How to Stop Time(44)

‘Were you there?’ I asked.

He shook his head. ‘I never knew him. Yet I have to thank him.’

‘For?’

He smiled, a life-weary smile. ‘His death. He died and the Queen’s Men had lost one of their key players. So when they came to Stratford I saw their predicament and my opportunity. I asked to join them. I drank with them. We spoke a little on general matters. We spoke of Plutarch and Robin Hood. And then chance blessed me. I became a Queen’s Man. And that led me to London.’

‘I see.’

He sighed. ‘Yet it was in truth an ominous beginning. Though I had no part in his death, the shadow of Hemmings passes over me quite often. And I often feel as though I am, even now, in a place that is not mine. That it happened unjustly. They were a violent and amoral rag-tag band of brothers. Killers. Twelve Wolstan the Trees. And Henry Hemmings had committed no crime, except being different. He had a face that didn’t age. That was my beginning – the rotten acorn of it all.’

He looked quite fragile for a moment, then scratched at his beard, and picked up his pipe again. Inhaled and closed his eyes. Blew the smoke over his left shoulder as I sipped my ale.

‘The acorn wasn’t rotten,’ I said.

‘Ah, yet the tree is twisted. But there is no moral to this tale, except with mirth and laughter let wrinkles come.’ I didn’t know for sure if he thought of me as another Henry Hemmings. Nor did I know for sure if Henry Hemmings actually had been like me, or if he was someone who was blessed and cursed with a more youthful disposition than average. I didn’t know if Shakespeare knew the story of what had happened in Edwardstone, and whether, possibly, my Suffolk connection had made a link in his mind. Yet I sensed a kind of warning, a friendly one, in his words. ‘So, why did you want to see me?’

I took a breath.

‘I know two sisters, Grace and Rose, and they need work. They need it urgently . . . They could sell apples.’

‘I have no say over the pippin-hawks.’

He shook his head. Seemed irritated that I would burden his great mind with such an irksome triviality.

‘Please, talk to me of something else, or leave me.’

I thought of Rose’s worried face. ‘I am sorry, sir. I owe these girls a great debt. They took me into their home at a time when I had no one. Please, sir.’

Shakespeare sighed. I felt like I was baiting a bear, and feared what he was going to say next. ‘And who is Rose? You spoke her name soft when you said it.’

‘She is my love.’

‘Oh dear. A serious love?’

He pointed over at Elsa and another worker from the Cardinal’s Hat, who often touted for trade in the tavern. Elsa was holding a gentleman’s groin under a table, her thumb caressing the bulge. ‘Look at the man she hangs on. Is that the kind of love you feel?’

‘No. Well, yes. But the other kind too.’

Shakespeare nodded. His eye glimmered with a tear. Maybe it was the smoke. ‘I will have a word. You can tell these girls they can sell their apples.’

And so they did.

And all was sweet and light, though every time I heard Jaques’ soliloquy I worried. I, more than most, was an actor in life. I was playing a part. What would my next role be, and when would I have to take it? How would I be able to leave this one behind, and when it would mean leaving Rose?

The night I told Rose that she and Grace could work at the Globe because ‘Mr Shakespeare made it so’ was a happy one, and I had bought a pack of cards on the way home. We sat all night laughing and singing and playing triumph and eating pies from Old Street and drinking more ale than usual.

Conversation turned to how Grace was looking more like a woman, and then Grace said to me, not in a rude way but in the straight-as-an-arrow truthful way that was the essence of Grace, ‘I will pass you by soon.’

And she laughed, because she had drank too much ale. She was used to drinking it, just not four jugs of it in a row.

But Rose didn’t laugh. ‘It is true. You haven’t aged a day.’

‘It is because I am happy,’ I said weakly. ‘I have no worries to line my face.’

Though of course the reality was that I had a sea of them, but it would be decades before a single line appeared.

I used to watch Rose, between the musical interludes, and she used to observe me too, in the gallery. What was it about those silent exchanges in a crowded place? There was a magic to them, like a secret shared.

The crowds, however, seemed to be getting rowdier as the season went on. On opening night – with the queen and her court in attendance – there hadn’t been a single scuffle. Towards the season’s end, there was always, at any time, some skirmish going on amid the groundlings in the pit. Once, for instance, a man sliced another man’s ear off with an oyster shell over one of the prostitutes who was always there. I worried about the girls being down there while I was safely up in the rarefied air of the gallery but generally they were all right, and enjoyed selling four times as much fruit as they would have sold at Whitechapel Market.

But then, one afternoon, under a sky full of stone-grey rain clouds: trouble.

I was midway through the tune of ‘What Shall He Have That Killed the Deer?’ – which by now, as with all the songs in the play, I could pretty much pluck my way through in my sleep – when I noticed something. Someone – a mean-looking saggy-lipped man from the benches – had stolen a pippin from Grace and was biting into it as she asked him for the penny it cost. He tried to bat her away like a fly, but Grace was Grace so she stood her ground. She was shouting words I couldn’t hear, but knowing Grace I could guess them. As she was standing in the way of another man, she was now getting into broader bother. This man – a grizzled brown-toothed brute in ale-soaked clothes – pushed Grace to the floor, sending her apples flying to the ground amid the sand and the nut and oyster shells, triggering a memory of all those scattered plums on Fairfield Road. Then it was a free for all, as several people jostled to grab the apples.