A Moment on the Lips(2)



‘I’m going to run it,’ she said, keeping her voice ice-cool.

He leaned back in his chair. ‘How?’

She lifted her chin and narrowed her eyes at him. ‘Don’t be insulting.’

‘Signorina Tonielli, you have no experience and the business is in a mess,’ he said quietly. ‘It needs turning around—and I have the knowledge and the staff to do that.’

He was bluffing, she was sure. Things weren’t that bad. She shrugged. ‘There’s a recession on. Everyone’s feeling the bite.’

‘The business is in trouble, and I think it’s more than just the recession. And you don’t have the experience or the staff to fix things.’

‘Signor Romano, you know nothing about me.’ She folded her arms. ‘You’re assuming that I’m not capable of running the business my family started five generations ago.’

‘Not just running it. Taking it out of the red and moving it into this century.’

Red. Exactly what she was seeing, right now, after his smug, pompous remarks. ‘You think I’m too stupid to do that?’

‘Too inexperienced,’ he corrected.

‘And what makes you think I’m inexperienced?’ she shot back.

And then she realised what she’d said. How it could be interpreted. Especially as his gaze travelled over her very, very slowly, from the top of her head down to desk level—and then all the way back again. Assessing her. Appraising her. And he clearly liked what he saw.

To her mortification, she felt the colour seep into her cheeks.

Anyone would think she was sixteen, not twenty-eight. Sixteen, and experiencing her very first interested look from a man.

If Dante Romano had looked at her like that when she was sixteen, she would’ve been a complete puddle of hormones. As it was, her body was already reacting, and she was very glad she’d worn a business suit; the thick material of her jacket would hide the fact that her nipples were hardening.

This was so inappropriate, it was untrue. This was business. She shouldn’t even be thinking about sex. A year ago, she would’ve done more than just think about it. But she was putting that mixed-up part of her life behind her now. She had the chance to start all over again.

Then he spoke, and it was as if he’d thrown a bucket of icy water over her. ‘Have you ever done a real day’s work in your life?’

What? For a moment, she was too surprised and angry to speak. He thought she was the kind of woman who did nothing but party and live off the allowance her grandfather gave her? OK, she’d admit that it had been true enough, ten years ago. But she’d grown up a lot since then. And, until Amy had retired through ill health and sold the gallery, Carenza had most definitely had a job in London. She’d worked damned hard at it.

Striving to keep her voice cool, not wanting him to know how near she was to throwing her glass of water in his face, she drawled, ‘As a matter of fact, I have.’

‘In an art gallery.’

He knew that? Well, of course. If you were planning to buy out a business, you’d want to know exactly what you were getting for your money. He’d obviously done his research on the business—and on her. Except he hadn’t done it thoroughly enough, or he’d know that she was back for good and she wasn’t planning to sell.

In the second before he masked his expression, Carenza could see exactly what he thought. That her job in the art gallery wasn’t a real job—that it was a cushy number for a pampered girl from a wealthy family. That was what the new gallery owner had thought, too. And it wasn’t true. She lifted her chin. ‘All businesses are run the same way.’

‘Are they, now.’ It wasn’t a question.

He clearly believed she wasn’t up to running Tonielli’s. Well, he’d find out the hard way that he was wrong. She was going to do this. More than that, she was going to do this well.

‘I don’t think we have anything more to say to each other, Signor Romano.’ She stood up. ‘Thank you for the drink of water. Good morning.’ And she walked out of his office with her head held high.





CHAPTER TWO

IT WAS good to be home. Back in Naples after ten years away—one spent travelling the world, nine based in London. To live near the sea again, to see the harbour with the little fishing boats and yachts bobbing up and down on the water and the city stretching up the hill from the seafront. The pole by the white rocks in front of the Castel dell’Ovo, where lovers attached a lock with their names scrawled on it in marker pen, making a huge impromptu sculpture that grew and changed every week. The bandstand in the Villa Comunale with its pretty wrought-iron skeleton, orb lights and striped glass awning. The sun setting behind the island of Ischia, turning the sea a heathery purple and the sky a soft rose. And the brooding, broken peak of Vesuvius overshadowing everything.

Kate Hardy's Books