Daughters of the Night Sky(94)
I began exchanging letters with the surviving members of my regiment only in the last few years. After Mama died Philippe encouraged me to reestablish some connection to my motherland. Horrified by the stories coming from the aftermath of Stalin’s reign, I ignored every part of my homeland except my mother, and when she died, I let the connection go altogether. With Thérèse’s help I found Polina first, who then led me to Renata. They’d led full lives since last we spoke—Polina had been a scientist and Renata a schoolteacher, and both were now firmly entrenched in the business of grandmotherhood—but I still knew them on sight. I could see the girlish dimples still in Renata’s cheeks and the keenness in Polina’s eyes. They enveloped me in their arms as we sang the last notes of the familiar tune. My family looked baffled to see their usually reserved mother and grandmother make such a spectacle with what, to them, was a group of strangers.
I hoped they would never have to experience what we had. That they would never be called to make the same sacrifices we had. Philippe was the only one who could smile with understanding, knowing what these women meant to me.
My sisters in arms.
My sisters.
AUTHOR ’S NOTE
Let me begin by confessing three things. I am no expert on Russia. I am not a pilot. I am no expert on the Second World War beyond a casual interest that many readers share. Despite these challenges, I had to write this story. So often in history, we dismiss women’s work as secondary to men’s. The Night Witches were a shining example of women who defied expectation and served with immense valor. Once I heard about these remarkable women, I had to make their story my own.
The characters in this novel are of my own invention. Some take some personality traits from the actual crews of the Forty-Sixth Taman Guards—most noticeably, Sofia Orlova mirrors famous Soviet pilot and founder of the 122nd Aviation Group, Marina Raskova. Raskova, however, did not fly with the Forty-Sixth Taman Guards, choosing to lead the fighter regiment. I wanted to keep the founding pilot in the picture a bit longer, so rather than alter the facts, I made my own cast of characters.
On the other hand, every effort was made to respect the dates and positions where the regiment moved throughout the war. Many of the events described—such as the half-drunken scramble to fly after the women’s sanctioned celebration of the October Revolution, the furor over flare parachutes being fashioned into ladies’ undergarments, and several of the pivotal flight scenes—were adapted from anecdotes from the Night Witches themselves.
The biggest departure I make from history comes at the very end. These pilots were a very patriotic bunch, and I’ve not found evidence to support that any of them left the USSR after the war. Katya’s departure from Russia to build a life in France is her symbolic fulfillment of her promises to Vanya and Oksana to remain safe, and true to herself. She always wanted to see the world outside Russia, and I couldn’t end the story before she had her chance.
The purpose of this novel is to depict what I imagine to have been the emotional realities these women faced. There are precious few examples of historical fiction that showcase these women, and I sought to change that. If you seek nonfiction works that shed more light on the history of the time, please visit my website at www.aimiekrunyan.com for a list of further reading.
Writing this book has been one of the greatest challenges—and joys—of my life. I sincerely hope you enjoyed it.
With love and light to all my dear readers. Clear skies.
~Aimie K. Runyan