Tunnel of Bones (City of Ghosts #2)(11)
No, no, no, I think as the Veil parts beneath my fingers, and I fall down and through.
A short, sharp drop.
A shock of cold.
The taste of the river in my throat.
And then I’m on my hands and knees on the hard stone floor.
Pain scrapes across my palms, and my camera swings from the strap around my neck.
The tunnel is dark, and I blink my eyes rapidly, willing them to adjust. The only light I can see is the one coming from my own chest. The blue-white glow shines brightly, but only as far as my shirt. Not exactly a human flashlight. More like a human firefly.
I get to my feet, pulling the mirror from my back pocket.
“Jacob?” I whisper, but there’s no answer.
As my eyes adjust, I realize there’s another light, low and red, coming from around the corner. It reminds me of the light I use in my darkroom back home when I’m developing film.
I start toward it, and then I hear a small sound, like pebbles moving or feet shuffling over dirt, and the red light shrinks away.
“Hello?” I call, walking faster. But by the time I round the corner, the crimson light is gone, replaced by an old-fashioned lantern sitting on the ground. It throws off an unsteady yellow glow and casts shadows on the surrounding skulls, so it looks like they’re grinning. Scowling. Shocked.
I realize then how quiet the tunnel is, how empty.
I heard the ghosts, didn’t I? So where are they now?
Something moves behind me in the dark. I can feel it. My hand tightens on the pendant, and I’m working up the nerve to turn around when I hear the voice.
“Cassidy.”
Jacob. I sag with relief and I turn, only to find his face sharp, angry.
“I thought we agreed not to do this,” he says, arms folded tight across his chest.
“I didn’t want to,” I say. “I swear.”
“Whatever,” he says, “let’s just go before something—”
A pebble skitters across the stone floor behind us.
“Did you hear that?” I ask.
“Could be the bones settling,” he says, “or the wind.”
But there’s no wind down here, and we both know it wasn’t the bones, especially when the next sound is the crunch of feet. Someone else is here. I start forward, but Jacob catches my hand.
“We have no map,” he warns me.
He’s right. Space is space. A step in the Veil is a step on the other side. If we wander too far away from my parents and the crew, I could end up lost in the real world, too. Trapped in this maze.
And then a playful young voice, somewhere in the distance, calls out in French.
“Un … deux … trois …”
“Nope,” says Jacob. He’s already pulling me backward, already reaching for the curtain.
“Wait,” I say, trying to twist free as the voice calls again. But Jacob tightens his grip.
“Look,” he says. “I get it. You can’t help yourself. It’s your nature. Your purpose, whatever. You have to look under the bed. Open the closet. Peek behind the curtain. But have a little common sense, Cass. We are fifty feet underground, surrounded by bones with only a lantern for light, and I’m officially invoking rule twenty-one of friendship, and we are leaving right now, together.”
He’s right. I sigh, and nod. “Okay. Let’s go.”
Jacob exhales with relief, and grabs the curtain. The Veil ripples and parts, and I follow him through. But at the last second, before the Veil is swept away, I look back, into the tunnel, and I swear I see a shadow moving along the wall, its edges glowing red.
But then the Veil is gone, and I’m falling, ice water in my lungs before the world shutters back into focus, solid again, the lights bright. I hear the sounds of the camera crew packing up, and Pauline’s high heels clicking on the rock floor, and my parents’ voices moving toward me.
I’m on my knees on the grimy stones, but I hurriedly bring the camera’s viewfinder to my eye. I snap a photo—an arch of skulls around a gravestone—the second before Mom rounds the corner.
“Cassidy,” she says, exasperated. “I found her!” she calls back over her shoulder.
I manage a weak smile. “I was just taking some pictures,” I say, my voice a little shaky, my hands and knees slick with dirt. “For the show.”
“Too close, Cass,” says Jacob. He leans moodily back against the wall—or at least he starts to. At the first brush of bone, he jumps away, shuddering in disgust.
Mom studies me for a moment, then nods. “I admire your dedication, dear daughter,” she says, patting my hair, “but next time, stay where we can see you?”
“I’ll try,” I say as she kisses my head and pulls me to my feet.
As I follow her down the tunnel, I can’t help but look back into the darkness, half expecting to see the red light dancing along the wall. But all I see is darkness, shadows falling over bones.
Do you ever feel like you’re being followed?
That prickle on the back of your neck that tells you someone is watching?
I can’t shake that feeling as we reach the top of the stairs, trading the tunnels for the Paris streets. As we walk, I keep glancing back over my shoulder, sure that I’ll see something, someone, and every time I look, I feel like I’ve just missed them. My eyes start playing tricks on me, until every shadow looks like it’s moving. Every streak of sunlight has a shape.