Into the Bright Unknown (The Gold Seer Trilogy #3)(51)

I close my eyes and reach out with my gold sense. The shape of it eludes me at first; there are so many individual pieces. The coins ring loudest at first, at 90 percent gold. Nuggets are sometimes purer than that, but not these. One is so muddled up with quartz ore it’s barely fifty percent. For my idea to work, I need this pile of gold to hum a single, familiar song, but this seems more like church ladies at a picnic all vying for attention.

I concentrate harder, trying to imagine all the little bits of gold as a single entity. It doesn’t work. There are too many tiny pieces to keep track of, and they insist on singing their own tunes.

So instead of focusing on the whole mess as one, I wrap my thoughts around as many individual pieces as I can, holding their shapes in my mind. A twenty-dollar piece, a half eagle, the largest nugget.

I stretch out my hand, and I close my fist as if grasping that sound-shape in my mind. Then I open my palm and fling it across the room.

The saddlebag slithers along the floor and thumps into the far wall. I gasp, my eyes popping open.

I did it.

I’ve called gold to me before, and pushed it away, but it’s another thing entirely to move something else with it. My shoulders ache, like I’ve been lifting hay bales. A throb is forming at the base of my neck.

I clench my fist and summon the gold back to me, but the saddlebag doesn’t move, just gives a little hiccup on the floor and stays stubbornly still. I stretch out again with my gold sense. What did I do wrong? I used the same . . . aha. All the bits of gold settled into new places when it slid across the floor. I have to wrap my focus around the mess all over again if I’m to move it.

I take my time about it, going slow and careful. It’s several heartbeats before I’ve latched on well enough to give it another try. My patience is rewarded; the saddlebag slides—faster this time—back across the floor, and I stretch out my boots to stop it. The impact shivers through my knees.

Eyes closed, thoughts swaddled tight around the gold, I open my fist and fling it away again. The saddlebag rips across the floor and slams into the wall. My fist closes tight, and it returns; this time I open my hand and stop it just before it hits me.

Over and over again, I practice: slide thump, slide stop, slide thump, slide stop.

The muscles in my neck and shoulders burn, and my head feels like there’s a tiny miner inside, jabbing with a tiny pickax. But in a way it’s also calming. It takes so much concentration, leaving no room to think about anything else.

Slide thump, slide stop.

A soft tap at the door interrupts me.

“Come in,” I say.

The door creaks open, and Jefferson pokes in his head tentatively. “I cleaned up your dishes,” he says, as though it was a monumental feat of heroism.

“Thanks.”

His gaze goes from me, to the saddlebag against the wall, and back to me, sitting cross-legged on the wood plank floor. “Practicing again?”

“Yep.”

He frowns. “Lee, are you feeling all right?”

“Why? Don’t tell me I’m covered in gold again.”

“Your face is flushed,” he says, plunking down beside me at the end of the cot. He stretches his legs out. “Like you’ve gotten too much sun. And your eyes are as bright gold as I’ve ever seen.”

“Huh. Well, I’ve been trying something new.”

“How’s it going?”

“It’s going.”

“Show me.”

“All right.” I’m suddenly nervous, like I’m performing for the most important person in the world, but I concentrate a moment, and sure enough, the saddlebag goes scooting across the floor.

“Isn’t that something!” Jefferson says. His gaze turns thoughtful. “We can use this. Somehow . . .”

“I’m trying to figure out how to direct it better. Stop and start, change direction, that sort of thing. But it’s hard. It . . . makes my head hurt a little.”

He’s staring at my face now, in a peculiar way that sets my heart to thumping. “Your eyes. They’re almost glowing.”

“Oh?”

Jefferson’s fingers reach up to gently touch my cheek. “They’re beautiful.”

“Oh.”

His gaze drops to my chest, and his eyes narrow.

“What?”

“That locket,” he says, indicating the charm with his chin. “Have you tried working with it?”

Of its own accord, my hand goes to the golden heart shape hanging from my neck. Inside is a lock of hair, taken from my baby brother, who only lived a few days. “No, not really. Why?”

“You wear it every day. Remember how you found little Andy with it? When he was lost on the prairie?”

I nod, seeing what he’s getting at. When I told Mary about my gold sense, I was able to make it float in the air a little.

“You once told me that you feel the shape of things. You know the shape of that locket like your own hand.”

I reach behind my neck and undo the clasp. I lift the tiny chain so the locket slips off into my palm. Though I see it clear with my eyes, feel it cool and firm against my skin, my magic perceives it as a sparkling ember, ready to do my bidding.

Just like with the gold inside the saddlebag, I wrap my mind around its shape, then I push the locket away. It flies forward until, with a thought, I command it to stop. It hovers in midair for the space of a breath before dropping to the floor.