Golden Age (The Shifting Tides, #1)(30)



‘Then you have done all you can.’

‘Listen, Dion. When I am king I will help you build your navy.’

Dion smiled. ‘You’re drunk,’ he said again.

‘Truly,’ Nikolas insisted. ‘Peithon agrees that we need one. You have a place here, and a part to play. I will give you—’

‘Hush!’ someone called out. ‘The magus is here!’

Gradually all conversation came to a halt, and the musicians in the corner ceased playing. Those standing near the stairs to the ground level parted.

A withered old man in a black robe came into view.

As the people around him drew back in sudden awe, he walked with slow footsteps taken laboriously, one after the other. All eyes were on him but his head was down and the cowl of his robe was over his head, so that only his sharp nose could be seen. His hands were clasped together, the white skin contrasting with the long black sleeves.

His breath rasped as he walked and shuffled. Finally, he came to stand in the cleared area in the center of the room and lifted his head. He pulled back the hood of his robe.

The magus wore a heavy black chain made of thick rings around his neck from which hung an iron medallion, the size of a dinner plate, displaying an embossed flame in a circle. Wisps of white hair crowned his wrinkled scalp and when he turned to cast his eyes over the assembled gathering his stare was intent.

The rug that usually covered the floor was gone, leaving the dark stone bare. The magus began to hum, a singsong chant that rose in volume as he took a piece of pale chalk and started to draw.

He drew a long white line, five paces in length, and then turned at a sharp angle to draw another, connected to the first. His chant now formed words, but they were in a strange language that caused the hairs to rise on the back of Dion’s neck. The magus chalked a third line and then a fourth, until he had drawn a diamond in the middle of the banqueting hall.

Dion glanced at his brother, who now looked completely sober as he sat bolt upright and watched the magus at work. The magus moved to stand inside the diamond and lifted his arms.

His voice never ceased as his chant increased still further in volume. Dion heard the names of the gods interspersed in the chant: Balal, the god of war; Edra, the goddess of fertility and children; Aldus, the god of justice; Helios, the sun god; Silex, the god of fortune and the sea; Aeris, the goddess of music and healing; Charys, the goddess of wisdom.

The magus ceased his singing, and silence filled the room as he slowly let his arms fall at his sides. All eyes were on the stooped figure in black robes.

‘I place the materia of gold,’ the magus called.

Dion saw that in his hand he had a nugget of solid gold. He turned so that everyone in the room could see it, before taking five steps. He placed the gold on one of the diamond’s four points, farthest from Dion and Nikolas. He then returned to the center of the room.

‘I place the materia of silver,’ he intoned.

The magus held up a piece of silver, the same shape and size as the gold. After displaying it to the crowd, he crossed the diamond and his knees cracked as he bent down to place the silver at the intersection opposite the gold, closest to Dion.

He returned to the center and called out again. ‘I place the materia of copper.’

The magus reached into his robe and withdrew a lump of pure copper, the red color reflecting the flickering light as he showed it to the assembled gathering. He placed the copper at the intersection of lines on the diamond’s right-hand side.

‘I place the materia of iron.’

Dion sensed his brother tense beside him. The magus held out a nugget of black iron that matched the color of his robe, for he was a priest of Balal. He spent a little longer showing the iron to the group, before setting down the final piece of pure metal at the last intersection of points, on Dion and Nikolas’s left.

Even though he was the boy’s father, Nikolas wasn’t allowed to participate in the ceremony in any way. Of course, over the last days, he had taken counsel with the priests, and given counsel to his young son. But anything might happen: Dion’s experience at his own naming ceremony was proof of that.

The magus stood once more in the center of the diamond with the four materia at each point. The gold and silver were deliberately far from the center, whereas if the magus stretched out his arms, he could almost touch the more common copper and iron, at the diamond’s closer points.

He turned slowly until he was facing Nikolas’s son. ‘Boy, I will now use your child name for the last time. Come to me, Luni.’

The onlookers held their breath as they waited for the boy to move. Dion smiled as he saw Helena give her son a slight push from behind.

Luni struggled with his costume but began to walk to the magus, staring the entire time in captivated fear at the old priest, who never ceased to appear stern and unyielding. The boy crossed the floor with hesitant steps as his parents urged him on with their eyes. Even Dion breathed a sigh of relief when Luni reached the center of the diamond and came to a halt beside the old man. Occasionally a parent had to intervene to take their child to the magus, but this wasn’t considered a good omen.

‘Child,’ the magus called. ‘We magi have called on the gods to choose for you the path that you will take in life.’

He looked at the tip of the diamond farthest from Dion. ‘Gold will lead you to a life of leadership, nobility, charisma, and power.’

James Maxwell's Books