Heir of Fire (Throne of Glass #3)(156)

She bathed while he readied what he needed, and she scrubbed herself with coarse salt in the tiny inn bathroom until her skin gleamed. Rowan said nothing as she walked back into the bedroom, hardly gave her more than a passing glance as she removed her robe, bare to the waist, and laid on her stomach on the worktable he’d ordered brought in. His needles and ink ­were already on the table, his sleeves had been rolled up to the elbows, and his hair was tied back, making the elegant, brutal lines of his tattoo all the more visible.

“Deep breath,” he said. She obeyed, resting her hands under her chin as she played with the fire, weaving her own flames among the embers. “Have you had enough water and food?”

She nodded. She’d devoured a full breakfast before getting into the bath.

“Let me know when you need to get up,” he said. He gave her the honor of not second-­guessing her decision or warning her of the oncoming pain. Instead, he brushed a steady hand down her scarred back, an artist assessing his canvas. He ran strong, callused fingers along each scar, testing, and her skin prickled.

Then he began the pro­cess of drawing the marks, the guide he would follow in the hours ahead. Over breakfast, he’d already sketched a few designs for her approval. They ­were so perfect it was as if he’d reached into her soul to find them. It hadn’t surprised her at all.

He let her use the bathing room when he’d finished with the outline, and soon she was again facedown on the table, hands under her chin. “Don’t move from now on. I’m starting.”

She gave a grunt of ac­know­ledg­ment and kept her gaze on the fire, on the embers, as the heat of his body hovered over hers. She heard his slight intake of breath, and then—

The first prick stung—­holy gods, with the salt and iron, it hurt. She clamped her teeth together, mastered it, welcomed it. That was what the salt was for with this manner of tattoo, Rowan had told her. To remind the bearer of the loss. Good—­good, was all she could think as the pain spiderwebbed through her back. Good.

And when Rowan made the next mark, she opened her mouth and began her prayers.

They ­were prayers she should have said ten years ago: an even-­keeled torrent of words in the Old Language, telling the gods of her parents’ death, her uncle’s death, Marion’s death—­four lives wiped out in those two days. With each sting of Rowan’s needle, she beseeched the faceless immortals to take the souls of her loved ones into their paradise and keep them safe. She told them of their worth—­told them of the good deeds and loving words and brave acts they’d performed. Never pausing for more than a breath, she chanted the prayers she owed them as daughter and friend and heir.

For the hours Rowan worked, his movements falling into the rhythm of her words, she chanted and sang. He did not speak, his mallet and needles the drum to her chanting, weaving their work together. He did not disgrace her by offering water when her voice turned hoarse, her throat so ravaged she had to whisper. In Terrasen she would sing from sunrise to sunset, on her knees in gravel without food or drink or rest. ­Here she would sing until the markings ­were done, the agony in her back her offering to the gods.

When it was done her back was raw and throbbing, and it took her a few attempts to rise from the table. Rowan followed her into the nearby night-­dark field, kneeling with her in the grass as she tilted her face up to the moon and sang the final song, the sacred song of her ­house­hold, the Fae lament she’d owed them for ten years.

Rowan did not utter a word while she sang, her voice broken and raw. He remained in the field with her until dawn, as permanent as the markings on her back. Three lines of text scrolled over her three largest scars, the story of her love and loss now written on her: one line for her parents and uncle; one line for Lady Marion; and one line for her court and her people.

On the smaller, shorter scars, ­were the stories of Nehemia and of Sam. Her beloved dead.

No longer would they be locked away in her heart. No longer would she be ashamed.

61

The War Games came.

All the Ironteeth Clans ­were granted time to rest the day before, but none took it, instead squeezing in last-­minute drills or going over plans and strategies.

Officials and councilors from Adarlan had been arriving for days, come to monitor the Games from the top of the Northern Fang. They would report back to the King of Adarlan about what the witches and their mounts ­were like—­and who the victor was.

Weeks ago, after Abraxos had made the Crossing, Manon had returned to the Omega to grins and applause. Her grandmother was nowhere to be seen, but that was expected. Manon had not accomplished anything; she had merely done what was expected of her.

She saw and heard nothing of the Crochan prisoner in the belly of the Omega, and no one ­else seemed to know anything about her. She was half tempted to ask her grandmother, but the Matron didn’t summon her, and Manon ­wasn’t in the mood to be beaten again.

These days her own temper was fraying as the Clans closed in tight, kept to their own halls, and hardly spoke to each other. What­ever unity they’d shown on the night of Abraxos’s crossing was long gone by the time the War Games arrived, replaced by centuries’ worth of competition and blood feuding.

The Games ­were to take place in, around, and between the two peaks, including the nearest canyon, visible from the Northern Fang. Each of the three Clans would have its own nest atop a nearby mountain peak—­a literal nest of twigs and branches. In the center of each lay a glass egg.