yes please(56)



Cut to 2013. I am at a restaurant in Los Angeles and Patti Smith comes out of the bathroom. I freeze and then I say, “Ms. Smith, my name is Amy Poehler and my group opened for you in Amsterdam in the late nineties.” She was very nice and polite and pretended to remember. Maybe she did. It didn’t matter. She said, “Right, Ann Demeulemeester was there.” I nodded my head as if I understood what she was talking about and then I went home and Wikipedia’d Ann Demeulemeester. She is a beautiful fashion designer who lives in Antwerp and is currently doing design inspired by Jackson Pollock. Of course she and Patti are friends.

Patti Smith knew who I was. I shook her hand. Suddenly I was transported back to Amsterdam. Time stretched and bent and I went for a ride. I dare anyone to prove that I didn’t.

Places also help you time-travel. My grandfather Steve Milmore was a wonderful man. We called him Gunka and he was a Watertown, Massachusetts, firefighter and served as a machine gunner in World War II. He married my grandmother Helen and went overseas for five years until he came back and put his uniform in the attic and never spoke of his service again. He had three wonderful children, including my wonderful mother. He died of a heart attack on my front porch on July 4, 1982, when he was only sixty-five. I was ten. He was the first important person in my life to die, and when he did, it was the first time I realized that life is not fair or safe or even ours to own. I miss him.



Gunka had a Wurlitzer organ, and he loved to play. His grandchildren would sit on his lap and he would play Bing Crosby or Nat King Cole. Lots of Christmas tunes. He wrote songs for us when we had the chicken pox. He went through his songbook and put numbers over the notes and then made a corresponding chart on cardboard that he laid over the keys so we could play songs ourselves. For a while I thought I was a genius and could totally play the organ. The reality was that I was the luckiest girl in the world because I had a grandfather who was a magic maker.

Sitting on the organ bench was important. Now that I think of it, benches are cool. Sacred by design. Benches are often a place where something special happens and important talks take place. Look at Forrest Gump. Or Hoosiers. Or outside a brunch place. Brunch benches are where it all goes down. After my nana passed away in 2003, my family took Gunka’s organ and put it in the basement of the house they shared. And it sat there for ten years, waiting for its chance to travel.

And now it lives in my apartment in New York City. My boys play it all the time. They sit on the same bench I sat on and feel the same good feelings of family and home. One night I was feeling lonely and stressed, and the organ started buzzing. I think Gunka was trying to talk to me. I sat on the bench and felt better. Inside the organ bench is old sheet music with my grandparents’ handwriting. I also found a song that I wrote when I was seven. It is a poem that has numbers written above it, so it can be played the special way on my special organ. I wrote it in the past and put it in the sacred bench so I could pull it out at just the right time. Time is just time. Time travel, y’all.





Finally, things can help us time-travel. A few summers ago I was feeling sad. I was in Atlanta and went shopping in a vintage store. I don’t love shopping for clothes. I just wish I could wear a daily uniform. As previously noted, I had to look up Ann Demeulemeester on Wikipedia. In the shop, I found an old-timey bathing suit.

I brought the bathing suit home and looked at it. I thought about who might have owned it before. The bathing suit didn’t fit into my life at that moment. I was too busy to go swimming. I felt disconnected from my body after having kids. And I was sad. I sat in the moment, looking at that bathing suit. I thought about how long my winter had felt. My brain fooled me into thinking the winter would never end. I closed my eyes and thought of what my life would look like when it did finally end—what six months from now might feel like. I put this bathing suit in a drawer and it waited for me to take it traveling. And then six months later I went to Palm Springs with a bunch of wonderful women. They were my beautiful friends who had helped me through a difficult year. We were going swimming and I reached into my bag to find a bathing suit. I had put this old-timey bathing suit in with the rest. I tried it on again and I felt beautiful. I thanked the bathing suit for waiting for me. I got into the pool with Rashida and Kathryn and Aubrey and thanked the women for holding me up when I couldn’t hold myself. I thought about the woman who had worn that bathing suit before and realized she was another woman who had helped me. I thanked her too. I realized I had traveled again, this time into a happier future. I stood in the sun. I thanked the sun.

The more I time-travel the more I learn I am always just where I need to be.





obligatory drug stories,


or lessons i learned on mushrooms


GROWING UP, MY HOMETOWN WAS A DRINKING TOWN. We all sneaked into our parents’ liquor cabinets at an early age and spiked our hot chocolate for our high school football games. Alcohol was accessible and drinking was slightly encouraged. Every family had a funny Polaroid of their five-year-old kid holding a beer. My parents weren’t heavy drinkers, but they imbibed. I have fond memories of being ten and handing my dad Budweisers as he played slow-pitch softball. Summer sunsets were spent on a dusty field, as these men swung hard and spit in the dust and put us on their shoulders. It was a parade of mustaches and farmer tans. It was later that I realized those men were only in their early thirties and already married with children—a collection of young dads in their prime. My mother had her wine, which she didn’t drink much of when we were young but now that she is sixty-seven and retired she allows herself a glass or three. I loved playing bartender behind the big bar we had in our finished basement. It was next to our giant record-player console and our faux-leather couch and shiny floral wallpaper. The wall-to-wall carpeting went all the way up the two concrete poles that supported the house. I spent hours down there pretending I was Michael Jackson or dancing as the Weather Girls told me it was “raining men.” That basement was like my personal Copacabana, and when it was filled with my parents’ friends I would sit on the stairs and listen to the clink of their glasses and their bursts of laughter. I would make an excuse to pad down in my Kristy McNichol nightgown and pretend I’d had a bad dream, all in an attempt to peep at the women with their shiny brown lipstick and the men packing their cigarettes against their hips.

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