When We Left Cuba(28)



“It’s ‘fear to.’”

He pauses. “Excuse me?”

“Forty-seven across. The answer you were looking for is ‘fear to.’”

What might be a smile flashes across his face. “So it is. ‘Where angels fear to tread.’ Imagine that.” He winks, and with a quick “Good luck, Miss Perez,” he is gone.

I drain my drink, resisting the urge to order another. My mother drilled the risk of overindulgence into all of us, but then again, she never would have approved of any of this, so in for a penny, in for a pound, as they say.

The same waitress from earlier returns to the table, clearing away Mr. Dwyer’s drink.

“He’ll never leave his wife,” she says to me.

“Pardon me?”

She leans in closer, busying herself with wiping off the table. “Don’t mind me saying so, but a young, pretty girl like you deserves better than a man like that. I see them come in and out of here; all of them have a story, you know. Their wife doesn’t understand them, they’re just together for the kids, it gets lonely traveling so much, but someone has to provide for the family.” She makes a noise of disgust. “Creeps, if you ask me.”

“I’m not—he’s not my lover or anything. He’s an old family friend.”

“They’ll say that, too, in the beginning. They’ll say just about anything to get close to you.” Her eyes narrow. “You’re not from around here, are you?”

“No, I’m not.”

“Just be careful. This city can swallow you up before you even realize it. Lots of pretty girls like you come here looking for adventure and find heartbreak instead.”

Something about the waitress’s manner, her maternal concern, reminds me of my nanny, Magda. My father told my sisters and me that Magda left Havana and went to the country to stay with her family. While I understand her reluctance to leave Cuba and her family, it doesn’t feel right not having her in the United States with us.

“Thank you. I appreciate it.”

“Would you like another drink?” she asks.

I order one more. The occasion calls for it.



* * *



? ? ?

The next evening, I peer out at Harlem from the comfort of a cab, the exterior of the Hotel Theresa looming before me. I spent the day exploring the neighborhood around my hotel, and now, the farther away we travel, the more my surroundings change. The hotel is a far cry from mine, the surrounding businesses anything but swanky. But the hotel is only one part of the picture, and at the moment, it’s far from the most dramatic.

I never realized how much I viewed America as a haven, how much I enjoyed the freedom from having to hear Fidel’s speeches, the absence of the yoke of fear we lived under those weeks before we left Cuba. Fidel’s presence is a constant reminder of all we’ve lost, all he’s stolen, and now, he’s here, and this is another thing he’s taken from us, as he invades our sanctuary, too.

Mobs of people carrying signs surround the hotel entrance, police barricades erected to maintain a semblance of crowd control. Except it doesn’t look controlled at all. It’s chaos, and the sight of those people takes me back to the streets of Havana in the days after the revolution, after President Batista boarded a plane for the Dominican Republic in the dead of night and left us in the hands of Fidel and his followers.

The energy here is palpable, the excitement and hope similar to the messianic welcome Fidel received when he marched into Havana. To these people he’s a hero, a Robin Hood figure who has taken from the wealthy and given to the poor. It likely doesn’t hurt that he is handsome in a rugged sort of way, his green fatigues heralding him a soldier, the beard exotic to some, the image he has so carefully cultivated designed to appeal to those rebelling against the old guard.

The sight of their fervor disgusts me.

These people don’t have to live under his regime. They are free here, are able to protest against their government. They celebrate the man who has taken such liberties away from us.

“They say Khrushchev came to see him,” the cab driver comments, a measure of awe in his voice. “Can you imagine that?”

I make a noncommittal sound, my attention on the scene before me.

Someone has hoisted up a Cuban flag, hanging it from the hotel, a symbol of defiance in a foreign land.

A few protestors are interspersed in the throng, their signs decrying the injustices in Cuba under Fidel’s regime. And still, so many—far too many—of the Americans cheer for Fidel, their ignorance and glee a slap in the face. What will it take to make them understand, for them to listen to us?

Artists flock to him, world leaders praise him, the intellectual set fawns over him, writers and poets dine at his table, but for all of their “enlightenment,” they do not bother to look beneath the green-fatigued facade. Is his uniform still so romantic when they learn how many men have seen those fatigues in the last moments of their lives, condemned to death without any semblance of justice? Would they still admire him if they heard the shots from the firing squads, the cries of the murdered, smelled the blood of their countrymen? Write a poem about that, our slow, never-ending death.

“Where would you like me to let you off?” the driver asks me.

“Up ahead is fine.”

“Are you sure? The crowd is growing rowdier.”

Chanel Cleeton's Books