Making Faces(57)







“Look who's here!” Bailey crowed as he cruised through the sliding doors into the store. Rita followed behind him, her little son on her hip and a big smile on her face. Fern squealed and ran to her friend, taking the tow-headed toddler from her arms and smothering his little face with kisses. Apparently, Becker was out of town and Rita had been driving home from her mother's when she'd seen Bailey motoring down the street on his way to the store. He'd convinced her that karaoke and dancing were just what she needed.

Before long, Bailey had the music blaring and Rita's son Ty in his lap, cruising up and down the aisles, making the little boy shriek with glee. Rita ran along beside them, her face wreathed in smiles at her son's happiness. Like Fern, Rita had changed since high school. Ambrose wondered how just a few years could alter each of them so drastically, though from what he'd seen of Becker Garth, he hadn't changed at all. He was still a bully, and his wife was now his main target. Rita was still beautiful, but she looked beaten-down and skittish and didn't seem comfortable looking at him, so he retreated to the bakery not long after she and Bailey arrived.

“Ambrose?” Fern was smiling at him from the doorway and he smiled back, liking the way she looked at him, as if there was nothing wrong with his face, as if his very presence made her happy. “You have to come out, just for a minute.”

“Yeah? I think I like it in here better,” he said mildly.

“We're playing the Sheen/Taylor Greatest Hits CD, all our favorite dance songs, and I want to dance with you.”

Ambrose groaned and laughed simultaneously. Leave it to Bailey and Fern. They would have a greatest hits CD. And he would be happy to dance with Fern–he would be happy to do almost anything with Fern–but he would rather stay in the kitchen and dance where no one was watching.

Fern started pulling on his hand, wrapping both of hers around his, smiling and cajoling as she drew him from his cave. “The next song is my favorite song of all time.”

Ambrose sighed and let her have her way. Plus, he wanted to hear what her favorite song of all time was. He found he wanted to know everything about her.

“I've told Bailey if I indeed die before he does . . . which was his greatest wish when we were ten, that he better make sure they play it at my funeral. And I want everyone to dance. Listen! Tell me you don't just immediately feel better when you hear it.”

She waited in anticipation and Ambrose listened intently. The first bars of the song rang through the store and Bailey and Fern moaned in unison, right along with Prince, and launched into frenzied dancing. Rita laughed and whooped and joined them immediately, Tyler on her hip. Ambrose didn't dance . . . but he enjoyed the show.

Fern had no rhythm. Bailey wasn't much better. But his lack of skill wasn't exactly his fault. He moved his chair forward and back in a parody of the simple step-touch move everyone resorted to at a school dance. He bobbed his head in time with the music and his face wore an expression that said “Hell, yeah,” even though his body said “No way.” Rita danced around Bailey's chair but her moves were too self-conscious, too self-aware, to allow her to truly enjoy herself, or for anyone to enjoy watching her. Fern shook her butt and did chicken arms and clapped and snapped randomly, but there was such uninhibited joy, such wild abandon, such pleasure in the act, that although he was laughing at her–yes, laughing at her–she was laughing, too.

She danced anyway, knowing she was horrible, knowing there was nothing about her performance that would lure him in or make him want her, and doing it anyway, just for the fun of it. And somehow, suddenly, he did. He did want her. Desperately. Her light, her loveliness, her enthusiasm for simple things. All of her. Everything. He wanted to pick her up, right off of her dancing feet, her legs dangling above the ground, and kiss her until they were breathless with passion instead of laughter.

“And your kiss!” Fern sang out the final words and struck an awkward pose, breathing hard and giggling. “The. Most. Awesome. Song. Ever. “ She sighed, throwing her arms wide, ignoring the next song on the Taylor/Sheen hits CD.

“You need to come with me for just a minute. I need to show you something in the, um, kitchen,” Ambrose said firmly, grabbing Fern by the hand and pulling her along behind him like she'd just done to him minutes before. Bailey and Rita were dancing again, David Bowie's Pressure picking up where Prince had left off.

“Wh-what? But there's a slow song coming up after this, and I really, really want to slow dance with you,” Fern protested, resisting, pulling against his arm. So Ambrose swept her up, right off her feet, just like he'd imagined and barreled through the swinging kitchen doors without missing a step. He flipped off the bakery lights so the room was swathed in darkness and then he swallowed Fern's gasp, his mouth crashing down on hers, one hand sliding under her butt to anchor her to him as his other hand cradled the back of her head controlling the angle of the kiss. And all resistance ceased.





Bailey was heavier than Ambrose had anticipated, lankier, and harder to hold onto. But he swept him up in his arms and walked steadily up the well-worn trail, placing his feet carefully, not hurrying. He had run miles in full uniform with 150 pounds on his back many times, and he could carry Bailey up the hill and back again.

They were on their way to visit the graves of the four fallen soldiers, Ambrose for the second time, Bailey for the first. The path was steep and narrow, and getting Bailey's wheelchair to the top with him in it would be harder than carrying him, but carrying him was too much for Mike Sheen or anyone else in Bailey's inner circle, so Bailey had been unable to visit the resting place of his friends. When Ambrose had discovered this, he told Bailey he would carry him to the top, and had shown up unannounced that afternoon, ready to fulfill his promise.

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