What Happens in Paradise(79)
“Champagne, ladies?” He pours some for Swan and some for Ayers. “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…” He glances over Ayers’s shoulder. “‘We Are Never, Ever, Ever Getting Back Together.’”
Why does he keep doing this? Ayers wonders, but Swan laughs. “Ha! You can say that again!”
Ayers turns to see a cute little speedboat pull up. Tilda is at the wheel and Cash is next to her.
Ayers is seized with panic. Cash is here? What’s Cash doing here? It’s obvious, hello, that he came with Tilda, that’s her parents’ little runabout, though they also have a sixty-two-foot single-hull sailboat. Tilda and Cash? Yes, Baker told her this the other night. It’s good, it’s great, Tilda and Cash together isn’t the problem—except, maybe, for Skip. The problem is that Cash will see Ayers here with Mick and report back to Baker.
Ugh! Arrgh! What can she do? Can she pretend she’s here with Swan? Maybe Cash and Tilda won’t stay; there are a lot of boats here already, maybe they want privacy, maybe they’ll head over to Mermaid’s Chair where they can be alone. Or to Dinghy’s on Water Island.
Go to Dinghy’s! Ayers thinks.
But Tilda has earned her place at this party; she works just as hard as everyone else. Ayers notices she gets a sadistic grin on her face when she sees Skip. She must want to gloat.
Cash and Tilda raft up with Mick. Ayers watches Mick and Cash shake hands. Ayers offers a lame little wave.
Captain Stephen starts playing the guitar and singing “Southern Cross.”
Think about how many times I have fallen…
Mick’s hand lands on the back of Ayers’s neck. He knows how much she loves this song.
The pizza arrives—one carbonara with lobster, one bloomin’ onion drizzled with lemon aioli, and Ayers’s ultimate splurge, the chocolate-banana Pizza Stix. She drinks her champagne—Skip has, generously, left the bottle for her and Swan to split—and she eats some pizza, plays tug-of-war with the crust with Gordon, and dives off the boat for a swim.
Tilda and Cash have noodles. They’re floating in the water, interested in no one but each other.
Mick is gone somewhere. Ayers cranes her neck to see if, by chance, Brigid has arrived on any of the boats. Captain Stephen stops playing and there’s the spine-chilling shriek of microphone feedback, then she hears Mick’s voice.
“You guys, can I have your attention please? Hey! Everyone, please quiet down.”
Ayers sees Mick heading toward her with the microphone. Is he going to sing to her or ask her to sing, maybe something from the Jack Johnson Spotify playlist?
It all happens so fast. A hush blankets Christmas Cove, and all eyes are on Mick, now standing in the bow of Funday in front of Ayers, who is dripping wet in her bikini.
He drops to one knee and only then does Ayers get it: the second surprise.
“This is why I went to St. Thomas,” he whispers. He pulls a box out of the pocket of his swim trunks and says into the microphone so that every single person they work and live with on the tiny island that is St. John USVI can hear, “Ayers Wilson, will you marry me? Will you be my wife?”
Ayers isn’t sure where Cash is, but she can feel his eyes boring into her. Swan Seeley claps a hand over her mouth and then everyone starts chanting, “Say yes! Say yes! Say yes!”
Gordon, who never barks, is pressing his flank against Ayers’s leg, barking.
A public proposal is never a good idea, Ayers thinks. Or is it? She can’t say no. She can’t dive off the boat and seek asylum on Little St. James Island. She could, she supposes, beg Cash and Tilda to take her back to Cruz Bay. Yes, that’s what she should do.
But what a buzzkill. What a depressing end to such a well-executed surprise. Ayers realizes that a good number of these people must have been in on it. Nobody knows that Ayers and Mick broke up and that Ayers embarked on a new relationship. They’re all caught up in the theatrics.
Rosie? Ayers thinks with a glance skyward.
But there’s no answer.
Ayers presents her left hand to Mick and he slips the ring on her finger, then stands and pulls her in for a kiss.
The crowd cheers. Ayers studies the diamond. It’s a beautiful ring; she has to give him that. The stone sparkles so brightly that Ayers is, temporarily, blinded.
Cash
Cash takes a picture of Mick down on one knee, holding out a ring to Ayers. He sends it to Baker with a caption that reads She said yes, dude. Sorry.
Maybe, just maybe, it was all for show. Cash always wondered about guys who thought it was a good idea to propose during the seventh-inning stretch of a Colorado Rockies game or up on the stage during a Jason Aldean concert. Was it to guarantee a yes because most women wouldn’t say no in front of twenty thousand people? But then, later, was the ring pulled off the finger, put back in the box, and taken to the nearest pawnshop? Ayers looked surprised but not necessarily happy.
On the boat ride home, he asks Tilda for her opinion.
“She looked dazzled,” Tilda says. “In the best possible way. And who can blame her? Those two have been together forever, they’ve had their issues and come out the other side. They’ll get married and have kids. They’ll be great parents. They dote on Mick’s dog, Gordon.”
“Okay,” Cash says.