World of Trouble (The Last Policeman #3)(18)
“Good morning,” I call out.
There is a squeal of feedback from a bullhorn mounted on the roof above the driver’s seat. I wince. The woman in the guard tower winces. Then someone starts talking through the bullhorn from inside the truck.
“Is this your—” The voice is swallowed in a new burst of feedback, and then there’s a muttered “oh, hell” and an adjustment of the volume. “Is this your place?”
“No.” I shake my head. He means the parking lot—the store—did I, or did I and some band of compatriots, maybe all dressed in sensible blue pants and tan blazers to keep track of each other, like these guys are all in softball jerseys, did we already call shotgun on this SuperTarget? Did we declare it to be our base, our temporary encampment, or were we intending to pick the bones of the shelves for food or entertainment for the last week before impact?
“No,” I say again. “I’m passing through.” The woman on the moving staircase is watching with mild interest. I’m keeping my hands in the air, just in case.
“Oh, okay,” says the voice through the bullhorn. “Yeah, us too.”
The people on the roof of the building have clustered at the edge, watching me. Machine guns, red jerseys. From the corner of my eye I can see around the corner to the backside of the SuperTarget, where there’s a blur of figures busy at the loading dock. They’re cleaning it out. Box loads, full pallets wrapped in clear plastic sheeting. There wasn’t much left in the store when we were there, but what there was is coming out. I feel a flash of desperation. All I need is that sledgehammer.
“There’s an item in there,” I say. “Something I really need.”
“Well—” Another squealing tide of feedback. “Oh, for heaven’s sake,” the man says, and the sound stops abruptly as he shuts off the bullhorn and opens the driver’s side door and leans out. Glasses, mild expression. Red jersey also, with the name ETHAN stitched above the breast pocket. A soft paunch on an athletic build. He looks like somebody’s middle-school basketball coach.
“Sorry. Stupid thing. What is it that you need?”
“A sledgehammer. There’s one in there. A Wilton with a fiberglass handle.” I step forward to him, make eye contact, smile and raise a hand, like we’re meeting at a barbecue. “I really need it bad.”
“Well, huh. Okay, hold on.” He scratches his cheek, uncertain, raises one finger, and leans back into the truck. I hear him talking on a CB or a walkie-talkie. Then he leans back out and peers at me smiling while he waits for an answer from whoever decides. He’d say yes, I can see it. Were it up to just Ethan I’d be good to go. It’s still raining; endless steady mild rain. I run my hands over Houdini’s fur. I take a look at the woman on the moving staircase, and she’s looking off into space, bored, letting her mind wander. A year and a half ago she would have been checking e-mail on her phone.
The walkie-talkie blares from within the truck, and Ethan leans back in and listens for a moment, nodding. I watch his face through the windshield until he pokes his head back out.
“Listen, bud. You got anything to trade?”
I make a rapid internal inventory of my possessions: Jacket and pants, shoes and shirt. Notebook and pen. A loaded SIG Sauer P229 and a box of .40-caliber shells. A tattered high-school yearbook photo of a missing girl.
“Not really,” I say. “Unfortunately. But that sledgehammer. The truth is, it’s mine.”
“What do you mean, it’s yours?”
I don’t know what to say. I saw it first? I need it real bad?
“One thing,” I say, hearing my voice travel into a pleading, desperate upper register. “It’s just the one thing.”
Ethan rubs his chin. He feels bad. Everybody feels bad. “What about the wagon?” He looks up at our friend in the guard tower, who looks skeptical. “Maybe you could trade us that wagon.”
I look down at the battered Red Ryder. We brought it from Concord. The wheels are bent.
“The thing is, if I give you the wagon, I can’t get the hammer back to where I need it.”
“Well, heck, then.” The man sighs. “You got a, uh—what do you call those again?”
“Catch-22?” says the woman on the staircase.
Before I can say something else, someone shouts “hey-yuh” from the loading dock, and then someone else yells it from the roof, and then the man at the next staircase over yells it, too, and Ethan’s gotta run: he pops back into the truck and pulls the door closed and does a rapid three-point turn in the parking lot and heads back the way he came. The woman with the bandana looks at me, tight-lipped, and shrugs, what can ya do?
“Shit,” I say softly.
Houdini barks his rattling phlegmy bark, and I bend to scratch his ears.
*
I don’t know what happens if I go back without the sledgehammer.
Cortez will have more tricks up his sleeve, or else he won’t, and if he doesn’t we sit on our hands drinking weird bad coffee and making disjointed conversation until Wednesday around lunchtime, when the conversation stops and everything stops.
The town of Rotary is small, but it’s bigger than Pike, where the SuperTarget was. It’s bigger than anything else around. There’s got to be a hardware store.
There’s a church spire and another one, there’s the fat onion bulb of a water tower with the word ROTARY painted in mile-high letters in the classical small-town style. Autumn dogwoods along the sidewalk, leaves orange and red, branches drooping with rain. No people, no sign of people.