Bridge of Souls (Cassidy Blake #3)(56)
But the pen doesn’t move.
In the movies, poltergeists can lift televisions and slide beds across the floor. But the truth is, it takes a lot of spirit power for a ghost to reach across the Veil—the curtain between their world and ours. And the ghosts that do have that kind of strength, they tend to be really old and not very nice. The living may take strength from love and hope, but the dead grow strong on darker things. On pain and anger and regret.
Jacob furrows his brow as he tries—and fails—to flick Matt’s paper football.
I’m glad he’s not made of all that stuff.
I don’t actually know how long Jacob’s been dead (I think the word quietly, because I know he doesn’t like it). It can’t have been that long, since there’s nothing retro about him—he’s got on a superhero T-shirt, dark jeans, and high-tops—but he doesn’t talk about what happened, and I don’t ask. Friends deserve a little privacy—even if he can read my mind. I can’t read his, but all things considered, I would rather be alive and not psychic than psychic and a ghost.
He looks up at the word ghost and clears his throat. “I prefer the phrase ‘corporeally challenged.’”
I roll my eyes because he knows I don’t like it when he reads my mind without asking. Yes, it’s a weird side effect of our relationship, but come on. Boundaries!
“It’s not my fault you think so loud,” Jacob replies with a smirk.
I snort, and a few students glance my way. I sink lower in my chair, my sneakers knocking against my book bag on the floor. The invitation Melanie passed to Jenna makes its way around the room. It doesn’t stop at my desk. I don’t mind.
Summer is almost here, and that means fresh air and sunshine and books to read for fun. It means the annual family trek down to the rented beach house on Long Island so Mom and Dad can work on their next book.
But most of all, it means no hauntings.
I don’t know what it is about the beach house—maybe the fact that it’s so new, or the way it sits on a calm stretch of shore—but there seem to be far fewer ghosts down there than here in upstate New York. Which means that as soon as school’s out, I get six full weeks of sun and sand and good nights’ sleep.
Six weeks without the tap-tap-tap of restless spirits.
Six weeks of feeling almost normal.
I can’t wait for the break.
I can’t wait … and yet, the moment the bell rings, I’m up, backpack on one shoulder and purple camera strap on the other, letting my feet carry me toward that persistent tap-tap-tap.
“Crazy idea,” says Jacob, falling into step beside me, “but we could just go to lunch.”
It’s Meat Loaf Thursday, I think, careful not to answer out loud. I’d rather face the ghosts.
“Hey, now,” he says. But we both know Jacob’s not a normal ghost, just like I’m not a normal girl. Not anymore. There was an accident. A bike. A frozen river. Long story short, he saved my life.
“Yeah, I’m practically a superhero,” Jacob says, right before a locker swings open in his face. I wince, but he passes straight through the door. It’s not that I forget what Jacob is—it’s pretty hard to forget when your best friend is invisible to everyone else. But it’s amazing what you can get accustomed to.
And it says something that the fact that Jacob’s been haunting me for the past year isn’t even the strangest part of my life.
We hit the split in the hall. Left goes to the cafeteria. Right goes to the stairs.
“Last chance for normal,” Jacob warns, but he’s got that crooked grin when he says it. We both know we passed normal a long time ago.
We go right.
Down the stairs and along another hall, against the flow of lunchtime traffic, and with each turn, the tap-tap-tap gets stronger, turning into a pull, like a rope. I don’t even have to think about where to go. In fact, it’s easier if I stop thinking and just let it reel me in.
It draws me to the doors of the auditorium. Jacob shoves his hands in his pockets and mutters something about bad ideas, and I remind him he didn’t have to come, even though I’m glad he did.
“Ninth rule of friendship,” he says, “ghost-watching is a two-person sport.”
“That it is,” I say, snapping the cap off my camera lens. It’s a clunky old beast, this camera, a manual with a busted viewfinder and black-and-white film, hanging off my shoulder on its thick purple strap.
If a teacher catches me in the auditorium, I’ll say I was taking photos for the school paper. Even though all the clubs have ended for the year …
And I never worked for the paper.
I push open the auditorium doors and step inside. The theater is huge, with a high ceiling and heavy red curtains that hide the stage from view.
Suddenly, I realize why the tap-tap-tap has led me here. Every school has stories. Ways to explain that creaking sound in the boys’ bathroom, that cold spot at the back of the English room, the smell of smoke in the auditorium.
My school’s the same. The only difference is that when I hear a ghost story, I get to find out if it’s real. Most of the time it’s not.
A creaky sound is just a door with bad hinges.
A cold feeling is just a draft.
But as I follow the tap-tap-tap down the theater aisle and up onto the stage, I know there’s something to this particular story.