Where the Crawdads Sing(13)

She nodded, then remembered how Ma taught her. “Thank ya.”

“All right, then. My name’s Tate ’case ya see me again.”

She didn’t respond, so he said, “Bye now.”

As he headed out, slow raindrops splattered the lagoon beach, and she said, “It’s gonna rain bullfrogs; that boy’ll get soaked through.”

She stooped to the gas tank and stuck in her reed dipstick, cupping her hands around the rim, so rain wouldn’t drop in. Maybe she couldn’t count coins, but she knew for sure, you can’t let water get in gas.

It’s way low. Pa’s gonna know. I gotta tote a can to the Sing Oil ’fore Pa gits back.

She knew the owner, Mr. Johnny Lane, always referred to her family as swamp trash, but dealing with him, the storms, and tides would be worth it, because all she could think of now was getting back into that space of grass and sky and water. Alone, she’d been scared, but that was already humming as excitement. There was something else, too. The calmness of the boy. She’d never known anybody to speak or move so steady. So sure and easy. Just being near him, and not even that close, had eased her tightness. For the first time since Ma and Jodie left, she breathed without pain; felt something other than the hurt. She needed this boat and that boy.



* * *



? ? ?

THAT SAME AFTERNOON, holding his bike by the handlebars, Tate Walker strolled through town, nodding at Miss Pansy in the Five and Dime, and past the Western Auto to the tip of the town wharf. He scanned the sea for his dad’s shrimp boat, The Cherry Pie, and spotted its bright red paint far out, the wide net-wings rocking with the swells. As it neared, escorted by its own cloud of gulls, he waved, and his father, a large man with mountain shoulders and thick red hair and a beard, threw his hand in the air. Scupper, as everyone in the village called him, tossed the line to Tate, who tied up, then jumped on board to help the crew unload the catch.

Scupper tousled Tate’s hair. “How’s it, son? Thanks for coming by.”

Tate smiled, nodded. “Sure.” They and the crew busied about, loading shrimp into crates, toting them to the wharf, calling out to one another about grabbing beers at the Dog-Gone, asking Tate about school. Taller by a hand than the other men, Scupper scooped up three wire crates at a time, carrying them across the plank, going back for more. His fists were bear-sized, knuckles chapped and split. In less than forty minutes the deck was hosed, nets tied, lines secured.

He told the crew he’d join them another day for beer; he had to do some tuning up before going home. In the wheelhouse, Scupper put a 78 record of Miliza Korjus on the player strapped to the counter and turned the volume up. He and Tate went below and squeezed into the engine hold, where Tate handed tools to his dad as he greased parts and tightened bolts by a dim lightbulb. All the while the soaring, sweet opera lifted higher into the sky.

Scupper’s great-great-grandfather, emigrating from Scotland, had shipwrecked off the coast of North Carolina in the 1760s and was the only survivor. He swam to shore, landing on the Outer Banks, found a wife, and fathered thirteen children. Many could trace their roots back to that one Mr. Walker, but Scupper and Tate stayed mostly to themselves. Didn’t join the Sunday picnic spreads of chicken salad and deviled eggs with their relatives often, not like they had when his mother and sister were still there.

Finally, in the graying dusk, Scupper slapped Tate on the shoulders. “All done. Let’s get home, get supper on.”

They walked up the wharf, down Main, and out a winding road to their house, a two-story with weathered cedar-shake siding, built in the 1800s. The white window trim had been painted fresh, and the lawn running almost to the sea was cut neat. But the azaleas and rosebushes next to the house sulked in weeds.

Pulling off yellow boots in the mudroom, Scupper asked, “You tired of burgers?”

“Never tired of burgers.”

Tate stood at the kitchen counter, picking up globs of hamburger meat, forming patties, and placing them on a plate. His mother and sister, Carianne, both wearing baseball caps, grinned at him from a picture hanging next to the window. Carianne loved that Atlanta Crackers cap, had worn it everywhere.

He looked away from them, started slicing tomatoes, stirring baked beans. If not for him, they’d be here. His mother basting a chicken, Carianne cutting biscuits.

As usual Scupper got the burgers a bit black, but they were juicy inside and thick as a small city phone book. Both hungry, they ate in silence for a while, and then Scupper asked Tate about school.

“Biology’s good; I like it, but we’re doing poetry in English class. Can’t say I like it much. We each gotta read one out loud. You used to recite some, but I don’t remember them.”

“I got the poem for you, son,” Scupper said. “My favorite—‘The Cremation of Sam McGee’ by Robert Service. Used to read it out to y’all. Was your mama’s favorite. She laughed every time I read it, never got tired of it.”

Tate looked down at the mention of his mother, pushed his beans around.

Scupper went on. “Don’t go thinking poetry’s just for sissies. There’s mushy love poems, for sure, but there’s also funny ones, lots about nature, war even. Whole point of it—they make ya feel something.” His dad had told him many times that the definition of a real man is one who cries without shame, reads poetry with his heart, feels opera in his soul, and does what’s necessary to defend a woman. Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment: