Unravel Me (Shatter Me, #2)(33)

So we have to get ourselves to the compounds as quickly as possible.

The plan is for Kenji—whose gift enables him to blend into any background—to travel ahead of the pack, making himself invisible as he checks to make sure our paths are clear. The rest of us hang back, careful, completely silent. We keep a few feet of distance between ourselves, ready to run, to save ourselves if necessary. It’s strange, considering the tight-knit nature of the community at Omega Point, that Castle wouldn’t encourage us to stay together. But this, he explained, is for the good of the majority. It’s a sacrifice. One of us has to be willing to get caught in order for the others to escape.

Take one for the team.

Our path is clear.

We’ve been walking for at least half an hour and no one seems to be guarding this deserted piece of land. Soon, the compounds come into view. Blocks and blocks and blocks of metal boxes, cubes clustered in heaps across the ancient, wheezing ground. I clutch my coat closer to my body as the wind flips on its side just to fillet our human flesh.

It’s too cold to be alive today.

I’m wearing my suit—which regulates my body heat—under this outfit and I’m still freezing. I can’t imagine what everyone else must be going through right now. I glance at Brendan only to find him already doing the same. Our eyes meet for less than a second but I could swear he smiled at me, his cheeks slapped into pinks and reds by a wind jealous of his wandering eyes.

Blue. So blue.

Such a different, lighter, almost transparent shade of blue but still, so very, very blue. Blue eyes will always remind me of Adam, I think. And it hits me again. Hits me so hard, right in the core of my very being.

The ache.

“Hurry!” Kenji’s voice reaches us through the wind, but his body is nowhere in sight. We’re not 5 feet from setting foot in the first cluster of compounds, but I’m somehow frozen in place, blood and ice and broken forks running down my back.

“MOVE!” Kenji’s voice booms again. “Get close to the compounds and keep your faces covered! Soldiers at three o’clock!”

We all jump up at once, rushing forward while trying to remain inconspicuous and soon we’ve ducked behind the side of a metal housing unit; we get low, each pretending to be one of the many people picking scraps of steel and iron out from the heaps of trash stacked in piles all over the ground.

The compounds are set in one big field of waste. Garbage and plastic and mangled bits of metal sprinkled like craft confetti all over a child’s floor. There’s a fine layer of snow powdered over everything, as if the Earth was making a weak attempt to cover up its ugly bits just before we arrived.

I look up.

Look over my shoulder.

Look around in ways I’m not supposed to but I can’t help it. I’m supposed to keep my eyes on the ground like I live here, like there’s nothing new to see, like I can’t stand to lift my face only to have it stung by the cold. I should be huddled into myself like all the other strangers trying to stay warm. But there’s so much to see. So much to observe. So much I’ve never been exposed to before.

So I dare to lift my head.

And the wind grabs me by the throat.





TWENTY


Warner is standing not 20 feet away from me.

His suit is tailor-made and closely fitted to his form in a shade of black so rich it’s almost blinding. His shoulders are draped in an open peacoat the color of mossy trunks 5 shades darker than his green, green eyes; the bright gold buttons are the perfect complement to his golden hair. He’s wearing a black tie. Black leather gloves. Shiny black boots.

He looks immaculate.

Flawless, especially as he stands here among the dirt and destruction, surrounded by the bleakest colors this landscape has to offer. He’s a vision of emerald and onyx, silhouetted in the sunlight in the most deceiving way. He could be glowing. That could be a halo around his head. This could be the world’s way of making an example out of irony. Because Warner is beautiful in ways even Adam isn’t.

Because Warner is not human.

Nothing about him is normal.

He’s looking around, eyes squinting against the morning light, and the wind blows open his unbuttoned coat long enough for me to catch a glimpse of his arm underneath. Bandaged. Bound in a sling.

So close.

I was so close.

The soldiers hovering around him are waiting for orders, waiting for something, and I can’t tear my eyes away. I can’t help but experience a strange thrill in being so close to him, and yet so far away. It feels almost like an advantage—being able to study him without his knowledge.

He is a strange, strange, twisted boy.

I don’t know if I can forget what he did to me. What he made me do. How I came so close to killing all over again. I will hate him forever for it even though I’m sure I’ll have to face him again.

One day.

I never thought I’d see Warner on the compounds. I had no idea he even visited the civilians—though, in truth, I never knew much about how he spent his days unless he spent them with me. I have no idea what he’s doing here.

He finally says something to the soldiers and they nod, once, quickly. Then disappear.

I pretend to be focused on something just to the right of him, careful to keep my head down and cocked slightly to the side so he can’t catch a glimpse of my face even if he does look in my direction. My left hand reaches up to tug my hat down over my ears, and my right hand pretends to sort trash, pretends to pick out pieces of scraps to salvage for the day.