Drop Dead Gorgeous(12)



Blake has the good sense to look confused as hell by whatever he’s walked into. I’m not surprised. Holly has that effect on people. I do too. But the reminder about whatever brought him here draws his focus back to me. “You haven’t done the paperwork on the accident, so the county office is giving me the runaround about the claim. I need it done . . . now.”

I bristle at his bossy tone. “Kinda busy at the moment.” I wave my gloved hands around, gesturing to Chad.

Sorry, man. It’s not usually this crazy here.

All good, this is more interesting than what I’ve got going on now, anyway. If I could, I’d be munching on popcorn right now.

My brow quirks at Chad’s insolence.

Blake still isn’t put off, though. He crosses his arms over his chest, his feet stepped out wide. It’s almost a bar bouncer pose, meant to intimidate, except no one in the history of ever has been intimidating in khaki pants. I don’t think it’s humanly possible. Especially when you’re as attractive as Blake Hale is.

“I’ll wait until you’re done. Then you can do the paperwork.”

I can tell he thinks that’s a negotiation. Now versus when I’m done. “I have plans tonight. I’ll get to it when I get to it.”

A twitch breaks out over his right brow, and I have to fight pulling out a victory dance and singing off-key . . . get to it when I get to it, and newsflash, that’ll be never.

Fine, I will do it. If I don’t, the county motor pool manager is going to be on my ass. But I refuse to do it when Blake’s being all Bossy McBosserson, telling me what to do and when to do it. No, thank you. I’ve had plenty of guys—deputies, usually—try to tell me how to do my job as if they have a damn clue.

But I hold my ground and do what I do best, handle my job the way Grandpa taught me. And right now, getting answers for Chad’s family is priority over some paperwork so Blake can get his passenger door fixed.

Holly suddenly holds her phone up, waving it around, and then presses it to her ear. “Oh, no! Is Olive okay?” She pauses for a dramatic moment to be sure we’re listening. “Of course, I can come home right now. Don’t worry, I’ll be there in a flash.” She takes the phone from her ear and puts it in her back pocket. “Sorry, I have to bail on our drinks tonight, Zoey. Olive isn’t feeling well, so I’m heading home to take care of her.”

It would all seem reasonable, if not convenient, except for one small, glaring detail. “Holly, your phone never rang and I could see your damn home screen.”

She shrugs, unconcerned. “Mother’s prerogative to decide to go home for snuggle times. You should consider some snuggle time yourself after you do Blake’s . . . paperwork.”

She does not mean the papers I have to fill out and file with the county secretary. That much is clear by the seductive way she says ‘paperwork’ even though it’s not a sexy word in the slightest. One more look passes between the two of us, and she damn near runs for the door, calling over her shoulder, “Don’t do anything I wouldn’t do!”

As if there’s a single, solitary thing she would say no to.

Blake is smug as can be as he takes over the chair where Holly was sitting.

Why does everyone just help themselves to my space? This is a morgue, not a Starbucks.

Blake, though, seems to at least be willing to be polite about it. “I’m not trying to piss you off, but I really do need that paperwork done so I can get my car fixed.”

Okay . . . that’s a little bit of progress. “Fine. Suit yourself if you want to wait. This might take a while.”





Chapter 5





Blake





I hear the dare in her voice, see the challenge in her eyes as she glares at me in her desk chair. I’m not sure what prompts me to do it, but I give myself a good spin like Holly did a moment ago before they realized I’d entered the room.

When Zoey growls a bit, I know good and well exactly why I did it. I like setting her on edge because she makes me feel that way just by turning oxygen into carbon dioxide. Turnabout only seems fair.

The tension works through her, from her surgical cap-covered hair to her bootie-covered feet, her shoulders bunched up, her jaw tight, and her back ramrod straight. In contrast, I slouch comfortably in her chair with my head thrown back against the headrest and give her a lazy smile that clearly says, challenge accepted.

“Whatcha doing?” I ask even though I can see exactly what she’s doing, gross and disgusting as it may be. I want to keep looking at Zoey, especially when I can look my fill because she’s giving me zero fucks, but my stomach revolts. Not at her, but at the way her gloved hands disappear into the body on her table and reappear. I’m trying my hardest to hold onto my man card, but I can feel my palms going clammy where I grip the hand rests.

This isn’t a George Romero movie or something. There are no gushing geysers of claret or ropy strings of internal organs being yanked out. This is real, and while it’s not as bloody, ironically, that somehow makes it all the more disturbing.

And Zoey’s utterly comfortable with it. “Working.”

She shows no interest in continuing a conversation, and in fact, doesn’t even look up—how is she doing that without hurling all over the place? —but I’m not easily swayed and am definitely no quitter. Especially when I think the payoff will be worth it. And something tells me Zoey Walker is worth a hell of a lot more than a little one-sided conversational work.

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