Winter in Paradise (Paradise #1)(66)
When Irene’s father showed up on the weekends, they went out on the boat to fish for smallmouth bass and walleye, and he took over Irene’s unpleasant tasks so that she could swim in the lake. She swam the crawl, arms pulling, legs like a propeller, breathing every third stroke, alternating sides.
The movement comes right back to Irene, even though it has been a while since she really swam. She spent nearly a hundred thousand dollars on the pool in her Iowa City backyard, forty feet long, but she only did what Russ called the “French dip”—into the water to her neck and then back out in a matter of seconds. She would hold her braid up so that it didn’t get wet; the chlorine gave her hair a greenish tint. There had been a time—in the mid-nineties, maybe—when she had gone to the community pool on Mondays, Wednesdays, and Fridays to do laps—thirty-six laps, half a mile, in the name of physical fitness. But that lasted only a couple of months, the way those things do.
Irene swims out at first, toward Jost Van Dyke. Then she finds a calm swath of water and starts to the east. When she catches sight of the neighboring bay, she turns around and heads back.
There isn’t time to think while she’s swimming except about her heart, her lungs, her eyes, which are stinging, and her arms and legs.
She misses her father. He was a man of few words but he loved her; she is named after his favorite song, “Goodnight, Irene.” Irene even misses her mother, though her mother had turned bitter and hard after Olga left the house on Clark Lake to Aunt Ruth. Irene’s mother had never forgiven Olga or Ruth; her last words to her sister were at Olga’s funeral. Irene has often wondered why Olga made the decision to leave the house to one daughter instead of the other. Did she, in fact, love Ruth more? Or were they simply closer, the way Irene is closer to Cash and Russ was closer to Baker? Or did Olga feel sorry for Ruth because she was single and childless, while Mary had a husband and a daughter? Maybe the house was meant to be an attempt to make up for the bad luck life had dealt Ruth. Irene, of course, will never know, just as she will never know why Russ engaged in such a tremendous deception. It’s newly astonishing to Irene that as much as we know about the world, we still can’t see into another person’s mind or heart.
Irene remembers when she introduced Russ to her parents. His ardor for Irene had been on grand display, and Irene wondered how her emotionally reserved parents would view a man who was so outspoken about his feelings. Mary, Irene recalls, had said, “That young man certainly wears his heart on his sleeve.”
Before the cataclysmic revelations of this past week, Irene had agreed with that statement: Russell Steele was a man who wore his heart on his sleeve. But, as it turned out, it wasn’t his real heart.
Russ loved Rosie. To deny this in the name of self-preservation is folly. Fine, then, Irene thinks. She can accept it but she is allowed to be hurt and angry.
And now, for the next revelation.
Maia is Russ’s daughter.
Irene had looked at the picture on Huck’s phone and she had very nearly fainted. The girl, although only twelve years old and half West Indian, was Russ. She looked exactly like him. She looked more like him than either of the boys did.
That’s Russ’s daughter.
It can’t be, Huck said. It was years before…
Huck had calculated back. Maia was seven when his wife, LeeAnn, died, and the one thing he knew for sure was that Rosie started seeing “the Invisible Man,” Russ, after LeeAnn died. The other fella, Maia’s father, was years before.
That’s Russ’s daughter, Irene insisted. She showed Huck the photograph she’d found wedged under the mattress in the master bedroom, but in that photo, Russ was wearing sunglasses, and so Irene had pulled up a picture from off her phone. She had to scroll all the way back to the summer before, a picture of Russ and Irene at the magazine’s annual cookout. Before handing the phone over, Irene marveled at how normal they looked—Russ with his silvering hair and his dad shorts, Irene with her braid, wearing the very same dress she had on right then. Did she remember anything peculiar about that cookout? Not one thing. The cookout was always potluck. Irene brought her corn salad with dill, toasted pine nuts, and Parmesan, and people raved over it; she told them the secret was just-picked corn. Go to the stand just off I-80, she said. It’s so much better than the Hy-Vee! She drank the fruity sangria that Mavis Key brought in an elaborate glass thermos with a nickel-plated spout and a cast-iron stand. Irene had gotten a little tipsy. She and Russ had danced to the bluegrass band; Irene fell asleep on the way home. It was one night of a thousand nights where she was just a regular married woman, maybe one with a grudge against the shiny, newfangled ways of Mavis Key.
When Huck looked at that picture, he pressed his lips into a straight line.
Irene swims until it feels like her arms might break and then she heads for shore. She staggers out of the water, wraps herself in a towel, and bends over, staring at her feet.
Maia is twelve, born in November. The story that Rosie told Huck is that the Pirate came in on a “big yacht” over Valentine’s weekend and stayed for four nights. Rosie was working as a cocktail waitress at Caneel Bay. She served the Pirate and his “friends,” the Pirate took a liking to her, things went from there. The Pirate left on Tuesday morning, never to be heard from again, according to Rosie. A month or two later, when Rosie discovered she was pregnant, this was the story she told. She had never given the man’s name. Huck said that, on the birth certificate, the father’s name was left blank. I was at the hospital when Maia was born, he said. I was there.