Cinderella Is Dead(10)



I see the ribbons my mother left behind sitting on a table in a canvas bag, and I pick them up. Just then, a whimper comes from under the table. I step back and look down to see someone sitting there. A young boy. His knees pulled to his chest, as he rocks back and forth.

“Hello?” I say gently. The boy’s head pokes up from behind his knees, his eyes rimmed with tears. He sucks in a gulp of air and wipes his nose with the back of his hand. He’s dressed in a tattered pair of slacks and a faded shirt a size too small. The sleeves expose his delicate, thin wrists. He seems so fragile. I want to put my arms around him and tell him everything is going to be okay even though I have no idea what’s wrong. He sobs again.

“Oh no. Please don’t cry. Are you all right?” I put my hand out, but he scurries back, knocking into the leg of the table and sending more beads scattering to the floor. “I won’t hurt you, I swear.” The eerie silence of the shop sets me on edge.

“I don’t know you,” he says.

“No, I don’t think we’ve met. My name is Sophia. The seamstress is helping me with my dress, and I just came to pick these up.” I crouch down and hold out the bag of ribbons. “See?” His expression softens. “Why are you crying?”

He opens his mouth to speak but hesitates. Then he scoots closer so he is almost out from under the table.

“He’s too loud,” he says, cupping his hands over his ears and shutting his eyes.

“Who’s too loud?” I ask, confused.

A man’s voice, shrill and grating, echoes from somewhere over my head. Heavy footsteps pound across an upstairs room. I look up as the entire structure of the house quakes. Dust, shaken free from the wooden beams crisscrossing the ceiling, falls down through the shadowy confines of the shop and settles like a fine powder on the tables and chairs. I fight the urge to pick up the boy and bolt out the door.

The boy lowers his hands, his eyes wide. “My father. He’s yelling at my mother. He’s always yelling at her.”

The light streaming through the shop windows illuminates the boy’s face. He is nearly identical to the seamstress. They share the same brown skin, dark eyes, and dimples at the outer corners of their mouths.

A loud crash followed by a woman’s scream pierces the momentary silence. I stand up, and the boy scurries back. I look out the front window and see Luke still perched on the cart.

What a man does in his home is his business. That is the rule. I should leave, but I can’t do that.

“You just stay here, all right?” I say.

“Okay,” he answers from under the table.

I creep to the rear of the shop, where a staircase leads up to the second floor. I put my hand on the rail and listen. The silence is almost as unbearable as the woman’s screams. At the top of the stairway is a door, and a soft light streams from underneath it. The stairwell is dark and shadowy, with thin shafts of light from under the door illuminating bits of dust floating in the air. I take one step up.

I don’t know what I will do when I get to the top. Knock? Call out? Can I even stop what is happening? The man’s voice sounds again, and this time I hear the words clearly.

“You’ve kept the money from me, haven’t you?” he bellows.

Then comes a woman’s voice. “No! I would never!”

“Every cent you make belongs to me.” There is a loud thump like someone ran into the door at the top of the stairs, and the door creaks open a few inches. I step up onto the landing and peek inside.

“I know that—I swear, I work hard.” The seamstress cowers against the wall of the small upstairs room. Tears stain her face. Her husband stands over her, his fists clenched.

“Then what is it? There’s so little money in this pouch I wonder why you even bother. Either you’re a terrible seamstress, or you’re keeping the money for yourself.” He flings the pouch at her, and it breaks open, sending a shower of coins tinkling to the floor.

“Everyone is having a hard time,” the woman says. “The king has taxed us so steeply that we can scarcely afford grain. Others are suffering, too, but they need to make their girls ready for the ball. I take what they can afford to give. That’s every red cent, I swear it.”

“You take what they can afford to give? What are we—a charity?”

He raises his fist, and the woman winces as if he’s already struck her. I put my hand on the door, and the floorboard groans under my weight. I cringe as the man’s head whips around. He is short and stocky but his hands are massive.

“I-I’m looking for the seamstress,” I say, trying to keep my voice from cracking.

“Who the hell are you?” He sticks out his neck and glares at me.

“My mother purchased some ribbons, but she left them here. Can you help me find them?” I look directly at the seamstress as I tuck the ribbons out of sight. “If you could, I would appreciate it.” The man steps in front of the woman, blocking my view. I scowl at him.

“Watch yourself before I send you up to the palace to be forfeited,” the man snaps.

He can do it. Any head of household could. The only person who can disagree is another head of household. Money, power, class, all those things come into play, but the founding tenet of our laws is that women, no matter their standing, are at the mercy of the fickle whims of men. That’s how little control I have over my own life. I continue to glare at him as he shuffles off to an adjoining room. The seamstress scrambles to her feet and comes rushing out the door, swiping at her eyes.

Kalynn Bayron's Books