Blood Sisters(2)



‘Wiggle the blade from side to side and then push down,’ I say. ‘Anyone want to try?’

I address my question deliberately to a horsey-faced woman who has been on several of my courses. Once she even offered to make positive comments on my Facebook page and was distinctly disappointed when I confessed to not having one. ‘Don’t you need it to publicize your work?’ she’d asked incredulously.

I’d shrugged casually in an attempt to hide the real reason. ‘I manage without it.’

Class is ending now (‘Ta-ra!’ waves Beryl who ‘loves coming here’) but the man with the well-spoken voice is still lurking. I have renamed him Lead Man in my head, and I suppress a smile because it works on both levels. Tall. Thin. Clean-shaven. Strong jawline. Smooth. Possibly unpredictable. Just like the material we’re working with.

In my experience, there’s always a ‘May I ask a final question?’ student who doesn’t want to go. But this one is unnerving me.

‘I was just wondering,’ he says. Then he stops for a minute, his eyes darting to the blank space on my wedding-ring finger. (I’ve noticed that his is bare too.) ‘Are you hungry, by any chance?’

He laughs casually, as if aware he is being slightly too forward on the strength of a short acquaintance in which I am the teacher and he is the pupil. ‘I don’t know about you,’ he adds, ‘but I didn’t have time to eat anything after work before coming here.’

His hand reaches into his pocket as he talks. Sweat breaks out round my neck. I eye the door. Then he brings out a watch and glances at it. The face appears to have a Disney cartoon on it. I’m both relieved and intrigued. But not enough to accept his invitation.

‘Thanks,’ I say lightly. ‘But I’m expected back at home.’

He looks disappointed. Rebuffed. ‘OK. I understand.’

How can he? I don’t even understand myself. Turning round, I tidy up the spare glass offcuts.

On paper, this student seems like someone my mother would approve of. Nice manners. Suitable age. A man of means, judging from his well-cut jacket. A good head of light-brown hair, flicked back off a wide forehead.

‘Maybe you’re being too choosy,’ my mother is always saying, albeit kindly. ‘Sometimes you have to take a risk in life, darling. Mister Right can come in all shapes and forms.’

Was this how she’d felt about marrying my father? I’m stung by that familiar pang of loss. If only he was still here.

Lead Man has gone now. All I want to do is go back to my flat in Elephant & Castle, put on some Ella Fitzgerald, knock up a tinned tuna salad (my sister had hated fish), take a hot shower to wash out the day, then curl up on the sofa with a good book, and try to forget that the rent is due next week along with all the other bills.

Peeling off my rubber gloves, I wash my hands carefully in the corner sink. Then, slipping on my fluffy blue mohair charity-shop cardigan, I make my way downstairs, pausing at reception to hand in the classroom key. ‘How’s it going?’ asks the woman at the desk.

I put on my cheerful face. ‘Great, thanks. You?’

She shrugs. ‘I’ve got to rearrange the noticeboard. Someone’s just dropped this off. Not sure that anyone will be interested. What do you think?’

I read the poster. It’s on A4 paper and has a picture of an artist’s palette next to a cell with bars across it.

WANTED.

ARTIST IN RESIDENCE FOR HMP ARCHVILLE (A MEN’S OPEN PRISON).

ONE HOUR FROM CENTRAL LONDON.

THREE DAYS A WEEK.

TRAVEL EXPENSES PAID.

COMPETITIVE REMUNERATION.

APPLICATIONS TO [email protected]

My skin breaks out into little goosebumps.

A scream. Silence. Blood.

‘You wouldn’t catch me in one of those places,’ sniffs the receptionist. Her words bring me back to myself and I fumble for a pen.

‘You’re not really interested, are you, Alison?’

I continue writing down the email address. ‘Maybe.’

‘Rather you than me.’

The pros and cons whirl round in my head as I make my way out into the street. Steady income. Travel costs. Enough to stop me worrying over my bank balance every month. But I’ve never been inside a prison before. The very thought terrifies me. My mouth is dry. My heart is thumping. I wish I’d never seen the ad. It’s as though fate is telling me something. But do I really want to listen?

I pass a park with teenagers smoking on the swings. One is laughing; head tossed back. A happy, carefree laugh. Just like my sister’s. For her, life was a ball. Me? I was the serious one. Earnest. Even before the accident, I remember a certain mysterious heaviness in my chest. I always wanted to make things right. To do the best I could in life. The word ‘conscientious’ featured on every one of my school reports.

But there are some things you can’t make right.

‘It wasn’t your fault,’ my mother had said, time and time again. Yet when I replay it in my mind, I keep thinking of things I could have done. And now it’s too late.

I’m walking briskly through an evening market. Silk scarves flutter in the breeze. Turquoise. Pink. Primrose yellow. On the next stall, overripe tomatoes are going for 50p a bag. ‘You won’t get cheaper, love,’ says the stallholder, who is wearing black fingerless gloves. I ignore him. Take a left. And a right. Quickly. I need to get home. Now. Down a road of identical Victorian terraces with overflowing wheelie bins and beer bottles in the streets. Some have curtains hanging off the rails. Others have boarded-up windows. Mine has shutters. Easy to close. It was one of the attractions.

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