Gone, Baby, Gone (Kenzie & Gennaro #4)(67)



“Need evac!” Broussard screamed over the walkie-talkie. “Immediately! Drawing fire from both sides!”

“Evac en route,” a calm, cold voice replied.

I depressed the transmit button as the gunfire stopped again. “Broussard.”

“Yeah. You two okay?”

“Pinned.”

“Me too.” From his end, I heard a sudden stream of bullets and when I looked across the quarry I could see the steady white flash of muzzle fire in the trees.

“Son of a bitch!” Broussard shouted.

Then the sky opened up and poured white light as two helicopters streaked over the center of the quarry, lights powerful enough to bathe a football stadium strapped to their noses. For a moment, I was blinded by the sheer mass of the sudden white glow. Everything lost its color and turned white with the light: white tree line, white cliff face, white water.

The fury of white was disrupted by a long, dark object as it arced from the tree line on the other side, somersaulted in the air, end over end, and then dropped over the cliff and toward the water. I followed its descent enough to identify it as a rifle before it disappeared from view, but still more gunfire burst from the tree line across the water from us.

And then it stopped. I searched the white light and just glimpsed the butt end of another rifle as it dropped through the night toward the water.

One helicopter banked above the tree line on Broussard’s side and I heard the chatter of automatic fire, heard Broussard scream over the walkie-talkie, “Hold your fire! Hold your fire, you fucking lunatic!”

The green treetops were shredding themselves in the white light, popping and snapping into the air, and then the chatter of the weapon fired from the helicopter stopped as the second helicopter banked and pointed its light directly in my face. The wind from its rotor blades found my body and knocked me off my feet, and Angie grabbed the walkie-talkie and said, “Back off. We’re fine. You are in the line of fire.”

The white light disappeared for a moment, and when my vision cleared and the wind lessened, I saw that the helicopter had drifted up about forty feet, hovered over the quarry, and dipped its light toward the water.

All gunfire had stopped. The fury of mechanical noise, though, had been replaced by the whine of copter turbines and the chop of rotors.

I looked into the pool of white and saw the green water churn, the chunk of log and license plate bounce off Amanda’s doll. I turned back toward Angie in time to see her kick her right shoe off her foot and pull her sweatshirt over her head at the same time. She wore only a black bra and blue jeans as she shivered in the crisp air and blew color into her cheeks.

“You’re not going down there,” I said.

“You’re right.” She nodded and bent toward her sweatshirt, and then she burst past me and by the time I spun toward her, she was airborne, kicking her legs and throwing her chest out in front of her. The helicopter canted to its right and Angie’s body twisted in the light and then straightened.

She dropped like a missile.

In the white light, her body was dark. With her hands clamped tight to her thighs, she looked like a slim statue as she plummeted.

She hit the water like a butcher knife, sliced in clean, and disappeared.

“We’ve got one in the water,” someone said over the walkie-talkie. “We’ve got one in the water.”

As if certain I’d follow her lead, the helicopter swung back in toward the cliff, turned to its right, and hovered there, jerking slightly from side to side but forming an immediate wall in front of me.

The trick to jumping off quarry cliffs has always been one of speed and lunging. You have to jump out as far as possible so that the air and gravity’s whims don’t push you back into the walls and outcroppings as you fall. With the helicopter in front of me, even if I could manage to dive below its legs, the downdraft would swat me into the cliff, leave me plastered there like a stain.

I lay on my stomach and watched for Angie. The way she’d hit the water, even if she’d begun kicking as soon as her head went under, she’d still dropped deep. And with these quarries, anything could have been lying in wait as soon as she hit the water: logs, an old refrigerator perched on a submerged shelf.

She surfaced fifteen yards from the doll, looked around wildly, and dove under again.

On the south side of the quarry, Broussard appeared on the top of a ragged outcropping of rocks. He waved his arms and the helicopter on that side swung in toward him. Broussard reached up and a scream of turbine—like the wail of a dentist’s drill—pierced the night as the helicopter lowered its legs toward Broussard. He reached out for the leg but a breeze pushed the entire carriage away from him in a lurch.

The same gust of wind buffeted the helicopter in front of me, and it almost drifted into the side of the cliff. It pulled back and banked to its right, turned in the center of the quarry, and started coming back as I kicked off my shoes and removed my jacket.

Below, Angie surfaced again and swam over to the doll. She turned her head, looked up at the helicopters, and went under.

Across the quarry, the other helicopter swung in toward Broussard. He stepped back on the craggy outcropping, seemed to lose his footing, but then he got his arms up and wrapped around the leg as the helicopter swayed back from the cliff and turned its nose out over the water. Broussard’s legs kicked at the air, and his body dipped and rose, dipped and rose, and then he was pulled up into the cabin.

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