yes please(46)



Many women, and even some men, have their own version of how they have been lucky or unlucky. It can make it hard not to be on high alert for people using power to manipulate you. Which leads me to this story. I share it because it’s an example of a shady use of power and how I attempted to push back. Also, it is a story that shows no matter where or who you are, it can sometimes be hard to get a creep to stop hugging you.

I was asked to perform at an event honoring someone. I had worked on my bit and was excited to be a part of a special night for this person whom I admire. Usually, leading up to an event you are asked to run your ideas past some producers. I have learned that with these events I need to conserve the amount of real estate I let people take up in my heart and brain. Most people like to talk about things too much and too often, especially producers. When you are dealing with nervous producers hoping for a great show, you can be asked to take on their energy and be responsible for their feelings. I try to combat this by ignoring e-mails and hoping the whole situation just goes away. When that doesn’t work I spend an hour or so getting angry at myself for saying yes to the thing in the first place when I am much too busy! I am so busy! Why won’t people understand that! After I have stomped around a bit more I usually call or e-mail the producer late in the game and speak as vaguely and as quickly as I can.

So I talked to the producers about my speech (briefly; see above) and prepared to head to the event. I was ushered in to do a little rehearsal. It all went well. We went over my bit, and it got a bunch of laughs. The producer was a pleasant older gentleman in his sixties who thanked me for joining and assured me I would be in great hands. I cursed myself for having been so grumpy with the production team.

Right before I walked out onstage for the actual performance, the sound guy made some last-minute adjustments to my microphone. Then I walked out and started my section. My bit went fine. I would give it a B-minus. I’m at the point in my life now where delivering a B-minus performance on a televised show with some of my comedy heroes doesn’t ruin my week. I don’t know if that is the most inspiring or most depressing sentence I have ever typed, but there you have it. But right as I was building to the climax, the lights went down too early and I was cut off from delivering the ending that I was excited about and that had gone so well in rehearsal. At SNL we always wished for bad rehearsals. There was nothing worse than performing live and waiting for the laugh that came in rehearsals, and never getting it. I coined it “phantom laugh syndrome.” A hot dress audience was met with some head shaking because usually there was nowhere to go but down. My hot dress had morphed into me not really delivering and being cut off too early. I semi-stormed offstage and headed right into the path of one of the producers.

“Great job,” he said.

“You guys missed my cue,” I said.

“No one noticed.”

“I did.”

“Relax, it was great.”

“Relax” is a real tough one for me. Another tough one is “smile.” “Smile” doesn’t really work either. Telling me to relax or smile when I’m angry is like bringing a birthday cake into an ape sanctuary. You’re just asking to get your nose and genitals bitten off.

“This is the part where you apologize to me,” I said, getting angry. “You guys screwed up and this is where you make me feel better about it.”

I like to use this tactic on people. It can work. When someone is being rude, abusing their power, or not respecting you, just call them out in a really obvious way. Say, “I can’t understand why you are being rude because you are the concierge and this is the part of the evening where the concierge helps me.” Act like they are an actor who has forgotten what part they are playing. It brings the attention back to them and gives you a minute to calm down so you don’t do something silly like burst into tears or break their stupid f*cking glasses. Not that there is anything wrong with crying. It was Marlo Thomas and the Free to Be . . . You and Me gang who reminded us that “crying gets the sad out.” It’s just that sometimes anger should just stay anger and tears can change anger to something else. However, if you do start crying in an argument and someone asks why, you can always say, “I’m just crying because of how wrong you are.”

So, I tell this producer to apologize to me and he kind of slinks away like “Yeesh, she’s a handful.” Luckily, that doesn’t bother me the way it used to. That kind of feeling would have been hard to hold in my heart and stomach when I was in my twenties. It was hard to feel like somebody didn’t like me. It felt like such a failure. I don’t care as much now. It’s really great. It’s like I can finally eat spicy food without the gut ache later, or something similar. I have a stomach for other people not stomaching me. Or at least I am working on it.

I stomped upstairs and felt angry for about five minutes, and then I watched the anger travel through my body like a wave and leave. Emotions are like passing storms, and you have to remind yourself that it won’t rain forever. You just have to sit down and watch it pour outside and then peek your head out when it looks dry. I had all but gotten over the whole thing when I heard a gentle knocking on my dressing room door.

“Amy, can I talk to you?”

“He’s coming to apologize,” I thought. I instantly decided I was not upset. Not only that, I decided I was going to let him off the hook easy. I just wanted to go watch the rest of the show and have a drink and celebrate, so I opened the door with relaxed shoulders and a genuine smile of reconciliation. He came in and sat down without asking if that was okay with me. I noticed this.

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