Cinderella Is Dead(77)



“It is a reaping,” émile says. “A way for him to feast on them like the monster he is. And knowing now that he has been doing this since the time of Cinderella, I fear he can go on like this forever.” Her voice becomes a whisper. “I’ve dreamed of finding a way out, but I think that’s all it will ever be. A dream. A nightmare, really. He’s taken so much from me. I’m changed in the very deepest parts of me.”

“When you get out of here, you will have yourself and your freedom, and that will be enough. I promise you.”

I think I hear her laugh, but it could have been a sob. “I want to believe you. Really, I do.”

I step down and take a deep breath. She’s lost all hope. She sounds so much like Erin, like my parents. But I refuse to accept that fate. I need to get out, and I need to find Cinderella’s journal.

I go to the door again and peek through the keyhole, listening for a moment. There are no sounds other than the steady drip of water and my own heartbeat. I hold the candle up to the locking mechanism inside the keyhole. It’s rusty, and a piece of the keyhole’s frame is broken off. I look around the room for something I can use to open the lock. Nothing useful.

I run my hand through my hair, frustrated. My fingers pass over the glass butterflies that still hang there. I yank one down and break off the glass figure, leaving just the metal pin, which looks like it will fit perfectly in the lock. I wonder if my own personal fairy godmother had something to do with crafting these little pins.

I jam the metal rod into the keyhole and try to mimic the motion of a turning key. Flecks of red-orange metal rain down as I probe the lock. I twist the pin as hard as I can, and then pop! The lock clicks.

The door groans as it opens just a crack. I expect to be rushed by the guards at any moment, but nothing happens. I poke my head out and look down the darkened corridor. A patchwork of newer-looking wood planks crisscrosses the hole in the ceiling, but the chilly evening air still gusts through. From somewhere farther off, a melody drifts in, and a sweet smell, like fresh-baked bread, wafts past me. I try the handle on the cell next to mine.

“If you come in here, make sure you kill me. Because if you don’t, I’ll strangle you with my bare hands!”

“Will you be quiet?” I whisper. “It’s just me. From the cell next to you.”

I hear her scramble around, and the light under the door flickers.

I put my makeshift key in the lock and try to get it to turn. It clicks gently as I try to find the right angle and then snap! The pin breaks off inside the lock.

“Where are the keys?” I ask.

“They’re with the guard. You’ll never get ahold of them. Just go. Get away from here and never come back.”

I see faint lights under each of what must be a half dozen doors down the hall.

“I’ll come back for you. I promise,” I say. “I’ll find the keys or something to break the lock.”

Faint sobs fade away as I head toward the end of the hall where I’d found my way out before. I twist the handle. Locked, boarded shut from the outside. The king must have amended his lapse in security.

A monster. Not a fool, I remind myself.

I turn to the opposite end of the hallway. A narrow, spiral staircase is tucked in the far corner. I rush to the foot of the stairs and look up.

The wooden stairway spirals at least two floors into the darkness. The first few feet are passable, and I’m sure this is the way the guards came when they dragged me down here, but beyond that, the staircase is in rough shape. Some of the steps are missing, and cobwebs hang between the slats of the rail. I rush past the sturdy stairs and then ease onto the first tattered step that leads into the darkness. It moans under my weight. I take a deep breath before making my way up cautiously, each step groaning in protest.

The bells toll, marking the half hour.

As I near the top, I narrowly avoid a gaping hole in the structure. When I set my foot on the other side, a sickening crack echoes through the dark. My foot crashes through the wooden stair, and I grab on to the rail to keep myself from plummeting to the floor below.

A shower of debris rains down and clatters to the floor. I scramble to hoist myself up, and when I’m steady, I stand still, listening. Someone must have heard the commotion. I try to calm my racing heart. Just above me, at the top of the staircase, is a door.

I climb the last few steps and lean against it to see if I can hear anyone on the other side.

Silence.

Turning the handle, I push the door in slowly and find myself in a hall much like the one the king had shown me. The walls here are painted a pale blue with white lilies all along the ceiling. Oil lamps light up the space every few feet, set in golden fixtures on the walls. The doorway is built directly into the wall, with no handle on the outside. I gently push it closed and tiptoe down the hall. The floor beneath my feet is a dark oak color and polished to such a shine that I can see myself reflected in its surface.

I pass several rooms before coming to a set of gilded double doors at the end of the hallway. A muffled voice sounds from somewhere behind me. I try the handle on the double doors and they creak open, sending a sprinkling of dust down onto my head. Clearly, no one has been in this room in a very long time. I take a lamp from its holder just outside the door and go inside.

It’s a large bedroom, painted the same pale blue as the hallway. The air is stale, and I can taste the dust in it. Windows run along the south-facing side, though they are shuttered, and on the recessed ceiling is a plaster medallion with swirling arms stretching out like the rays of the sun. An enormous gold chandelier hangs from its center, cobwebs dangling between its candle cups like delicate lace. A four-poster bed draped with navy-blue linens sits underneath. It, too, is covered in a blanket of dust.

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