What Happens in Paradise(13)

After the money is beneath the bed, he stacks all the issues of Field and Stream and National Geographic that he’s collected over the past twenty years around the bed so that if Maia does come poking around, she will see only that Huck is a packrat.

Money hidden, he feels a little better. He drives to Gifft Hill to pick up Maia from school.

A hundred and twenty-five grand. In cash. In a dresser drawer.

It’s a lot of money, but it’s not enough to kill two people over; that’s Huck’s thought as he pulls into the school parking lot.

Maia is lingering by the gate with her friend Joanie and two boys Huck recognizes but can’t put names to. All four kids have their phones out and they’re laughing at something on the screen. Huck knows Maia sees him and he also knows enough to be patient and not tap the horn or, God forbid, call out to her. That would be so embarrassing.

Maia runs over to his window and he cranks it down.

“Hello there,” he says. His voice sounds normal to his own ears, gruff, grandfatherly. All of his internal panic about having so much cash hidden under his bed is, he thinks, undetectable. “Are you not getting in?”

Maia bites her lip. “Would you take me and my friends into town so we can walk around?”

“Walk around and do what?” Huck asks. Cruz Bay is a small town consisting mostly of bars. Three o’clock is when happy hour at Woody’s starts, luring people off the beaches in the name of good, cheap rum punch, and at four o’clock, all of the excursion boats pull in and disgorge people who have been drinking all day, most of whom are interested in continuing their drinking on land. This is all well and good for the island economy—Cruz Bay in the late afternoons is one of the most festive places on earth—but it’s not exactly a wholesome environment for a bunch of twelve-year-olds.

Maia shrugs. “Get ice cream at Scoops, walk around Mongoose, maybe listen to the guitar player at the Sun Dog. He knows some Drake songs.”

Huck is pretty cool for a grandpa; he, too, knows some Drake songs. “All right. Pile in, I guess. What time should I plan to pick you up?”

“Joanie’s mom will bring us home,” Maia says.

“Fine,” Huck says. If Julie is on board with the kids going into town, then Huck figures it must be all right. Joanie climbs into the truck, giving Huck a fist bump, but the boys offer him scared sideways looks, like he’s Lurch from The Addams Family. This actually cheers Huck up a bit.

“Hey, fellas,” he says. “I’m Captain Huck. Remind me of your names.”

“Colton,” says one.

“Bright,” says the other.

Colton and Bright—Huck has definitely heard both names before, so that’s good. The four kids wedge themselves into the back seat of the truck’s cab, leaving Huck to feel like very much the chauffeur. He nearly asks Maia to move up front, but he doesn’t want to embarrass her and he supposes that part of the fun is being smushed up against a boy. This is how it all starts, Huck thinks. One minute you’re leg to leg with a boy in your grandpa’s truck during a ride into town, and the next minute you’re hiding a hundred and twenty-five thousand of that boy’s illegally gotten dollars in your dresser drawer.

Huck heads up the hill to Myrah Keating, then takes a left on the Centerline Road. At every curve and dip, the kids hoot as though the thrill of the ride is brand-new, even though they’ve all grown up driving on this crazy road. When they descend to the roundabout and Huck signals to go right toward Mongoose Junction, Maia says, “Actually, Gramps, can you drop us off at Powell Park? We’re waiting for some Antilles kids to get off the ferry.”

“Antilles kids?” Huck says. Antilles is the private school over on St. Thomas. “Not those rascals.”

One of the boys guffaws and Huck can practically hear Maia rolling her eyes. Waiting for the Antilles kids is fine, Huck supposes. Powell Park attracts a colorful cast of characters but it’s perfectly safe to hang out there in the midafternoon. So why does Huck feel uneasy? He knew these days were coming; Maia wasn’t going to stay a child forever. But he’s not ready. He should probably acknowledge that he’ll never be ready. He needs Rosie back from the dead; he needs LeeAnn. Ayers has offered to serve as a surrogate mother but she has her own life, two jobs and a boyfriend, so how much can he really ask of her?

Huck has gotten used to the solo life, but right now he could really use a partner.

Irene? He immediately chastises himself for the thought. He must be out of his mind.



That night, after Maia shows Huck her completed homework and then goes into her room to FaceTime Joanie and giggle about God knows what—probably Colton and Bright or possibly a boy who goes to Antilles—Huck climbs into bed with his Michael Connelly novel. He’s been reading this book since before Rosie died, which is an addling thought. When he first cracked open The Late Show a couple weeks ago, his life was one way, and now that he’s on page 223, it’s completely another. Now Rosie is dead—dead!—and he’s hiding a hundred and twenty-five grand under his bed. The book does the trick, though—keeps him engrossed for a few chapters until his eyelids start to feel heavy. He closes the book and turns off the light.

Sleep, he thinks.

But he can’t sleep. He might as well have a pile of uranium under the bed; the money feels radioactive.

A hundred and twenty-five thousand dollars. In cash.