I'll Be Gone in the Dark(47)



The date’s significance was clear to them immediately. That was a week before the first attack. Detectives knew very little about the suspect they sought other than what a witness who glimpsed him fleeing in the dark told them: he was an adult white male. They didn’t know what drew him to this sleepy pocket of tract homes, but they knew some things. He carried a knife— he’d dropped one running from the first scene. He was a night prowler; they’d followed his shoe impressions as he crept from house to house searching for victims. And he liked the creek. Maybe he used the undergrowth and canopy of trees to move about undetected. Maybe he had history there, had played as a kid among the moss-covered rocks and rope swings. Whatever the reason, shoe prints and precut ligatures he’d dropped signaled his presence there. And all three houses he invaded shared one characteristic: they were close to the creek.

From where they stood, Linda and Detective Thomas could see the tangle of trees and the low white wooden fence that paralleled the creek. There was the footbridge that Kimo had emerged





from that night, his radar alerted to something moving in the dark that shouldn’t be. It was becoming clear what had probably happened next. The dog peeled off between the houses to nose around, and the prowler, startled and no doubt annoyed, gutted him to keep him away. Maybe he got Kimo’s blood on him and used Linda’s hose to wash it off. There were often signs of his presence in a neighborhood before he struck, small, disquieting details only understood in retrospect.

Years later, after the invention of Google Earth, cold-case investigators created a digital map and time line detailing the suspect’s violent trail across California. Bright yellow pushpin icons along San Jose Creek represent the locations where he hit in northeast Goleta. The neighborhood hasn’t changed much in thirty-five years. Zoom in further and there’s the backyard where his presence was first signaled by a dog’s yelp in the night. The depth of his shoe impressions shows that he often remained in one position for long periods of time, pressed against a wall or crouching in a garden. It’s easy to imagine him standing in the dark backyard as Kimo whimpers out front, as his owner knocks on doors, and then a car rumbles up to take them away. Quiet settles over the night again. He creeps between the houses, turns on the hose to wash the splatter from his shoes, and sneaks away, rivulets of watery blood disappearing into the grass behind him.





Contra Costa, 1997

“WHAT’S EAR?” PAUL HOLES ASKED.

John Murdock was taken aback for a moment. He hadn’t heard the acronym in years.

“Why?” Murdock asked.

They were sitting across the aisle from each other on a flight to a California Association of Criminalists conference. It was 1997. Murdock had recently retired as the chief of the Contra Costa County Sheriff’s crime lab. His specialty was firearms and tool marks. Holes, in his late twenties, had landed a job as a deputy sheriff criminalist soon after graduating from UC-Davis with a major in biochemistry. He started in forensic toxicology but soon realized that his passion was CSI. Then his curiosity outgrew the microscope. He began going around with the investigators; he was a cold-case investigator trapped in a crime lab. He enjoyed wandering the Property Room, pulling out boxes of old unsolved cases. What he found there were stories. Statements. Photographs. Incomplete thoughts scribbled in the margins by a distracted investigator. Ambiguities don’t exist in the lab. Old case files teem with them. The puzzles beckoned.

“Paul, that’s not your job,” more than one fellow criminalist scolded him. He didn’t care. He possessed the handsome Eagle Scout’s talent for remaining convivial while doing exactly what he wanted. What he wanted, he realized, was to be an investigator. He was angling to make the move to that division when the chance arose.





Despite their age difference, Murdock and Holes recognized that they had something in common: they excelled at science, but it was stories that pulled them in. Every day after he finished his lab work, Holes would sit down with old case files, appalled and fascinated by the dark off-roads of human behavior. Cold cases stayed with him. He had the scientist’s intolerance for uncertainty. After devouring boxes of old unsolved cases, he noticed a pattern; the same person always signed the most meticulous crime-scene reports: John Murdock.


“I saw EAR marked in big red letters on some folders set aside in a filing cabinet,” Holes explained to Murdock. Holes hadn’t delved into the files yet, but he could tell that they had been set aside in a special, almost hallowed way.

“EAR stands for East Area Rapist,” Murdock said. The name was clearly cataloged in his head, its significance not dimmed by time.

“I don’t know that one,” Holes said.

For the rest of the flight, thirty thousand feet up in the air, Murdock told Holes the story.

He was a hot prowler. He barely registered with the cops at first. In mid-June 1976, he appeared in a young woman’s bedroom in east Sacramento doing “the no-pants dance,” wearing a T-shirt and nothing else. Knife in hand. Whispered threats. Ransacking. He raped her. It was rough, but Sacramento in 1976 had an abundance of predatory creeps. Ski mask and gloves suggested some intelligence, but no-pants dancers are usually rumdum teenagers whose mothers turn them in by the scruff of the neck.

That never happened. More rapes did. Twenty-two in eleven months. His methods were distinct and unwavering. An initial just-a-robber ruse to secure compliance. Females as gagged objects, moved to his specifications. Their hands and feet tied and

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