Unravel Me (Shatter Me, #2)(65)
The antonym of excellent.
I manage a feeble smile and tell them I’ll see what I can do to sedate him. They nod, eager to believe I’m capable of something I know I’m not and they unlock the door. “Just knock to let us know when you’re ready to leave,” they tell me. “Call for us and we’ll open the door.”
I’m nodding yes and sure and of course and trying to ignore the fact that I’m more nervous right now than I was meeting his father. To be alone in a room with Warner—to be alone with him and to not know what he might do or what he’s capable of and I’m so confused, because I don’t even know who he is anymore.
He’s 100 different people.
He’s the person who forced me to torture a toddler against my will. He’s the child so terrorized, so psychologically tormented that he’d try to kill his own father in his sleep. He’s the boy who shot a defecting soldier in the forehead; the boy who was trained to be a cold, heartless murderer by a man he thought he could trust. I see Warner as a child desperately seeking his dad’s approval. I see him as the leader of an entire sector, eager to conquer me, to use me. I see him feeding a stray dog. I see him torturing Adam almost to death. And then I hear him telling me he loves me, feel him kissing me with such unexpected passion and desperation that I don’t know I don’t know I don’t know what I’m walking into.
I don’t know who he’ll be this time. Which side of himself he’ll show me today.
But then I think this must be different. Because he’s in my territory now, and I can always call for help if something goes wrong.
He’s not going to hurt me.
I hope.
FORTY-FIVE
I step inside.
The door slams shut behind me but the Warner I find inside this room is not one I recognize at all. He’s sitting on the floor, back against the wall, legs outstretched in front of him, feet crossed at the ankles. He’s wearing nothing but socks, a simple white T-shirt, and a pair of black slacks. His coat, his shoes, and his fancy shirt are all discarded on the ground. His body is toned and muscular and hardly contained by his undershirt; his hair is a blond mess, disheveled for what’s probably the first time in his life.
But he’s not looking at me. He doesn’t even look up as I take a step closer. He doesn’t flinch.
I’ve forgotten how to breathe again.
Then
“Do you have any idea,” he says, so quietly, “how many times I’ve read this?” He lifts his hand but not his head and holds up a small, faded rectangle between 2 fingers.
And I’m wondering how it’s possible to be punched in the gut by so many fists at the same time.
My notebook.
He’s holding my notebook.
Of course he is.
I can’t believe I’d forgotten. He was the last person to touch my notebook; the last person to see it. He took it from me when he found that I’d hidden it in the pocket of my dress back on base. This was just before I escaped, just before Adam and I jumped out the window and ran away. Just before Warner realized he could touch me.
And now, to know that he’s read my most painful thoughts, my most anguished confessions—the things I wrote while in complete and utter isolation, certain that I would die in that very cell, so certain no one would ever read the things I wrote down—to know that he’s read these desperate whispers of my private mind.
I feel absolutely, unbearably naked.
Petrified.
So vulnerable.
He flips the notebook open at random. Scans the page until he stops. He finally looks up, his eyes sharper, brighter, a more beautiful shade of green than they’ve ever been and my heart is beating so fast I can’t even feel it anymore.
And he begins to read.
“No—,” I gasp, but it’s too late.
“I sit here every day,” he says. “175 days I’ve sat here so far. Some days I stand up and stretch and feel these stiff bones, these creaky joints, this trampled spirit cramped inside my being. I roll my shoulders, I blink my eyes, I count the seconds creeping up the walls, the minutes shivering under my skin, the breaths I have to remember to take. Sometimes I allow my mouth to drop open, just a little bit; I touch my tongue to the backs of my teeth and the seam of my lips and I walk around this small space, I trail my fingers along the cracks in the concrete and wonder, I wonder what it would be like to speak out loud and be heard. I hold my breath, listen closely for anything, any sound of life and wonder at the beauty, the impossibility of possibly hearing another person breathing beside me.”
He presses the back of his fist to his mouth for just a moment before continuing.
“I stop. I stand still. I close my eyes and try to remember a world beyond these walls. I wonder what it would be like to know that I’m not dreaming, that this isolated existence is not caged within my own mind.
“And I do,” he says, reciting the words from memory now, his head resting back against the wall, eyes pressed shut as he whispers, “I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can’t tell the difference, I’m never quite certain whether or not I’m actually alive. So I sit here. I sit here every single day.”
I’m rooted to the ground, frozen in my own skin, unable to move forward or backward for fear of waking up and realizing that this is actually happening. I feel like I might die of embarrassment, of this invasion of privacy, and I want to run and run and run and run and run