Woman of Light (4)



“Doubtful,” said Luz, sliding lower behind her booth. “They’re just causing a scene.”

Maria Josie flashed an ornery smile. She had an elegant gap between her front teeth. “Hell, some of those girls are pretty cute.” She pointed to the dozen or so women ascending the stage. Tall ones. Short ones. Those with the heft of their railroad worker men. Big-boned gals from the Martinez clan who didn’t have a chance against the chubby Gallegos. Pick us. Weigh me. I’m the winner, winner.

The first woman took to the scale and Papa Tikas hollered, “One ninety! You can do better, ladies.” A regal woman in an orange shawl was next. She had a dazed look, as if she’d walked into her own birthday party expecting a wake. The crowd trembled with applause.

Maria Josie shook her head and pushed back in her chair, the front two legs lifting from the silty earth. She motioned with a kissy mouth to the bleachers, stage left, where Diego twirled beneath the metal slits in barred light. “Look at that boy now,” she said.

He was on in twenty minutes. Dirt coughed beneath his feet, his mouth as open as a third eye socket. He moved in patterned steps, a dancer beating an invisible flame. Although she couldn’t make them out through the harvest light, Luz knew that her brother’s snakes, Reina and Corporal, were nearby in their wicker basket. The breezeless weather was good for a festival, even better for the snakes. Within a month, Reina and Corporal, six-foot-long rattlers, would curl beneath a heat lamp in Diego’s bedroom. They could die if left under an open window, a wintry draft freezing their bodies in an instant. Cold-blooded, Luz had learned, meant something.

“If I told you I killed it myself, would you believe it?” It was Lizette, who had approached the booth in a secondhand fur coat, rabbit or fox, most likely stolen or pawned by her fiancé, Alfonso. “Real eye-catching, huh?”

Maria Josie slammed her chair back onto four legs. She leaned over the booth, rubbing with her index finger and thumb at Lizette’s disintegrating jacket. Flecks of powdery fur floated in the dark. “Skinned it yourself, too?”

Lizette frowned and flicked her right hand, as though she smoked a cigarette that didn’t exist. She plopped down in the chair across from Luz, sliding open her green mermaid clutch, rows of loosened beads across the siren’s face. “Read for me, prima? Same as usual,” she said, “but more on Al. I think he’s cheating. That son of a bitch.”

“Only a fool would do such a thing,” said Maria Josie sarcastically. “Unimaginable.”

Lizette blushed. Her ridged cheekbones gave her an ornamental look, and her eyes were a galaxy of greens and golds and black. The cousins had been inseparable since Luz first arrived in Denver. “Thank you, Tía,” said Lizette.

Luz reached for her brass kettle, the water kept at a low boil over the kerosene burner, her fingers scented with fuel. She lifted the kettle and poured tea into a white cup. It was always the same when she read for Lizette. Usually she saw a doll and a rattle, and in recent years, as her sight grew stronger, Luz glimpsed a sunny apartment with a yellow kitchen, white French doors, brick walls.

“Think of your question,” said Luz, handing the cup to Lizette. “Don’t get sidetracked like usual.”

Lizette held the cup to her mouth, puffed as if blowing out birthday candles. “Me?”

“Yes, you,” Maria Josie said.

Lizette stared coolly at Maria Josie before finishing her tea and handing the cup to Luz. “What’s the damage?”

Delicately, Luz placed the cup brim down, draining leftover tea on a cloth napkin, the brown water bleeding onto the fabric. She turned the cup counterclockwise three times before flipping it over and gazing inside, the leaves darkly drenched like ground liver. A star, a boot, stray images along the ridge. Luz focused until the symbols blurred, giving way to another view, a moment caught like trout from a river. Black hair rising and falling over white sheets, Lizette’s curls perfumed with rose water. A long, airy moan. Teeth against floral pillows, a curved toe hitting a metal bed frame. Luz closed her eyes, she turned away from the cup.

“Wow, Lizette,” Luz said, flatly. “You aren’t even married yet.”

Lizette removed a penny from her clutch and dropped it onto the table. “Stop looking!”

“You asked me to!”

“Better not be,” said Maria Josie, with seriousness. “Who can afford a baby right now?”

Lizette stuck out her tongue. She stood and smacked her own ass draped in the decaying fur coat and walked off toward a hat booth, her pockets holey without change.

“That girl,” Maria Josie said, “is unscrupulous.”

Through a sound like falling ice, the Ferris wheel shifted its gears. Maria Josie stood from her seat. She placed both hands firmly in her pockets and told Luz that she was going in search of atole, but her gaze drifted, her attention clearly on Mrs. Dolores Reyes, the young widow kicked up against a steel pigpen in a peach polka dot dress, her beige pumps covered in mud. She smiled as Maria Josie headed her way.



* * *





The festival was packed, and from somewhere among the tents, a man whistled at Luz, then another hissed and clicked his tongue. She hunched forward, hoping to make herself small, unnoticeable. Luz hated to be left alone. But she kept it to herself. Maria Josie had taught Luz that showing fear drew more of it. And there was a lot to be afraid of. Luz glanced toward her knife, slipped gently into her boot, a comfort just to keep it there. On the main stage, the woman in the orange shawl waved as she carted away her flour. Neighborhood children then scrambled onto the platform. Diego paid them in licorice and baseball cards to stack fruit crates, his stagehands of twig arms and legs. One of the boys hollered into a red bullhorn. “Arriba, mira, you’ll see him soon. Diego Lopez,” the boy shouted. “Snake Charmer.”

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