Flawed (Flawed, #1)(21)



Then a man, flanked by two guards, is brought down the corridor. He doesn’t look at us. He looks scared, terrified, in fact. He appears to be in his thirties and is wearing what I’d consider a hospital gown, but it’s bloodred, the color of the Flawed. The guards lead him through a separate door from the one the men and crying women entered, which I’m guessing leads to the room with the dentist’s chair. The Branding Chamber.

Carrick and I both peer in. The door slams in our face. I jump, startled. Carrick sits back, folds his arms, and stares ahead intently with a mean look on his face. His look does not invite conversation, so I don’t say anything at all, but I can’t stop fidgeting, wondering what is going on inside that room. After a moment, our silence is broken with the terrifying, bloodcurdling scream of the man inside as his skin is seared by the hot iron bearing the Flawed brand.

I’m stunned at first, but then my body begins to shake. I look across at Carrick, who swallows nervously, his enormous Adam’s apple moving in his thick neck.

Funar strolls up the corridor with a smug look on his face. “Found them,” he sings, jingling the keys in his hand. “They were in my pocket the entire time.” He smiles and unlocks the door, revealing a narrow stairway that leads outside.

Carrick stands up and storms out the door. Once outside, he looks back at me to join him.

Everything around me starts to move. The walls come closer, the floor rises up to meet me. Black spots blot my vision. I feel like I’m going to be sick. Carrick looks at me in concern. I pass out.

We never did speak.





SEVENTEEN

A HALF HOUR later, with quivering legs, I stand at the enormous wooden double doors, with their elaborately carved embellishments, that lead out to the infamous cobblestoned courtyard. I know it from the daily news, seeing people walk back and forth from the court to the Clock Tower, giving the public and the media an opportunity to see the accused and vent their feelings. Mom and Dad are on one side of me, Mom linking my arm, and Mr. Berry is on the other side. We are flanked by Tina and Bark.

Mr. Berry adjusts his tie. “Is this straight?” he asks Tina.

Tina nods and then throws Bark a look that is easily deciphered.

I take a deep breath as the doors open, and I am greeted with sights and sounds that I could never have prepared myself for. The first thing I see is a cabbage that flies directly at me and hits me square in the chest. Boos and hisses fill my ears and my head. Mr. Berry starts walking, taking me along with him. For a moment I can feel Mom’s hesitancy, but then, as though she’s on a catwalk, she gets into her stride and I follow her lead, lifting my chin, trying to avoid the flour, eggs, and spit that are flying from the public.

Mr. Berry is giving me orders through his big smile: Smile, don’t smile, chin up, don’t look worried or guilty, don’t react, ignore that man, watch out for that flying dog shit. All this he says through a perfect smile. Dimples and all.

I link Mom even tighter, moving my body closer to hers, and take a quick look at her. She is holding Dad’s hand, her head up, her face completely serene, and her hair in an elaborate chignon. I try to copy her, nothing out of place, composure, innocence, serenity, perfection.

The cameras are in my face; the flashes are blinding. I hear some questions, but others I can’t.

“Are you Flawed, Celestine?”

“Who are you wearing?”

“Do you believe the Guild will give you a fair and balanced trial?”

“Are you hoping for the same outcome as Jimmy Child?”

“Who’s your favorite music artist right now?”

“Is it true you got a nose job?”

“What is your opinion on the government and the Guild’s current relationship?”

I think of the many people over the decades who have walked this walk, who walk over perfect and walk back Flawed through a courtyard of catcalling and convictions, over cobblestones of prejudice. I think of Carrick, who returned this morning with flour on his T-shirt. I understand why now. We are to be held up to the rest of the world as a mirror of their worst nightmares. Scapegoats for all that is wrong in their lives.

Cameras are in my face, and this feels like the longest walk ever. Microphones, jeering, catcalls, wolf whistles. I feel the muscles in my face tremble and wonder if it’s noticeable. I quickly search the faces in the crowd. They are the faces of normal, everyday people, but filled with loathing. Some are merely interested to see what’s going on; others throw themselves into it. One woman gives me a nod. It’s respectful, and I’m thankful for that one effort.

And then we are inside.

“I see people need convincing of our story,” Mr. Berry says, a little shaken as he brushes down his suit.

Three judges in bloodred robes sit at the head of the room, at a raised level. The majority of the room is laid out with rows of chairs. It is not a typical courtroom because it is in a ballroom of the old castle. There is not a free seat. At the back, people are crushed and standing. I assume they are the press, but on closer inspection, I see that they are all wearing armbands and that they are all Flawed. They stand in twos, broken up by a member of the media or a public spectator in accordance with the Flawed gathering rules.

I sit at my table at the head of all the seating, beside Mr. Berry.

Mom and Dad sit in the front row behind me. There is no sign of Juniper. I look around desperately for Art, hoping for the energy that simply seeing him will give me. No sign of him, which breaks my heart. I see my granddad and I almost weep. He tips his hat.

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