Gone, Baby, Gone (Kenzie & Gennaro #4)(58)



“Yes.”

“So tomorrow night?”

“I expect to find a corpse.”

She lit a cigarette, and her skin was momentarily flushed by the lighter flame. “Can you live with that?”

“No.” I came over to the table by her, put my hand on her shoulder, was aware of our nakedness in the kitchen, and I found myself thinking again of the power we held in our bed and our bodies, that potential third life floating like a spirit between our bare skin.

“Bubba?” she said.

“Most certainly.”

“Poole and Broussard won’t like it.”

“Which is why we won’t tell them he’s there.”

“If Amanda is still alive when we reach the quarries, and we can locate her, or at least pinpoint her location—”

“Then Bubba will drop anyone holding her. Drop ’em like a sack of shit and disappear back into the night.”

She smiled. “You want to call him?”

I slid the phone across the table. “Be my guest.”

She crossed her legs as she dialed, tilted her head into the receiver. “Hey, big boy,” she said, when he answered, “want to come out and play tomorrow night?”

She listened for a moment, and her smile widened.

“If you’re particularly blessed, Bubba, sure, you’ll get to shoot someone.”





17





Major John Dempsey of the Massachusetts State Police had a wide Irish face as flat as a pancake and the wary, bulging eyes of an owl. He even blinked like an owl; a sudden snap of the ocular muscles would clamp his thick lids down over his eyes, where they’d remain a tenth of a second longer than normal before they’d snap back up like window shades and disappear under the brows.

Like most state troopers I’ve encountered, his spine seemed forged of lead pipe and his lips were pale and too thin; in the flat whiteness of his face they appeared to have been etched into the flesh by a weak pencil. His hands were a creamy white, the fingers long and feminine, the nails manicured as smooth as the edge of a nickel. But those hands were the only softness in him. The rest of him was constructed of shale, his slim frame so hard and stripped of body fat that if he fell from the podium I was sure he’d break apart in chips.

The uniforms of our state troopers have always unsettled me, and none more so than that of the upper ranks. There’s something aggressively Teutonic in all that spit-polished black leather, those pronounced epaulets and shiny silver brass, the hard strap of the Sam Browne as it clamps across the chest from right shoulder to left hip, the extra quarter inch of height in the cap brim so that it settles over the forehead and shrouds the eyes.

City cops always remind me of the grunts in old war movies. No matter how nicely dressed, they seem one step away from crawling on their bellies up the beach at Normandy, wet cigar clenched between their teeth, dirt raining on their backs. But when I look at the average Statie—the clenched jaw and arrogant turn of chin, the sun glinting off all those uniform parts built to glint—I instantly picture them goose-stepping down the autumn streets of Poland circa 1939.

Major Dempsey had removed his large hat shortly after we were all assembled, to reveal an alarmingly orange tuft of hair underneath. It was shorn to bright stubbled pikes that rose from the scalp like Astroturf, and he seemed aware of the disconcerting effect it had on strangers. He smoothed the sides with his palms, lifted the pointer off his desk, and tapped it against his open palm as his owl eyes surveyed the room with a bemused contempt. To his left, in a small row of chairs under the seal of the Commonwealth, Lieutenant Doyle sat with the police chief of Quincy, both dressed in their funereal best, all three watching the room with imposing stares.

We’d convened in the briefing room of the State Police barracks in Milton, and the entire left side of the room was commandeered by the Staties themselves, all hawkeyed and smooth-skinned, hats tucked crisply under their arms, not so much as a hairline wrinkle in their trousers or shirts.

The left side of the room was made up of Quincy cops in the front rows and Boston in the rear. The Quincy cops seemed to be emulating the Staties, though I spotted a few wrinkles, a few hats cast to the floor by their feet. They were mostly young men and women, cheeks as smooth and shiny as striped bass, and I’d have bet hard cash none of them had ever fired their guns in the line of duty.

The rear of the room, by comparison, looked like the waiting area at a soup kitchen. The uniformed cops looked okay, but the CAC guys and women, as well as the host of other detectives brought in from other squads on temporary assignment, were a color-clashing, coffee-stained collection of five o’clock shadow, cigarette-stink breath, rumpled hair, and clothes so wrinkled you could lose small appliances in their folds. Most of the detectives had been working the Amanda McCready case since the outset, and they had that “fuck-you-if-you-don’t-like-it” demeanor of all cops who’ve been clocking too much overtime and banging on too many doors. Unlike the Staties and the Quincy cops, the members of the Boston contingent sprawled in their seats, kicked at each other, and coughed a lot.

Angie and I, arriving just before the meeting began, took our seats in the rear. In her freshly laundered black jeans and untucked black cotton shirt under a brown leather jacket, Angie looked good enough to sit up with the Quincy cops, but I was strictly post-Seattle grunge in a torn flannel shirt over a white Ren & Stimpy T-shirt and jeans speckled with flecks of white paint. My hi-tops were brand-spanking-new, though.

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