Before the Fall(9)



Scott swims in the fragile calm, trying to empty his mind.

Something brushes against his leg.

He freezes, starts to sink, then has to kick his legs to stay afloat.

Shark, he thinks.

You have to stay still.

But if he stops moving he’ll drown.

He rolls over onto his back, breathing deeply to inflate his chest. He has never been more aware of his tenuous place on the food chain. Every instinct in his body screams at him not to turn his back on the deep, but he does. He floats in the sea as calmly as he can, rising and falling with the tide.

“What are we doing?” the boy asks.

“Resting,” Scott tells him. “Let’s be real quiet now, okay? Don’t move. Try to keep your feet out of the water.”

The boy is silent. They rise and fall with the swells. Scott’s primal reptilian brain orders him to flee. But he ignores it. A shark can smell a drop of blood in a million gallons of water. If either Scott or the boy is bleeding they’re done. But if not and they stay completely still the shark (if it was a shark) should leave them alone.

He takes the boy’s hand.

“Where’s my sister?” the boy whispers.

“I don’t know,” Scott whispers back. “The plane went down. We got separated.”

A long beat.

“Maybe she’s okay,” Scott whispers. “Maybe your parents have her, and they’re floating someplace else. Or maybe they’ve already been rescued.”

After a long silence the boy says:

“I don’t think so.”

They float for a while with this thought. Overhead the fog begins to dissipate. It starts slowly, the clearing, first a hint of sky peeking through, then stars appear, and finally the crescent moon, and just like that the ocean around them becomes a sequined dress. From his back, Scott finds the North Star, confirms that they’re going in the right direction. He looks over at the boy, eyes wide with fear. For the first time Scott can see his tiny face, the furrowed brow and bowed mouth.

“Hi,” says Scott, water lapping at his ears.

The boy’s expression is flat, serious.

“Hi,” he says back.

“Are we rested?” Scott asks.

The boy nods.

“Okay,” says Scott, turning over. “Let’s go home.”

He rights himself and starts to swim, certain that at any moment he will feel a strike from below, the razor grip of a steam-shovel mouth, but it doesn’t come, and after a while he puts the shark out of his mind. He wills them forward, stroke after stroke, his legs moving behind him in figure eights, his right arm lunging and pulling, lunging and pulling. To keep his mind busy, he thinks of other liquids he would rather be swimming in; milk, soup, bourbon. An ocean of bourbon.

He considers his life, but the details seem meaningless now. His ambitions. The rent that is due every month. The woman who has left him. He thinks of his work, brushstrokes on canvas. It is the ocean he is painting tonight, stroke by stroke, like Harold and his purple crayon, drawing a balloon as he falls.

Floating in the North Atlantic, Scott realizes that he has never been more clear about who he is, his purpose. It’s so obvious. He was put on this earth to conquer this ocean, to save this boy. Fate brought him to that beach in San Francisco forty-one years ago. It delivered to him a golden god, shackled at the wrists, battling the ocean winds. Fate gave Scott the urge to swim, to join first his junior high swim team, then his high school and college crews. It pushed him to swim practice every morning at five, before the sun was up, lap after lap in the chlorinated blue, the applause of the other boys’ splashing, the kree of the coach’s whistle. Fate led him to water, but it was will that drove him to victory in three state championships, will that pushed him to a first-place medal in the men’s two-hundred-meter freestyle in high school.

He came to love the pressure in his ears when he dove down to the pool’s apple-smooth bottom. He dreamed of it at night, floating like a buoy in the blue. And when he started painting in college, blue was the first color he bought.

*



He is starting to get thirsty when the boy says:

“What’s that?”

Scott lifts his head from the water. The boy is pointing at something to their right. Scott looks over. In the moonlight Scott sees a hulking black wave creeping silently toward them, growing taller, gathering strength. Scott measures it instantly at twenty-five feet, a monster bearing down. Its humped head sparkles in the moonlight. A lightning bolt of panic hits him. There is no time to think. Scott turns and starts swimming toward it. He has maybe thirty seconds to close the gap. His left shoulder screams at him, but he ignores it. The boy is crying now, sensing that death is near, but there isn’t time to comfort him.

“Deep breath,” Scott yells. “Take a deep breath now.”

The wave is too big, too fast. It is on them before Scott can get a good breath himself.

He pulls the boy from the flotation device and dives.

Something in his left shoulder pops. He ignores it. The boy struggles against him, against the madman dragging him down to his death. Scott grips him tighter and kicks. He is a bullet, a cannonball streaking down through the water, diving under a wall of death. The pressure increases. His heart pounds, his lungs tick—swollen with air.

As the wave passes overhead, Scott is certain he has failed. He feels himself being sucked back up to the surface in a maelstrom of undertow. The wave will chew them up, he realizes, rip them apart. He kicks harder, holding the boy to his chest, fighting for every inch. Overhead the wave crests and topples into the sea behind them—twenty-five feet of ocean falling like a hammer, millions of gallons of angry surge—and the updraft is replaced in an instant by a churning rinse cycle.

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