Flame in the Dark (Soulwood #3)(3)
I had seen EMS units racing away as I drove up, so I knew there had been casualties, but seeing blood was unsettling. My gift rose up inside me, as if it was curious. Not trying to drink the blood down, not yet, because I wasn’t outside, my hands buried in the earth, but more like a mouser cat who sees movement and crouches, trying to decide if this is something worth hunting.
A formal living room decorated with a Christmas tree and presents and fake electric candles in the windows was on the other side of the entry. It had real wood floors and a ten-foot ceiling with one of those frame things set in the middle to give it even more height. Maybe called a tray ceiling; I wasn’t sure. Life in the church hadn’t prepared me with a good grasp of architectural terminology. The entire room felt stiff and uncomfortable to me, maybe due to the fact that all the plants were fake. Fancy tables, tassels on heavy drapes, carved lamps, furniture that looked showroom-fresh. This wasn’t a place to kick up your feet.
The room was full of people in fancy dress, and oddly, I knew two of them, Ming of Glass, the vampire Master of the City, and her bodyguard, a vamp I knew only as Yummy. Yummy flashed me a grin, one without fangs, which was nice, but she mouthed, Opossum, at me, which was a tease I didn’t really need. I mouthed back, Ha-ha. Not. Yummy laughed.
All but three of the partygoers in the room looked irritated—two vamps and a human. Vamps tended to expressionless faces unless they were irritated or hungry, both of which were a sign of danger. The human was sitting on an ottoman, and he looked devastated, face pale, his tie undone, a crystal glass in one hand, dangling between his knees. I figured he was the husband of one of the dead. There was blood spatter on his shirt and dark suit coat. A man who didn’t belong in the expensively dressed crowd stood beside him, taking notes. A fed, I figured as I slipped away, before I got caught, to wander some more.
I passed uniformed and suited LEOs here and there, two I recognized as local and one unknown wearing a far better-fitting suit. Probably another fed. The firefighters left through the front door, big boots clomping, and gathered on the street. Two crime scene techs raced into the room off to the side, carrying gear. No one paid any attention to me except to note that I had a badge on a lanyard around my neck. I hooked my thumbs into my pockets and moseyed over, probably a failure at looking as if I belonged.
The action was in the game room and the stench of fire grew heavier. Inside was a pool table, comfy reclining sofas, and a TV screen so big it took up most of the wall over the fireplace. On the opposite wall were antique guns in frames behind glass. Cast metal that might have been machine parts was protected within smaller frames. What looked like an ordinary wrench was centered on the wall in a heavy carved frame as if it was the most important thing hanging there. People commemorated the strangest things.
There were also lots of old, black-and-white photographs of stiff-looking people wearing stiff-looking clothes. Their hats and the way the women’s clothes fitted said they were rich and pampered. The men’s mustaches and thick facial hair made them look imposing, at least to themselves; they had that self-satisfied look about them, the expression of a hunter when he was posing with a sixteen-point buck. However, their expressions also made them look like their teeth hurt. Dental care was probably not very common back whenever these were taken.
Standing in the doorway, I spotted Rick LaFleur, the special agent in charge of Unit Eighteen, talking to Soul, his up-line boss, the newly appointed assistant director, and another woman. If body language was a clue, the PsyLED agents were arguing with the African-American woman in the chic outfit. She wore the tailored clothes as if they were part of her, as much as the scowl and the aura of power. I figured she was the new VIP in charge of the Knoxville FBI. They were too busy to pay attention to me, so I strolled in. Saw things. Smelled things. Touched things with the back of my hand, here and there.
The gas logs had been on, but were now only warm to the touch. A game of pool had been interrupted and balls were all over the tabletop. The solids were mostly gone. One cue stick lay on the floor in two pieces. Drinks of the alcoholic variety were on every available surface.
The entire room smelled of fire, the sour scent of a house fire—painted wallboard and burned construction materials, lots of synthetics. The stench was tainted with what might have been the reek of scorched flesh. Icy night air blew in through the busted windows; blackened draperies billowed. Charred furniture and rugs spread into the room from the window. The fire seemed to have started there.
There were bullet holes on the wall opposite the windows. And there was a pool of blood on the floor. A body lay in the middle of it. She had taken a chest shot. Dead instantly if I was any kind of judge. There was no taped outline. No chalk outline. Just the blood and the body, still in place.
I stared at her. The victim was middle-aged with dyed blond hair and blue contacts drying and wrinkling, shrinking over her gray eyes. She was wearing a pale blue sweater top and black pants, three-inch black spike shoes. Diamonds. Lots of them. There was blood spatter on the wall in an odd outline, as if someone had been standing behind her. Blood on a chair and small table. Blood on a shattered glass on the mantel near her. That bloody pool beneath her was tracked through by the shoe prints of the people who had tried to save her. There was a lot of blood.
My gift of reading the land—and feeding the land with blood—was less reticent now, more focused. Hungering. But I had been working with it, trying to harness it, and I stroked the need like the hunting cat I compared it to, flattening its surface, pushing it into stillness. Proud of myself that I had the strength of will to not feed my hunger and the earth beneath the house, I turned from the body.