours,” says the matriarch of the Westwoods. She cocks a smile at the Arrons, gathered at the adjacent edge.
“Clearly,” the tall Arron woman replies. “Sparking storms and misbehaving. Emotional and unreliable, as so many elementals are.”
Every proud Arron face wears a frown so deep they look like scars. They are a pale family, Jules thinks, though she has heard others describe their beauty as “icy.” After three poisoner queens, they are the strongest family on the island, and the richest. Joseph once told Jules that they had become so strong, even their blood had turned to poison, but Grandma Cait and Grandpa Ellis said those were only wild tales. In the old days, they said, a poisoner’s blood could turn toxic, but only a queen’s. And even then, it was rare. How do they know? Jules asked, wondering whose job it was to taste the queen’s blood, and her grandma Cait had made Ellis stop teasing.
In the middle of the meadow, the three queens listen to the insults spoken between their new families with wide, frightened eyes.
“My Goddess,” Aunt Caragh murmurs. “They weren’t prepared for this. Look at them. They are only children.”
“Poisoner Queen Katharine,” the Arron matriarch says. She holds out her hand for the girl to come, but the queens only huddle closer together, so she sighs and snaps her fingers. “Willa. What kind of spoiled girls have you raised? Separate them. Now.”
The Midwife stares into the grass. She seems so tired, and sad, and Jules wishes the girls would not be taken away. That Willa would not be left alone again inside the Black Cottage, alone until the next generation of queens is born. It is a great honor for a priestess to serve as Midwife, but to Jules it seems very hard.
“Come along now, Queen Mirabella,” Willa says. “Let them go.” She does not look at the little queens when she says this, but they look at her, all betrayal and tears.
“Let me go with them,” Queen Mirabella begs. “Just to get them settled!” She grips her sisters tightly, and the Arron woman clears her throat.
“Oh, do it yourself, Natalia,” Willa snaps.
Natalia Arron strides forward on long legs. Her blond hair is tied back in a bun so tight that the elemental wind cannot touch it. To Jules she seems ageless, too strong and beautiful to be old, too hardened and commanding to be young. Jules watches in wonder as little Mirabella raises her chin and stares her down.
“You will protect her,” she says as she holds her sisters tight. “And treat her like a precious stone?”
The look on Natalia’s face says she would very much like to slap the girl, but she does not. Mirabella is a queen. Instead, Natalia shouts, “Westwoods!”