Glass Houses (Chief Inspector Armand Gamache #13)(8)

Armand wondered what she saw that they did not.

The studio was in darkness, the windows only letting in the north light, and on a cloudy November day there was precious little of that.

“Those are done,” she said, waving into the gloom at the canvases leaning against one wall. She switched on the light.

It was all Reine-Marie could do not to ask, “Are you sure?”

Some of the portraits looked close, but the hair was just a pencil outline. Or the hands were blotches, blobs.

The portraits, for the most part, were recognizable. Myrna. Olivier.

Armand went up to Sarah, the baker, lounging against the wall.

She was the most complete. Her lined face filled with that desire to help that Armand recognized. A dignity, almost standoffish. And yet Clara had managed to capture the baker’s vulnerability. As though she feared the viewer would ask for something she didn’t have.

Yes, her face, her hands, her attitude, all so finely realized. And yet. Her smock was dashed on, missing all detail. It was as though Clara had lost interest.

Gracie and her littermate, Leo, were wrestling on the concrete floor, and Reine-Marie stooped to pet them.

“What is that?” Everyone spasmed a little on hearing the querulous voice.

Ruth stood there, holding Rosa and pointing into the studio.

“Jesus, it’s awful,” said the old poet. “What a mess. Ugly doesn’t begin to describe it.”

“Ruth,” said Reine-Marie. “You of all people should know that creation is a process.”

“And not always a successful one. I’m serious. What is it?”

“It’s called art,” said Armand. “And you don’t have to like it.”

“Art?” Ruth looked dubious. “Really?” She bent down and said, “Come here, Art. Come here.”

They looked at each other. Even for demented old Ruth, this was odd.

And then Clara began to laugh. “She means Gracie.”

She pointed to the little thing, rolling on the floor with Leo.

Though they’d been found together, in the garbage, Clara’s Leo was growing into a very handsome dog. Golden, with short hair on his lean body, and slightly longer hair around his neck. Leo was tall and gangly right now, but already regal.

Gracie was not. She was, not to put too fine a point on it, the runt of the litter. Literally. And perhaps not even a dog.

No one had been quite sure when Reine-Marie had brought her home months earlier. And time had not proven helpful.

Almost completely hairless, except for tufts of different colors here and there. One ear stood boldly up, the other flopped. Her head seemed to be evolving daily and she had grown very little. Some days, to Reine-Marie’s eyes, Gracie seemed to have shrunk.

But her eyes were bright. And she seemed to know she’d been saved. Her adoration of Reine-Marie knew no bounds.

“Come here, Art,” Ruth tried again, then stood up. “Not only ugly but stupid. Doesn’t know its name.”

“Gracie,” said Armand. “Her name’s Gracie.”

“For Christ’s sake, why did you say it was Art?” She looked at him as though he were the demented one.

They returned to the kitchen, where Clara stirred the soup and Armand kissed Reine-Marie and walked to the door.

“Not so fast, Tintin,” said Ruth. “You haven’t told us about that thing in the middle of the village. I saw you speaking to him. What did he say?”

“Nothing.”

“Nothing?”

Clearly for Ruth the concept of keeping the mouth shut was completely foreign.

“But why’s he still here?” asked Clara, all pretense of not caring gone. “What does he want? Did he stand there all night? Can’t you do something?”

“Why’s the sky blue?” asked Ruth. “Is pizza really Italian? Have you ever eaten a crayon?”

They looked at her.

“Aren’t we tossing out stupid questions? For what it’s worth, the answers to your questions are, don’t know, don’t know, and Edmonton.”

“The guy’s wearing a mask,” Clara said to Armand, ignoring Ruth. “That can’t be right. He can’t be right. In the head.”

She spun her finger at her temple.

“There’s nothing I can do,” he said. “It’s not against the law in Québec to cover your face.”

“That isn’t a burka,” said Clara.

“For heaven’s sake,” said Ruth. “What’s the big deal? Haven’t you seen Phantom of the Opera? He might burst into song at any moment and we have front row seats.”

“You’re not taking this seriously,” said Clara.

“But I am. I’m just not afraid. Though ignorance scares me.”

“I beg your pardon?” said Clara.

“Ignorance,” Ruth repeated, either missing or pretending to miss the warning in Clara’s voice. “Anything different, anything you don’t understand, you immediately believe is threatening.”

“And you’re the poster child for tolerance?” asked Clara.

“Come on,” said Ruth. “There’s a difference between scary and threatening. He might be frightening, I’ll give you that. But he hasn’t actually done anything. If he was going to, he probably would’ve by now.”